Ratings
Financials
Revenue: $53,187,659
Budget: $23,000,000
Profit: + $30,187,659
Movie Details
Tag Line: Don't be afraid of the dark. Be afraid of what's in the dark
Status: Released
Average Rating: 7
Release Date: Feb 18, 2000
Rating: 2000-02-18
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Interscope Communications
Genres
Keywords
People Rated This
Main Cast
Crew
Department | Role | Name |
---|---|---|
Sound | Music Arranger |
Paul Haslinger
|
Music |
Graeme Revell
|
|
Conductor |
Graeme Revell
|
|
Foley Artist |
Dennie Thorpe
|
|
Foley Mixer |
Tony Eckert
|
|
Sound Designer |
Tom Myers
|
|
Orchestrator |
Tim Simonec
|
|
Dialogue Editor |
Gloria D'Alessandro
Karen G. Wilson
Lindakay Brown
|
|
Music Editor |
Joshua Winget
|
|
Assistant Sound Editor |
Beau Borders
Mary Works
Scott Guitteau
Michael Axinn
|
|
Sound Re-Recording Mixer |
Lora Hirschberg
Michael Semanick
|
|
Supervising Sound Editor |
Robert Shoup
|
|
Sound Recordist |
Paul 'Salty' Brincat
|
|
ADR Editor |
Marilyn McCoppen
Michele Perrone
|
|
Sound Effects Editor |
E. Larry Oatfield
James Lebrecht
Samuel H. Hinckley
|
|
Foley Editor |
Mary Helen Leasman
|
|
Boom Operator |
Rod Conder
Gary Dixon
|
|
ADR Mixer |
Roger Morris
|
|
Foley Recordist |
Frank 'Pepe' Merel
|
|
Production | Casting |
Mary Vernieu
Anne McCarthy
|
Executive Producer |
Scott Kroopf
Ted Field
Tony Winley
|
|
Producer |
Tom Engelman
|
|
Local Casting |
Ann Robinson
|
|
Unit Production Manager |
Sue MacKay
|
|
ADR Voice Casting |
Terri Douglas
|
|
Casting Assistant |
Freddy Luis
Wizzy Ringer
Carrie Campbell
|
|
Production Coordinator |
Michelle Russell
Barrie Hemsley
Jennifer Cornwell
|
|
Production Assistant |
Rowena Zande
|
|
Executive In Charge Of Production |
Michelle Wright
|
|
Production Secretary |
Arwen Munro
Melaini Lewis
Kerry Mulgrew
Ange Lavey-Manche
|
|
Location Manager |
Campbell McLean
|
|
Production Accountant |
Chris Robson
Eleonore Crompton
|
|
Production Runner |
Nick McKinnon
Darcy Yuille
Melanie Turner
|
|
Post Production Accountant |
Leah Holmes
Lori Sier
|
|
Casting Associate |
Vampyre Wilson
|
|
Accountant |
Angela Kenny
|
|
First Assistant Accountant |
Stephen Taylor
|
|
Post Production Coordinator |
Lorisa D. Francis
|
|
Assistant Unit Manager |
Jeremy 'JJ' Piggott
|
|
Visual Effects | Creature Design |
Patrick Tatopoulos
|
Visual Effects Supervisor |
Peter Chiang
|
|
CG Artist |
Steve Street
|
|
Digital Effects Producer |
Angie Wills
|
|
Special Effects Supervisor |
Brian Cox
|
|
Digital Compositor |
Paul Riddle
|
|
Editing | Editor |
Rick Shaine
|
First Assistant Editor |
Andrew Blustain
|
|
Color Timer |
Dan Muscarella
|
|
Assistant Editor |
Cleo Myles
Danny Candib
|
|
Negative Cutter |
Jo Anne Finan
|
|
Art | Art Direction |
Ian Gracie
|
Set Decoration |
Michael Rumpf
|
|
Leadman |
Daryl Porter
|
|
Production Design |
Graham 'Grace' Walker
|
|
Set Designer |
Jacinta Leong
Martin Ash
|
|
Construction Foreman |
Mark Stephens
|
|
Sculptor |
Tony Lees
|
|
Assistant Art Director |
Jim Millett
|
|
Construction Coordinator |
John Rann
|
|
Art Department Coordinator |
Katie Nott
|
|
Painter |
Chris Geissman
Stephen Hay
|
|
Standby Painter |
Wayne Truce
Chris Goddard
|
|
Property Master |
Beverley Dunn
|
|
Writing | Screenplay |
David Twohy
Jim Wheat
Ken Wheat
|
Story |
Jim Wheat
Ken Wheat
|
|
Storyboard |
Jason Brubaker
Fireball Tim Lawrence
Brian Murray
|
|
Directing | Director |
David Twohy
|
Continuity |
Kira Bohn
Karen Mansfield
|
|
Second Unit Director |
Ian 'Thistle' Thorburn
|
|
First Assistant Director |
Jamie Crooks
|
|
Second Assistant Director |
Jennifer Rees-Brown
|
|
Script Supervisor |
Lyn Alice Aronson
|
|
Third Assistant Director |
Peter McLennan
|
|
Second Second Assistant Director |
Angella McPherson
|
|
Assistant Director |
Michael Bate
|
|
Camera | Director of Photography |
David Eggby
|
Camera Operator |
Brad Shield
Henry Pierce
Derry Field
Jack Wareham
|
|
Steadicam Operator |
Brad Shield
|
|
Second Unit Director of Photography |
Ian 'Thistle' Thorburn
|
|
Clapper Loader |
Ricky Schamburg
Daniel Clark
David Cordell
|
|
Still Photographer |
Sean Barnes
|
|
Best Boy Grip |
Rick Johnson
|
|
Grip |
Leigh Tait
|
|
Key Grip |
Grahame Litchfield
|
|
Focus Puller |
Brett Matthews
Adrien Seffrin
|
|
Assistant Grip |
John Balbi
|
|
Camera Trainee |
Nick Murray
|
|
Costume & Make-Up | Makeup Artist |
Maree McDonald
|
Costume Design |
Anna Borghesi
|
|
Hair Supervisor |
Margaret Stevenson
|
|
Makeup Supervisor |
Margaret Stevenson
|
|
Costume Supervisor |
Keryn Ribbands
|
|
Prosthetic Makeup Artist |
Jason Baird
|
|
Hairstylist |
Carolyn Nott
|
|
Set Dressing Artist |
Scott McMaster
|
|
Costume Standby |
Julie Zahra
|
|
Crew | Thanks |
Michael A. Helfant
Jonathan Bader
|
Dialect Coach |
Clair Crowther
|
|
Sound Design Assistant |
David C. Hughes
|
|
Unit Publicist |
Fiona Searson
|
|
Stunt Coordinator |
Chris Anderson
|
|
Post Production Supervisor |
Graham Stumpf
|
|
Armorer |
Allan Mowbray
|
|
Legal Services |
Peter Thompson
Peter Thompson
|
|
Propmaker |
David Tremont
|
|
Stand In |
Raymond Leef
Andrew Pantelis
Wayne Williams
Dan O'Connor
Suzanne McAllister
|
|
Visual Effects Editor |
Karen Dimmig
|
|
Studio Teachers |
Cameron Curphey
|
|
Special Effects Technician |
Patrick Carmiggelt
|
|
Special Effects Assistant |
Steve Rungwerth
|
|
Catering |
Brownyn Hookey
|
|
Lighting | Best Boy Electric |
Adam Williams
|
Assistant Electrician |
Todd Carmody
|
|
Gaffer |
Tony Holtham
|
|
Assistant Chief Lighting Technician |
Timothy 'Guido' Magaraci
|
|
Chief Lighting Technician |
Robert Sassen
|
|
Department | Role | Name |
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