Red Land
(2018) Following the armistice of 8 September 1943, the Istrian, Dalmatian, Julian and Fiuman populations were targeted by the Tito partisans hungry for revenge. Among the victims was the young Norma Cossetto, daughter of a fascist official. | Released
Ratings
6.2
5.5
Financials
Revenue: $159,693
Budget: $0
Profit: + $159,693
Movie Details
Tag Line: Following the armistice of 8 September 1943, the Istrian, Dalmatian, Julian and Fiuman populations were targeted by the Tito partisans hungry for revenge. Among the victims was the young Norma Cossetto, daughter of a fascist official.
Status: Released
Average Rating: 6
Release Date: Nov 15, 2018
Rating:
Run Time: 2h 30m
Original Language: Italian
Website: -
Production Countries: Italy
Production Companies: Venice Film , RAI Cinema , ANVGD , Cultur Active , RAI , Regione del Veneto , MiC , Regione Lazio , Treviso Film Commission , Artex Film , Cinema Rental
Genres
Keywords
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Synopsis
Italy, September 1943. After the armistice and the flight of the King, the war theaters of the North-East see the advance of Tito's partisans. At the center of the story, in this dramatic historical context, the figure of Norma Cossetto, a young Istrian student, barbarously raped, killed and thrown into a foiba by the Tito partisans.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Marco Spoletini
Francesco Tasselli
|
| Digital Intermediate Producer |
Luca Vulterini
|
|
| Digital Colorist |
Francesco Struffi
|
|
| Digital Intermediate |
Luciano Marzulli
Angelo Caruso
|
|
| First Assistant Editor |
Daniela Sarli
|
|
| Costume & Make-Up | Makeup Department Head |
Pierantonio Mecacci
|
| Makeup Artist |
Anna Lazzarini
|
|
| Hair Department Head |
Patrizia Corridoni
|
|
| Costume Design |
Fulvia Amendolia
|
|
| Costume Designer |
Fulvia Amendolia
|
|
| Writing | Screenplay |
Antonello Belluco
Maximiliano Hernando Bruno
|
| Writer |
Maximiliano Hernando Bruno
|
|
| Co-Writer |
Maximiliano Hernando Bruno
|
|
| Directing | Director |
Maximiliano Hernando Bruno
|
| Second Unit Director |
Giuseppe Ferlito
|
|
| Assistant Director |
Giovanni Dentici
Armando De Vincentis
|
|
| Script Supervisor |
Elisabetta Guidotto
Caterina Massuras
|
|
| First Assistant Director |
Massimiliano Battistella
|
|
| Second Assistant Director |
Armando De Vincentis
Ludovico Piccolo
|
|
| Third Assistant Director |
Ilaria Borsato
|
|
| Production | Producer |
Maximiliano Hernando Bruno
Alessandro Centenaro
|
| Executive Producer |
Simone Preti
|
|
| Assistant Production Manager |
Gabriela Carolina De Jesus Primicerio Medina
|
|
| Crew | Script |
Maximiliano Hernando Bruno
|
| Camera | Director of Photography |
Giovanni Andreotta
|
| Grip |
Enrico Bortignon
Salvatore Frisina
|
|
| Assistant Camera |
Matteo Bolzonello
Giacomo Ragone
|
|
| Second Assistant Camera |
Paolo Ravalli
Nicolas De Luigi
|
|
| Still Photographer |
Enrico Cesaro
|
|
| Sound | Sound Effects Editor |
Simone Chiossi
Matteo Agliata
|
| Original Music Composer |
Fabrizio Castania
Enrico Zoni
|
|
| Music |
Fabrizio Castania
Michele Bettali
Stefano Carrara
|
|
| Sound |
Enrico Lenarduzzi
|
|
| Theme Song Performance |
Enrico Zoni
|
|
| Foley Artist |
Gianluca Chiossi
|
|
| Visual Effects | VFX Supervisor |
Giulio Cuomo
|
| Digital Compositor |
Gianni Melito
Roberto Baldassari
Giovanni Ricco
Alfio Ferrero
|
|
| Visual Effects |
Giulia Infurna
|
|
| Visual Effects Producer |
Alessandro Orlati
Shreyas Patil
|
|
| Visual Effects Supervisor |
Pierfilippo Siena
|
|
| Additional Visual Effects |
Alessio Geraci
|
|
| Lighting | Electrician |
Enrico Bortignon
|
| Art | Set Designer |
Paolo Bandiera
|
| Graphic Designer |
Enrico Cesaro
|
|
| Department | Role | Name |