Nemesis
(1992) In the future... it pays to be more than human. | Released
Ratings
5.4
5.6
Financials
Revenue: $2,001,124
Budget: $0
Profit: + $2,001,124
Movie Details
Tag Line: In the future... it pays to be more than human.
Status: Released
Average Rating: 5
Release Date: Dec 26, 1992
Rating: 1993-01-29
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America , Denmark
Production Companies: Imperial Entertainment , Shah/Jensen , Scanbox
Genres
Keywords
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Synopsis
In the future, chaos is rampant as 'information terrorists' threaten to destroy order in society. Alex is a part-man, part-machine LAPD cop who is the best at what he does. When one of the terrorists calls him a machine, Alex questions his humanity and decides to leave the force. His final assignment is to apprehend an old colleague who has stolen some data. However, there is more than meets the eye and Alex must question his allegiance.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Rebecca Charles
Albert Pyun
|
| Directing | Director |
Albert Pyun
|
| Second Unit Director |
Ronnie Rondell Jr.
|
|
| First Assistant Director |
George Parra
|
|
| Second Assistant Director |
Jay Smith
|
|
| Script Supervisor |
Cindy Maxwell
|
|
| Production | Location Manager |
Edward T. Parmalee
Renee Confair
|
| Casting |
Tom McSweeney
Cathy Henderson
|
|
| Producer |
Ash R. Shah
Eric Karson
Tom Karnowski
|
|
| Production Coordinator |
Jessica G. Budin
|
|
| Unit Production Manager |
Tom Karnowski
|
|
| Production Assistant |
Sazzy Lee Calhoun
|
|
| Extras Casting |
Charles Matthews
|
|
| Travel Coordinator |
Pamela S. Cotton
|
|
| Casting Assistant |
Lisa Reading-McSweeney
|
|
| Costume & Make-Up | Special Effects Makeup Artist |
Bernhard Eichholz
Brian Sipe
Jordu Schell
Adrienne Corcoran
Sean Rodgers
Rick Lalonde
Miles Teves
David P. Barton
|
| Costume Design |
Lizz Wolf
|
|
| Hairstylist |
Madelynn von Ritz
|
|
| Makeup Artist |
Madelynn von Ritz
|
|
| Key Makeup Artist |
Teri Blythe
|
|
| Crew | Special Effects |
Tony Chavez
Donald Myers
|
| Stunts |
John-Clay Scott
Erik Rondell
Peter Kent
Robert Apisa
Bob Brown
Billy D. Lucas
Cris Thomas-Palomino
Pat Romano
John C. Meier
Clifford Happy
Danny Wynands
Jimmy Ortega
Phil Chong
Dwayne McGee
Kenny Endoso
Manny Perry
Pat Banta
Janet Lee Orcutt
Michael Runyard
Sven-Ole Thorsen
Maria R. Kelly
Danny Epper
Birgit K. Schier
|
|
| Armorer |
Terry Sepanek
|
|
| Stunt Coordinator |
Ronnie Rondell Jr.
|
|
| Sound | Supervising Sound Editor |
Patrick M. Griffith
Paul Jyrälä
David Lewis Yewdall
|
| Original Music Composer |
Michel Rubini
|
|
| Sound Re-Recording Mixer |
Grover B. Helsley
Robert W. Glass Jr.
Richard D. Rogers
|
|
| Sound Editor |
Stacey A. Foiles
|
|
| Camera | Director of Photography |
George Mooradian
|
| Still Photographer |
Tom Vollick
|
|
| Steadicam Operator |
Mark Emery Moore
|
|
| Camera Loader |
Konstantin von Krusenstiern
|
|
| Key Grip |
Vince Rodriguez
|
|
| Camera Operator |
Stephen G. Shank
|
|
| Editing | Editor |
Mark Conte
David Kern
|
| Art | Art Direction |
Phil Zarling
|
| Production Design |
Colleen Saro
|
|
| Title Designer |
Ernest Farino
|
|
| Property Master |
David Carlton
|
|
| Lighting | Best Boy Electric |
Paul Cotter
|
| Gaffer |
Mark Melville
|
|
| Electrician |
Roger Meilink
|
|
| Visual Effects | Visual Effects Producer |
Leslie Huntley
|
| Special Effects Supervisor |
Terry D. Frazee
|
|
| Visual Effects Supervisor |
Gene Warren Jr.
|
|
| Department | Role | Name |