Ratings
43%
6.2
6.2
26%
Financials
Revenue: $15,185,672
Budget: $0
Profit: + $15,185,672
Movie Details
Tag Line: Buy Now. Pay Later.
Status: Released
Average Rating: 6
Release Date: Aug 27, 1993
Rating: 1996-05-22
Run Time: 2h 00m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema , Castle Rock Entertainment
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Fraser Clarke Heston
|
| Script Supervisor |
Christine Wilson
|
|
| First Assistant Director |
Anthony Brand
|
|
| Second Assistant Director |
Sandra Mayo
|
|
| Third Assistant Director |
Bonnie Benwick
|
|
| Assistant Director Trainee |
Matthew Blecha
|
|
| Production | Producer |
Jack Cummins
|
| Associate Producer |
Gordon Mark
|
|
| Executive Producer |
Peter Yates
|
|
| Casting |
Mary Gail Artz
Barbara Cohen
Stuart Aikins
|
|
| Unit Manager |
Stewart Bethune
|
|
| Production Manager |
Gordon Mark
|
|
| Casting Associate |
Donna Lyn Greenbaum
William Haines
|
|
| Production Coordinator |
Heather Boyd
Elaine Fleming
|
|
| Extras Casting |
Sandra Couldwell
|
|
| Writing | Novel |
Stephen King
|
| Screenplay |
W.D. Richter
|
|
| Camera | Director of Photography |
Tony Westman
|
| Camera Operator |
Armin Matter
|
|
| Key Grip |
Dillard Brinson
|
|
| Dolly Grip |
Gil Forrester
|
|
| Focus Puller |
Robert Creese
Michael Wrinch
|
|
| Still Photographer |
Bob Akester
|
|
| "B" Camera Operator |
Jim Menard
|
|
| Steadicam Operator |
Julian Chojnacki
Stephen S. Campanelli
|
|
| Camera Loader |
Doug Lavender
|
|
| Camera Trainee |
Carrie Laurin
|
|
| Sound | Original Music Composer |
Patrick Doyle
|
| Music Supervisor |
John Stronach
|
|
| Sound Mixer |
Eric Batut
|
|
| Boom Operator |
Chris Glyn-Jones
|
|
| Supervising Sound Editor |
Richard L. Anderson
|
|
| Sound Re-Recording Mixer |
John T. Reitz
David E. Campbell
Gregg Rudloff
|
|
| ADR Recordist |
Allen Hurd
|
|
| ADR Editor |
Alan L. Nineberg
|
|
| Dialogue Editor |
Mike Chock
Charles Ewing Smith
|
|
| Sound Effects Editor |
Eric Lindemann
John Hulsman
|
|
| Foley Editor |
Valerie Davidson
|
|
| First Assistant Sound Editor |
Ralph Stuart
|
|
| Foley Artist |
Joan Rowe
Christopher Moriana
|
|
| Foley Mixer |
Ezra Dweck
|
|
| Foley Recordist |
Dana Johnson
|
|
| ADR Mixer |
Doc Kane
Bill Sheppard
|
|
| Editing | Editor |
Rob Kobrin
|
| First Assistant Editor |
Mark Solomon
|
|
| Crew | Stunts |
Brett Armstrong
Owen Walstrom
Rick Pearce
Mike Crestejo
|
| Pilot |
Steve Wright
|
|
| Stunt Coordinator |
Bill Ferguson
|
|
| Unit Publicist |
Marilyn Heston
|
|
| Special Effects Coordinator |
Gary Paller
|
|
| Special Sound Effects |
John Pospisil
|
|
| Art | Assistant Art Director |
Helen Jarvis
|
| Production Design |
Douglas Higgins
|
|
| Art Direction |
Sheila Haley
|
|
| Set Decoration |
Dominique Fauquet-Lemaitre
|
|
| Property Master |
Dan Sissons
|
|
| Storyboard Artist |
Chris Bartleman
|
|
| Costume & Make-Up | Costume Design |
Monique Prudhomme
|
| Costume Supervisor |
Debbie Douglas
|
|
| Makeup Artist |
Sandy Cooper
Melanie Hughes
|
|
| Hairstylist |
Ian C. Ballard
Roxanne Wightman
|
|
| Special Effects Makeup Artist |
Tibor Farkas
|
|
| Costumer |
Christina Petford
|
|
| Lighting | Gaffer |
Duncan MacGregor
|
| Visual Effects | Visual Effects |
Janek Sirrs
|
| Department | Role | Name |
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