Reap the Wild Wind
(1942) Cecil B. DeMille's GREATEST TRIUMPH! OUT-THRILLS ALL OTHER SCREEN SPECTACLES! | Released
Ratings
6.5
6.8
78%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Cecil B. DeMille's GREATEST TRIUMPH! OUT-THRILLS ALL OTHER SCREEN SPECTACLES!
Status: Released
Average Rating: 6
Release Date: Mar 26, 1942
Rating: 1942-03-26
Run Time: 1h 59m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount
Genres
Keywords
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Synopsis
The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Cecil B. DeMille
|
| Second Unit Director |
Arthur Rosson
|
|
| First Assistant Director |
Chico Alonso
C. Kenneth Deland
Clem Jones
Howard Joslin
|
|
| Second Assistant Director |
Art Camp
|
|
| Assistant Director |
Edward Salven
|
|
| Writing | Story |
Thelma Strabel
|
| Screenplay |
Alan Le May
Charles Bennett
Jesse Lasky Jr.
|
|
| Production | Producer |
Cecil B. DeMille
|
| Associate Producer |
William H. Pine
|
|
| Executive Producer |
Buddy G. DeSylva
|
|
| Unit Manager |
Frank Caffey
Curtis Mick
|
|
| Assistant Unit Manager |
Harvey Dwight
|
|
| Location Manager |
Norman Lacey
|
|
| Sound | Original Music Composer |
Victor Young
|
| Sound Recordist |
Harry Lindgren
John Cope
|
|
| Orchestrator |
George Parrish
Walter Scharf
Leo Shuken
|
|
| Camera | Director of Photography |
William V. Skall
Victor Milner
|
| Underwater Director of Photography |
Dewey Wrigley
|
|
| Underwater Camera |
Dewey Wrigley
|
|
| Grip |
Murray Young
Andrew J. Durkus
Jack Haring
Coley Kessinger
Jack Lethman
|
|
| Camera Operator |
Fritz Brosch
William Rand
|
|
| Camera Technician |
Roger Mace
|
|
| Assistant Camera |
James V. Murray
Cliff Shirpser
|
|
| Still Photographer |
G.E. Richardson
|
|
| Editing | Editor |
Anne Bauchens
|
| Art | Art Direction |
Roland Anderson
Hans Dreier
|
| Set Decoration |
George Sawley
Sam Comer
|
|
| Props |
Russ Brown
Carl Coleman
Harold Worthington
|
|
| Greensman |
Lorne Holmes
|
|
| Painter |
Jack Wilson
|
|
| Visual Effects | Visual Effects |
Gordon Jennings
W. L. Pereira
Farciot Edouart
Paul K. Lerpae
|
| Color Designer |
Natalie Kalmus
|
|
| Matte Painter |
Jan Domela
|
|
| Costume & Make-Up | Makeup Supervisor |
Wally Westmore
|
| Costume Design |
Natalie Visart
|
|
| Makeup Artist |
Max Asher
Charles Gemora
|
|
| Hairstylist |
Alice Ribald
|
|
| Hair Supervisor |
Leonora Sabine
|
|
| Wardrobe Designer |
R. Doney
Dwight Franklin
Lois Jessen
|
|
| Wardrobe Master |
Joe Kaplan
LeVaughn Larson
Edna Shotwell
Pat Williams
|
|
| Crew | Additional Writing |
Jeanie Macpherson
|
| Treatment |
Thelma Strabel
|
|
| Special Sound Effects |
Louis Mesenkop
|
|
| Special Effects |
Edward Overstreet
Barney Wolff
|
|
| Stunts |
George Bruggeman
Vic Chatten
James Dime
Biddle Dorsey
Jimmie Dundee
Lila Finn
Fred Graham
Frank Hagney
Chuck Hamilton
George Magrill
Carl Mathews
Gil Perkins
Houghton Ralph
Ray Spiker
Paul Stader
Jack Stoney
Dale Van Sickel
Ted Wells
Henry Wills
Fred Zendar
|
|
| Driver |
Al Latta
|
|
| Stand In |
Sid Davis
|
|
| Choreographer |
Sam Ledner
|
|
| Department | Role | Name |