Ratings
Financials
Revenue: $7,700,000
Budget: $3,000,000
Profit: + $4,700,000
Movie Details
Tag Line: Real women take chances, have flaws, embrace life...
Status: Released
Average Rating: 6
Release Date: Oct 18, 2002
Rating: 2002-10-18
Run Time: 1h 26m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: LaVoo Productions , Newmarket Films , HBO Films
Genres
Keywords
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Synopsis
Freshly graduated from high school, Ana receives a full scholarship to Columbia University. Her very traditional, old-world parents feel that now is the time for Ana to help provide for the family, not the time for college.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Patricia Cardoso
|
Script Supervisor |
Lynn Sisco
|
|
First Assistant Director |
Julian Petrillo
|
|
Second Assistant Director |
Catherine Marie McDonald
|
|
Art | Production Design |
Brigitte Broch
|
Art Direction |
Deborah Riley
Amy R. Strong
|
|
Property Master |
Cynthia Nibler
|
|
Graphic Designer |
Luis Blackaller
|
|
Leadman |
Treven Bedwell
|
|
Assistant Art Director |
Mark Molina
|
|
Set Dresser |
Stacy L. Henning
Peter Mathus
Rob Henning
|
|
Construction Coordinator |
Billy Salsberg
|
|
Production | Producer |
George LaVoo
Effie Brown
|
Production Supervisor |
Nicole Colombie
|
|
Casting |
Ellyn Long Marshall
Maria E. Nelson
|
|
Unit Production Manager |
Effie Brown
|
|
Co-Producer |
Marilyn R. Atlas
|
|
Accountant |
Amy Agzarian
|
|
Assistant Accountant |
Gina Amador
|
|
Production Coordinator |
M. Vanessa Coto
|
|
Assistant Production Coordinator |
Amy Flanders
|
|
Location Manager |
Christopher Miller
|
|
Assistant Location Manager |
Victor Borrayo
|
|
Editing | Editor |
Sloane Klevin
|
Additional Editor |
Janelle Ashley Nielson
|
|
Colorist |
Larry Manke
|
|
Camera | Director of Photography |
Jim Denault
|
Still Photographer |
Nicola Goode
|
|
Camera Operator |
Patrick Rousseau
|
|
First Assistant Camera |
Marco Fargnoli
|
|
Second Assistant Camera |
Doug Oh
|
|
Key Grip |
Scott M. Robinson
Richard Redlin
|
|
Grip |
Alfred Castillo
|
|
Dolly Grip |
Chris Gordon
|
|
Sound | Original Music Composer |
Heitor Pereira
|
Sound Re-Recording Mixer |
Joe Earle
Rick Ash
Drew Webster
|
|
Supervising Sound Editor |
Glenn T. Morgan
|
|
Dialogue Editor |
Paul Longstaffe
Jennifer Mann
Ruth Adelman
|
|
Music Supervisor |
Margaret Guerra Rogers
|
|
Sound Mixer |
John Taylor
|
|
Boom Operator |
Speed Ratliff
|
|
Music Editor |
Shannon Erbe
Fernando Romay
|
|
Music Consultant |
Evyen Klean
|
|
Sound Designer |
Michael Kamper
|
|
Sound Editor |
Edmond J. Coblentz Jr.
|
|
ADR Editor |
Jennifer Mann
Ruth Adelman
Paul Longstaffe
|
|
ADR Mixer |
Ann Hadsell
Robert Deschaine
Weldon Brown
|
|
ADR Recordist |
Tami Treadwell
Claudia Carle
|
|
Foley Editor |
Mark R. Crookston
|
|
Foley Artist |
Zane D. Bruce
Joseph T. Sabella
|
|
Costume & Make-Up | Costume Design |
Elaine Montalvo
|
Key Makeup Artist |
Rosemary Lawrence
|
|
Key Hair Stylist |
Angela Gurule
|
|
Makeup Artist |
Nicole Sortillon Amos
|
|
Wardrobe Supervisor |
Nancy Au
|
|
Set Costumer |
Alison Stein
|
|
Costumer |
Rochelle Best
Cesar Magana
|
|
Writing | Screenplay |
George LaVoo
Josefina Lopez
|
Theatre Play |
Josefina Lopez
|
|
Lighting | Gaffer |
Louis DiCesare
|
Best Boy Electric |
Tim Durr
|
|
Rigging Gaffer |
Corwin A. Bibb
|
|
Crew | Transportation Coordinator |
Sandra Ninham
|
Transportation Captain |
Richard 'Rico' Rivera
|
|
Department | Role | Name |