Ratings
Financials
Revenue: $4,040,142
Budget: $8,000,000
Profit: - $-3,959,858
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Aug 18, 2011
Rating: 2011-08-18
Run Time: 2h 01m
Original Language: langcode.cn
Website: -
Production Countries: China , Hong Kong
Production Companies: Bona Entertainment , Sil-Metropole Organisation , Pop Movies , Cathay-Keris Films , Twin Co. Ltd. , Free-D Workshop Company , Cathay-Keris Films Pte Ltd , Shaw Brothers , CG Entertainment , Tucker Film , Far East Film Festival, Udine (IT) , Top Works (Beijing) Culture Media , Hong Kong Baptist University Academy of Film , Shun Hing Group , Regus HK Management , Kodak (Hong Kong) Ltd. , AnswerMark Studio , Aberdeen Boat Club , Broadlearning Education (Asia) , Highways Department , InterContinental Hong Kong , Kantana Laboratories Co. , Leisure and Cultural Services Department , Media Business Service Limited , Oriental Post Co. Ltd. , Panasonic Corporation , Police Public Relations Branch , ViewSonic , Wilson Parking (Holdings)
Genres
Keywords
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Synopsis
Manson Law, a celebrated stockbroker in Hong Kong, is injured in a car accident. The police, led by Inspector Jack Ho, discovers a military surveillance device in the car wreck. Meanwhile, the wiretapper Joe Szema is unveiling his extensive plan that targets the mysterious financial conglomerate, the Landlord Club. The fate of these three men soon intertwines in the cat-and-mouse game that may bring down the entire stock market.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Felix Chong
Alan Mak
|
Assistant Director |
Sam Ip
Jonathan Li
|
|
Action Director |
Dion Lam Dik-On
|
|
Continuity |
Daniel Ho
Ho Ying-Ngai
|
|
Writing | Writer |
Felix Chong
Alan Mak
|
Story |
Alan Mak
Felix Chong
|
|
Screenplay |
Alan Mak
Felix Chong
|
|
Camera | Director of Photography |
Anthony Pun Yiu-Ming
|
Dolly Grip |
Cheng Yat-fai
|
|
First Assistant Camera |
Ho Yun-Tai
|
|
Third Assistant Camera |
Jack Lam
|
|
Best Boy Grip |
Chi Fai Lau
Lo Lau-Fai
|
|
Steadicam Operator |
Jimmy Wong
|
|
Still Photographer |
Justine Yeung
|
|
Editing | Editor |
Curran Pang
|
Color Timer |
Stéphane Ma
Apasri Titatarn
Wong Kwok Fai
|
|
Sound | Music |
Chan Kwong-Wing
|
Recording Supervision |
Sona Balam
|
|
Sound Designer |
Kinson Tsang King-Cheung
|
|
Art | Production Design |
Man Lim-Chung
|
Assistant Art Director |
Renee Wong
|
|
Production | Production Assistant |
Chor Chun Lau
Weilin Li
|
Assistant Production Manager |
Matthew Tai Pak-Ho
|
|
Production Coordinator |
Steven Hui
Jannie Wai
|
|
Production Executive |
Stephen Lam Bing-Kwan
|
|
Executive Producer |
Chao Rong
Sze Yeung-Ping
Hao Zhang
|
|
Post Production Coordinator |
Salita Jaiboon
Sakmongkon Pongmaneerat
Nepasnan S.
|
|
Post Producer |
Wai But Tang
Bobbie Wong
|
|
Co-Producer |
Ronald Wong Ban
|
|
Visual Effects | Visual Effects Supervisor |
Alex Lim
|
Animation |
Kin Ping Cheng
Chui Tak-Biu
Sherman Chung Shu-Man
Kwan Ho-Yeung
Lam Chau-Hung
Lee Kai-Man
Leung Wai-Man
Mok Wai-Man
Ng Man-Lung
|
|
Crew | Second Unit Cinematographer |
Chan Kwok-Hung
|
Post Production Assistant |
Benny Kung
|
|
Lighting | Gaffer |
Wong Wai-Chuen
|
Department | Role | Name |