Out of the Dark
(1988) The phone sex line was for fantasy... now it's for murder! | Released
Ratings
5.4
5.4
50%
Financials
Revenue: $0
Budget: $1,600,000
Profit: - $-1,600,000
Movie Details
Tag Line: The phone sex line was for fantasy... now it's for murder!
Status: Released
Average Rating: 5
Release Date: Jun 2, 1988
Rating: R
Run Time: 1h 29m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Zeta Entertainment , CineTel Films
Genres
Keywords
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Synopsis
A deranged killer wearing a clown mask begins preying on a group of young women working at a phone-sex company.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Set Decoration |
Margaret Goldsmith
|
| Production Design |
Robert Schulenberg
|
|
| Art Direction |
Jess Moreno
|
|
| Property Master |
Loma Lee Brookbank
|
|
| Construction Coordinator |
John Rothschild
|
|
| Production | Executive Producer |
Paul Bartel
|
| Producer |
Zane W. Levitt
J. Greg De Felice
|
|
| Associate Producer |
J. Greg De Felice
|
|
| Production Consultant |
Harold Welb
|
|
| Unit Production Manager |
David C. Thomas
|
|
| Co-Producer |
David C. Thomas
|
|
| Location Manager |
Toni Maier
|
|
| Post Production Coordinator |
Leslie Rowan
|
|
| Casting Associate |
Abbie Joseph
|
|
| Production Coordinator |
Cindi Spetrino
|
|
| Production Secretary |
Suzie Green
|
|
| Casting Assistant |
Camille de Tonnancour
|
|
| Crew | In Memory Of |
Divine
|
| Stunts |
Steven Lambert
Jeff Ramsey
Debbie Lynn Ross
Diane Hetfield
Cherie Tash
Rhonda Terhune
|
|
| Stunt Coordinator |
Michael Cassidy
|
|
| Transportation Captain |
Joe Cosentino
|
|
| Unit Publicist |
Dan Harary
|
|
| Transportation Coordinator |
James Gierman
|
|
| Camera | Director of Photography |
Julio Macat
|
| Second Assistant Camera |
Harris Done
|
|
| First Assistant Camera |
Romeo Tirone
|
|
| Key Grip |
David Pearlberg
|
|
| Additional Camera |
Jack Palinkas
|
|
| Clapper Loader |
Rick Feder
|
|
| Best Boy Grip |
Scott Whited
|
|
| Still Photographer |
Johnnie Randels
|
|
| Camera Operator |
Sam Dodge
|
|
| Grip |
Dee Costa
Jim Carroll
|
|
| Sound | Sound Re-Recording Mixer |
Greg P. Russell
Jeffrey J. Haboush
|
| Music |
David Wheatley
Paul F. Antonelli
|
|
| ADR Recordist |
Warren Kleiman
Jackson Schwartz
|
|
| Foley Recordist |
Warren Kleiman
Jackson Schwartz
|
|
| Music Editor |
Adam Milo Smalley
|
|
| Supervising Sound Editor |
David Lewis Yewdall
John Post
|
|
| Supervising ADR Editor |
Paul Heslin
|
|
| Sound Editor |
Victor Iorillo
Denis Dutton
Donlee Jorgensen
|
|
| Sound Mixer |
Trevor Black
|
|
| Sound Recordist |
Ara Ashjian
|
|
| Boom Operator |
Ed Berghoff
|
|
| Assistant Sound Editor |
Ronald Bawden
|
|
| Foley Artist |
Jill Sehachne
|
|
| Costume & Make-Up | Special Effects Makeup Artist |
Tony Gardner
|
| Costume Designer |
Elisabeth Scott
|
|
| Makeup & Hair |
Lisa Schulze
|
|
| Hairstylist |
Melanie Verkins
|
|
| Costume Supervisor |
Sue Miller
|
|
| Makeup Artist |
Angela Elizabeth Levitt
|
|
| Editing | Editor |
Mark S. Manos
|
| First Assistant Editor |
Tim Alexander
|
|
| Assistant Editor |
David C. Ross
|
|
| Directing | Director |
Michael Schroeder
|
| First Assistant Director |
Jack Ziga
Stephen Lillis
|
|
| Second Assistant Director |
Scott Luhrsen
|
|
| Script Supervisor |
Pollyanna Moser
|
|
| Writing | Screenplay |
Zane W. Levitt
J. Greg De Felice
|
| Lighting | Gaffer |
Roger Olkowski
|
| Best Boy Electric |
Nick Cline
|
|
| Department | Role | Name |
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