On Chesil Beach
(2018) A different time. A different love. | Released
Ratings
62%
6.2
6.5
69%
Financials
Revenue: $3,335,913
Budget: $745,971
Profit: + $2,589,942
Movie Details
Tag Line: A different time. A different love.
Status: Released
Average Rating: 6
Release Date: Jan 19, 2018
Rating: 2018-08-07
Run Time: 1h 50m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Number 9 Films , BBC Film
Sources:
Genres
Keywords
People Rated This
Where to watch On Chesil Beach
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.
Synopsis
In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Standby Property Master |
Kevin Day
|
| Art Direction |
Susannah Brough
|
|
| Production Design |
Suzie Davies
|
|
| Set Decoration |
Charlotte Dirickx
|
|
| Assistant Art Director |
Keely Lanigan-Atkins
Susannah Brough
Alice Sutton
|
|
| Supervising Art Director |
Daniel Taylor
|
|
| Standby Art Director |
Caroline Harper
|
|
| Assistant Set Decoration |
Polina Kalentsits
|
|
| Graphic Designer |
Lisa Williams
|
|
| Art Department Assistant |
Betty Sims-Hilditch
|
|
| Construction Manager |
Bob Charlton
|
|
| Directing | Director |
Dominic Cooke
|
| First Assistant Director |
George Walker
|
|
| Script Supervisor |
Rowena Ladbury
|
|
| Second Assistant Director |
Ben Harrison
|
|
| Crowd Assistant Director |
Marie Devautour
Cydney Uffindell-Phillips
|
|
| Third Assistant Director |
Teresa Orlando
|
|
| Writing | Novel |
Ian McEwan
|
| Screenplay |
Ian McEwan
|
|
| Sound | Original Music Composer |
Dan Jones
Dan Jones
|
| Music Supervisor |
Karen Elliott
|
|
| Sound Re-Recording Mixer |
Robert Farr
Sven Taits
|
|
| Production Sound Mixer |
Ian Voigt
|
|
| Supervising Sound Editor |
Lee Herrick
|
|
| Sound Designer |
Robert Ireland
|
|
| Musician |
Esther Yoo
|
|
| Boom Operator |
Duncan Craig
Bradley Kendrick
|
|
| Sound Assistant |
Taz Fairbanks
|
|
| Foley Mixer |
Glen Gathard
Jemma Riley-Tolch
|
|
| Foley Editor |
Peter Hanson
|
|
| Foley Artist |
Peter Burgis
Zoe Freed
|
|
| ADR Mixer |
Peter Gleaves
|
|
| Camera | Director of Photography |
Sean Bobbitt
|
| Steadicam Operator |
Simon Wood
|
|
| First Assistant "A" Camera |
Fran Weston
|
|
| Second Assistant "A" Camera |
Lawrence Beckwith
|
|
| First Assistant "B" Camera |
Derrick Peters
|
|
| Second Assistant "B" Camera |
Dan West
|
|
| Camera Trainee |
Clare Seymour
Dante Connor
|
|
| Key Grip |
Jem Morton
|
|
| Grip |
David Littlejohns
|
|
| Additional Grip |
Adrian Barry
|
|
| Best Boy Grip |
Jac Hopkins
|
|
| Still Photographer |
Robert Viglasky
|
|
| Editing | Editor |
Nick Fenton
|
| Additional Editor |
Brenna Rangott
|
|
| First Assistant Editor |
Giles Burgess
|
|
| Colorist |
Tom Poole
|
|
| Online Editor |
William Chetwynd
|
|
| Production | Producer |
Elizabeth Karlsen
Stephen Woolley
|
| Casting |
Nina Gold
|
|
| Co-Producer |
Caroline Levy
|
|
| Executive Producer |
Robert Jones
Beth Pattinson
Norman Merry
Joe Oppenheimer
Ian McEwan
Peter Hampden
Chiara Gelardin
Thorsten Schumacher
Zygi Kamasa
|
|
| Co-Executive Producer |
Richard Payten
Andrew Mackie
|
|
| Unit Production Manager |
Louise Killin
|
|
| Production Coordinator |
Joanne Dixon
|
|
| Assistant Production Coordinator |
Emma Niamh Mitchell
|
|
| Location Manager |
Henry Woolley
|
|
| Assistant Location Manager |
Jonathon Lawrence
|
|
| Location Assistant |
David Seward
Katie Hudson
Frankiln Peacock
|
|
| Production Accountant |
Maxine Stanley
|
|
| Assistant Accountant |
Ruby Avards
Sairh Sheikh
|
|
| Post Production Accountant |
Tarn Harper
|
|
| Casting Associate |
Martin Ware
|
|
| Costume & Make-Up | Costume Design |
Keith Madden
|
| Makeup Designer |
Karen Hartley-Thomas
|
|
| Hair Designer |
Karen Hartley-Thomas
|
|
| Costume Supervisor |
Susie Lewis
|
|
| Costume Standby |
Alex Conti-Lewis
Olivia Maythan
|
|
| Costume Assistant |
Charlotte Gosden
Sarah McGovern
Hollie Danby
Paul Higton
Tracy Klyne
Hedron Osk Olafsdottir
|
|
| Makeup & Hair |
Caroline Greenough
Jill Conway
|
|
| Hairdresser |
Caroline Greenough
|
|
| Prosthetic Designer |
Karen Hartley-Thomas
|
|
| Prosthetic Supervisor |
Kristyan Mallett
|
|
| Extras Makeup Artist |
Jane Burstow
Joanna Dzierzanowska
Sue Newbould
|
|
| Crew | Post Production Supervisor |
Polly Duval
|
| Dialect Coach |
Penny Dyer
|
|
| Stunt Coordinator |
Tony Lucken
|
|
| Special Effects Coordinator |
Nick Rideout
|
|
| Unit Publicist |
Kate Lee
Nichola Jewitt
|
|
| Transportation Captain |
Mark Beeton
|
|
| Visual Effects | Visual Effects |
Andie Davies
|
| Special Effects Supervisor |
John Rafique
|
|
| Visual Effects Supervisor |
Sheila Wickens
|
|
| Visual Effects Producer |
Martin Gabriel
|
|
| Visual Effects Coordinator |
Hazel Wright
|
|
| Lighting | Gaffer |
Brian Beaumont
|
| Rigging Gaffer |
Ian Glenister
|
|
| Best Boy Electric |
Suzanne Sanders
|
|
| Department | Role | Name |
Join the discussion
Please Log in to comment