Nightwatch
(1997) | Released
Ratings
40%
6
6.2
22%
Financials
Revenue: $1,179,002
Budget: $10,000,000
Profit: - $-8,820,998
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Jan 31, 1997
Rating: R
Run Time: 1h 42m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Dimension Films , Miramax
Genres
Keywords
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Synopsis
A law student takes a job as a night watchman at a morgue and begins to discover clues that implicate him as the suspect in a series of murders.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Sally Menke
|
| First Assistant Editor |
Tatiana S. Riegel
|
|
| Color Timer |
Bob McMillian
|
|
| Negative Cutter |
Gary Burritt
|
|
| Sound | Sound Re-Recording Mixer |
Rick Alexander
Tom E. Dahl
|
| Original Music Composer |
Joachim Holbek
|
|
| ADR Recordist |
Rick Canelli
|
|
| Supervising Sound Editor |
Stephen Hunter Flick
|
|
| Sound Editor |
Ben Wilkins
Nicholas James
D. Chris Smith
Matthew C. Beville
|
|
| Foley Artist |
John Roesch
Hilda Hodges
Paul Holzborn
|
|
| Music Editor |
Tom Kramer
|
|
| Supervising Dialogue Editor |
Stephanie Flack
|
|
| Foley Mixer |
Carolyn Tapp
Mary Jo Lang
Bruce M. Honda
|
|
| Foley Recordist |
Carolyn Tapp
Mary Jo Lang
Bruce M. Honda
|
|
| Foley Editor |
Dana Gustafson
|
|
| ADR Editor |
Edmund J. Lachmann
Judee Flick
|
|
| First Assistant Sound Editor |
Linda Yeaney
|
|
| Music Supervisor |
John Houlihan
|
|
| Supervising ADR Editor |
Linda Folk
|
|
| Dialogue Editor |
Charles Ewing Smith
|
|
| Assistant Sound Editor |
Jon Michaels
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Boom Operator |
David Halbert
|
|
| Music Coordinator |
Micki Stern
|
|
| Production | Executive Producer |
Bob Weinstein
Harvey Weinstein
Cary Granat
|
| Casting |
Richard Pagano
|
|
| Line Producer |
Daniel Lupi
|
|
| Producer |
Michael Obel
|
|
| Casting Associate |
Eyde Belasco
Susan Booker
|
|
| Executive In Charge Of Production |
Andrew Rona
Richard Potter
|
|
| Production Executive |
Tracy Lee McGrath
|
|
| Unit Manager |
Daniel P. Collins
|
|
| Unit Production Manager |
Craig Markey
|
|
| Extras Casting |
Dixie Webster
|
|
| Production Accountant |
Kelly A. Snyder
|
|
| Location Manager |
Boyd Wilson
|
|
| Payroll Accountant |
Jerri Whiteman
|
|
| Writing | Screenplay |
Steven Soderbergh
Ole Bornedal
|
| Costume & Make-Up | Costume Design |
Louise Mingenbach
|
| Costume Assistant |
Jenny Gering
|
|
| Makeup Artist |
Debra Denson
|
|
| Prosthetic Makeup Artist |
Richard Snell
|
|
| Hairstylist |
Gigi Williams
|
|
| Costume Supervisor |
Kristin Dangl
|
|
| Art | Production Design |
Richard Hoover
|
| Art Direction |
Adam Scher
Kathleen M. McKernin
|
|
| Property Master |
Steve Joyner
|
|
| Set Decoration |
Brian Kasch
|
|
| Set Dresser |
Julie Smith
|
|
| Construction Coordinator |
Conrad Chitwood
|
|
| Lead Painter |
Ayenne J. Applebaum
|
|
| Leadman |
Paul Dowler
|
|
| Swing |
George Atamian
Victor Bazaz
|
|
| Directing | Director |
Ole Bornedal
|
| Script Supervisor |
Jayne-Ann Tenggren
|
|
| First Assistant Director |
Lisa Demaine
|
|
| Camera | Director of Photography |
Dan Laustsen
|
| Grip |
Jake Cross
Young Vance Cohen
Chris Soronen
|
|
| Still Photographer |
Robert Zuckerman
Darren Michaels
|
|
| Camera Loader |
Sean Hunter Moe
|
|
| Best Boy Grip |
Tim Soronen
|
|
| Second Assistant Camera |
William Robinson
|
|
| Key Grip |
Bob Ivanjack
|
|
| Dolly Grip |
Alan Parr
|
|
| Crew | Transportation Coordinator |
Geno Hart
|
| Stunt Coordinator |
Cliff Cudney
|
|
| Special Effects |
Dale Newkirk
|
|
| Post Production Supervisor |
Pamela Winn-Barnett
|
|
| Utility Stunts |
Hugh Aodh O'Brien
|
|
| Stunt Double |
Marla Casey
|
|
| Lighting | Best Boy Electric |
Nathan Hathaway
|
| Department | Role | Name |
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