Ratings
Financials
Revenue: $2,001,124
Budget: $0
Profit: + $2,001,124
Movie Details
Tag Line: In the future... it pays to be more than human.
Status: Released
Average Rating: 5
Release Date: Dec 26, 1992
Rating: R
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America , Denmark
Production Companies: Imperial Entertainment , Shah/Jensen , Scanbox
Genres
Keywords
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Synopsis
In the future, chaos is rampant as 'information terrorists' threaten to destroy order in society. Alex is a part-man, part-machine LAPD cop who is the best at what he does. When one of the terrorists calls him a machine, Alex questions his humanity and decides to leave the force. His final assignment is to apprehend an old colleague who has stolen some data. However, there is more than meets the eye and Alex must question his allegiance.
Crew
Department | Role | Name |
---|---|---|
Crew | Stunts |
Jimmy Ortega
Phil Chong
Peter Kent
Sven-Ole Thorsen
Robert Apisa
Pat Banta
John-Clay Scott
Bob Brown
John Meier
Billy D. Lucas
Danny Epper
Pat Romano
Manny Perry
Erik Rondell
Michael Runyard
Kenny Endoso
Maria R. Kelly
Cris Thomas-Palomino
Danny Wynands
Janet Lee Orcutt
Clifford Happy
Birgit K. Schier
Dwayne McGee
|
Stunt Coordinator |
Ronnie Rondell Jr.
|
|
Special Effects |
Donald Myers
Tony Chavez
|
|
Armorer |
Terry Sepanek
|
|
Production | Producer |
Tom Karnowski
Ash R. Shah
Eric Karson
|
Unit Production Manager |
Tom Karnowski
|
|
Production Coordinator |
Jessica G. Budin
|
|
Production Assistant |
Sazzy Lee Calhoun
|
|
Casting |
Cathy Henderson
Tom McSweeney
|
|
Location Manager |
Renee Confair
Edward T. Parmalee
|
|
Casting Assistant |
Lisa Reading-McSweeney
|
|
Extras Casting |
Charles Matthews
|
|
Travel Coordinator |
Pamela S. Cotton
|
|
Visual Effects | Special Effects Supervisor |
Terry D. Frazee
|
Visual Effects Producer |
Leslie Huntley
|
|
Visual Effects Supervisor |
Gene Warren Jr.
|
|
Costume & Make-Up | Key Makeup Artist |
Teri Blythe
|
Special Effects Makeup Artist |
David P. Barton
Jordu Schell
Miles Teves
Brian Sipe
Rick Lalonde
Adrienne Corcoran
Bernhard Eichholz
Sean Rodgers
|
|
Costume Design |
Lizz Wolf
|
|
Makeup Artist |
Madelynn von Ritz
|
|
Hairstylist |
Madelynn von Ritz
|
|
Directing | First Assistant Director |
George Parra
|
Director |
Albert Pyun
|
|
Second Unit Director |
Ronnie Rondell Jr.
|
|
Second Assistant Director |
Jay Smith
|
|
Script Supervisor |
Cindy Maxwell
|
|
Editing | Editor |
Mark Conte
David Kern
|
Camera | Director of Photography |
George Mooradian
|
Steadicam Operator |
Mark Emery Moore
|
|
Camera Operator |
Stephen G. Shank
|
|
Camera Loader |
Konstantin von Krusenstiern
|
|
Key Grip |
Vince Rodriguez
|
|
Still Photographer |
Tom Vollick
|
|
Sound | Original Music Composer |
Michel Rubini
|
Sound Re-Recording Mixer |
Robert W. Glass Jr.
Richard D. Rogers
Grover B. Helsley
|
|
Supervising Sound Editor |
David Lewis Yewdall
Patrick M. Griffith
Paul Jyrälä
|
|
Sound Editor |
Stacey A. Foiles
|
|
Writing | Writer |
Rebecca Charles
|
Art | Production Design |
Colleen Saro
|
Art Direction |
Phil Zarling
|
|
Title Designer |
Ernest Farino
|
|
Property Master |
David Carlton
|
|
Lighting | Gaffer |
Mark Melville
|
Electrician |
Roger Meilink
|
|
Best Boy Electric |
Paul Cotter
|
|
Department | Role | Name |