Music Box
(1989) As a lawyer all she wanted was the truth. As a daughter all she wanted was his innocence. How well do you really know your father? | Released
Ratings
7.1
7.3
75%
Financials
Revenue: $6,263,883
Budget: $0
Profit: + $6,263,883
Movie Details
Tag Line: As a lawyer all she wanted was the truth. As a daughter all she wanted was his innocence. How well do you really know your father?
Status: Released
Average Rating: 7
Release Date: Dec 22, 1989
Rating: PG-13
Run Time: 2h 04m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: TriStar Pictures , Carolco Pictures
Genres
Keywords
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Synopsis
A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Costa-Gavras
|
| First Assistant Director |
Rob Cowan
|
|
| Assistant Director |
Jeanne Caliendo
|
|
| Second Assistant Director |
Jeanne Caliendo
|
|
| Script Supervisor |
Sioux Richards
|
|
| Second Second Assistant Director |
Karen Carter-Lynch
|
|
| Production | Executive Producer |
Hal W. Polaire
Joe Eszterhas
|
| Production Manager |
Michael Polaire
|
|
| Producer |
Irwin Winkler
|
|
| Casting |
Pam Dixon
Mary Goldberg
|
|
| Associate Producer |
Nelson McCormick
|
|
| Location Manager |
Billy Higgins
|
|
| Unit Manager |
Gábor Ujházy
|
|
| Assistant Location Manager |
Mark Mamalakis
|
|
| Production Coordinator |
Judi Rosner
|
|
| Production Accountant |
Robert F. Kocourier
|
|
| Assistant Production Coordinator |
Louise Bublitz Larson
|
|
| Production Secretary |
Charlene Norman
|
|
| Writing | Screenplay |
Joe Eszterhas
|
| Art | Production Design |
Jeannine Oppewall
|
| Set Designer |
Jeannine Oppewall
William B. Fosser
|
|
| Set Decoration |
Erica Rogalla
|
|
| Property Master |
Aaron Holden
|
|
| Construction Foreman |
Tyler Osman
|
|
| Assistant Property Master |
Aaron C. Holden Jr.
|
|
| Leadman |
Joel Prihoda
|
|
| Sound | Original Music Composer |
Philippe Sarde
|
| Music Editor |
Joële Van Effenterre
|
|
| Sound Mixer |
Pierre Gamet
Gérard Lamps
William Flageollet
|
|
| Boom Operator |
Bernard Chaumeil
|
|
| Orchestrator |
Billy Byers
Hubert Bougis
|
|
| Conductor |
Harry Rabinowitz
|
|
| Sound Effects Editor |
Catherine d'Hoir
|
|
| Dialogue Editor |
Katya Chelli
|
|
| Foley Artist |
Jean-Pierre Lelong
Mario Melchiorri
|
|
| ADR Editor |
Harriet Fidlow
|
|
| Camera | Director of Photography |
Patrick Blossier
|
| Still Photographer |
Zade Rosenthal
|
|
| First Assistant Camera |
Steven Hiller
|
|
| Dolly Grip |
David M. Russell
|
|
| Camera Operator |
Gerrit Dangremond
|
|
| Best Boy Grip |
Dennis De La Mata
|
|
| Key Grip |
John Hudecek
|
|
| Editing | Editor |
Joële Van Effenterre
|
| Assistant Editor |
Anne-Marie Leduc
|
|
| Costume & Make-Up | Makeup Artist |
Art Anthony
Steve LaPorte
|
| Costume Design |
Rita Salazar
|
|
| Hairstylist |
Deborah K. Dee
Lyndell Quiyou
Jerry Turnage
|
|
| Set Costumer |
Gina Panno
|
|
| Costume Supervisor |
Cathy Newport-Logan
Kris Jorgensen
|
|
| Costumer |
Joann Turnpaugh Lam
|
|
| Lighting | Gaffer |
Dick Oakes
|
| Best Boy Electric |
Peter Donoghue
|
|
| Crew | Post Production Supervisor |
David Clapham
|
| Department | Role | Name |
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