Ratings
Financials
Revenue: $0
Budget: $650,000
Profit: - $-650,000
Movie Details
Tag Line: You Can't Go Forward Until You've Gone Back.
Status: Released
Average Rating: 5
Release Date: Jul 31, 1998
Rating: R
Run Time: 1h 30m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Starway International Inc.
Genres
Keywords
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Synopsis
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation.
Crew
Department | Role | Name |
---|---|---|
Sound | Dolby Consultant |
Andy Potvin
|
Music |
Christopher L. Stone
|
|
Foley Editor |
Greg Mauer
|
|
Foley Recordist |
Greg Mauer
|
|
Sound Re-Recording Mixer |
Paul Ratajczak
Jonathan Wales
|
|
Sound Supervisor |
Paul Ratajczak
|
|
Foley Artist |
Rick Owens
Greg Louden
|
|
Supervising Sound Editor |
Jonathan Wales
|
|
Sound Effects Editor |
Steve Tushar
|
|
ADR Editor |
Michael Kreple
|
|
ADR Supervisor |
Michael Kreple
|
|
Dialogue Editor |
Bryan Franklin
|
|
Music Editor |
Jon Lewin
|
|
Boom Operator |
Stud Brentler
|
|
Sound Mixer |
Enzo Treppa
|
|
Production | Producer |
A. Michael Baldwin
Don Coscarelli
|
Production Coordinator |
Jason R. Savage
|
|
Production Assistant |
Starlet Derby
Sara McCaffree
David Sharlein
Christopher Malinowski
|
|
Unit Production Manager |
Rosa Gonzalez
|
|
Directing | Director |
Don Coscarelli
|
First Assistant Director |
Jeff Shiffman
|
|
Script Supervisor |
Kristen Deem
|
|
Writing | Writer |
Don Coscarelli
|
Lighting | Chief Lighting Technician |
Adam Janeiro
Peyton Skelton
|
Best Boy Electric |
Daniel Vecchione
|
|
Editing | Editor |
Scott J. Gill
|
Assistant Editor |
Donald Milne
Bobby Gates
|
|
Color Timer |
Jim J. Williams
|
|
Crew | Stunt Coordinator |
Bob Ivy
|
Pyrotechnician |
Gary Beal
|
|
Special Effects Coordinator |
Kamar Bitar
Chiz Hasegawa
|
|
Telecine Colorist |
Robert Tomaszewski
|
|
Compositor |
Robin Berman
|
|
Costume & Make-Up | Makeup Department Head |
Soo-Jin Yoon
|
Hair Department Head |
Soo-Jin Yoon
|
|
Costume Design |
Shelley Kay
|
|
Costumer |
Kristen Deem
|
|
Makeup Artist |
Melanie Marangakis
|
|
Camera | Key Grip |
Dan Trachtenberg
|
Director of Photography |
Chris Chomyn
|
|
Steadicam Operator |
Colin Hudson
Dan Ayers
|
|
First Assistant Camera |
Joe Waistell
Precy C. Betiong
|
|
Still Photographer |
Scott Redinger-Libolt
|
|
Second Assistant Camera |
Justin Zaharczuk
|
|
Art | Production Design |
Naython Vane
|
Property Master |
Kristen Deem
|
|
Art Direction |
Mike Roth
|
|
Visual Effects | 3D Animator |
Alex Harman
|
Lead Animator |
David Merrell
|
|
Department | Role | Name |