Ratings
Financials
Revenue: $35,743,308
Budget: $48,000,000
Profit: - $-12,256,692
Movie Details
Tag Line: One day can make your life; one day can ruin your life. All life is is four or five big days that change everything.
Status: Released
Average Rating: 7
Release Date: Oct 19, 2001
Rating: PG-13
Run Time: 2h 12m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Gracie Films , Columbia Pictures , Parkway Productions
Genres
Keywords
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Synopsis
In 1965, a young woman with dreams of becoming a writer has a son at the age of 15 and struggles to make things work with the drug-addicted father.
Crew
Department | Role | Name |
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Production | Producer |
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James L. Brooks
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Laurence Mark
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Richard Sakai
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Julie Ansell
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Sara Colleton
|
Casting |
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Sheila Jaffe
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Georgianne Walken
|
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Executive Producer |
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Morgan Ward
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Bridget Johnson
|
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Unit Production Manager |
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Richard Baratta
|
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Location Manager |
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Lyn Pinezich
|
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Production Coordinator |
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Scott Kordish
|
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Casting Associate |
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Katharina Eggmann
|
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Co-Producer |
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Beverly D'Onofrio
|
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Sound | Original Music Composer |
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Hans Zimmer
|
Music Editor |
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Laura Perlman
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Jennifer Nash
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Verna Mandel
|
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Foley Editor |
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Scott G.G. Haller
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Matthew Dettmann
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Christine Danelski
|
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Dialogue Editor |
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Victoria Rose Sampson
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Gloria D'Alessandro
![]()
Carin Rogers
![]()
David A. Arnold
![]()
Richard Corwin
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Kim Drummond
|
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Foley Mixer |
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David Betancourt
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Lane Burch
|
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Foley Artist |
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Dawn Lunsford
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Alicia Stevenson
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Gary A. Hecker
|
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Assistant Sound Editor |
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Galen Goodpaster
![]()
Bill Burns
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Dana LeBlanc Frankley
![]()
Ann Ducommun
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Kira Edmunds
|
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Sound Effects Editor |
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Michael O'Farrell
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Stewart Nelsen
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John M. Chalfant
|
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ADR Editor |
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Wayne Griffin
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Laura Graham
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Michele Perrone
|
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Sound Re-Recording Mixer |
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Jeffrey J. Haboush
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Bill W. Benton
|
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ADR Supervisor |
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Alison Fisher
|
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ADR Mixer |
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Howard London
|
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Supervising Sound Editor |
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Dennis Drummond
|
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Foley Supervisor |
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Jonathan Klein
|
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Boom Operator |
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Joe White
|
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Editing | Editor |
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Richard Marks
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Lawrence Jordan
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Assistant Editor |
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Juli Vizza
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Terel Gibson
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Paul Parsons
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Greg Thompson
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Marisa Morabito
|
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First Assistant Editor |
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Debra L. Tennant
|
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Camera | Director of Photography |
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Miroslav Ondříček
|
Camera Operator |
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Craig DiBona
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John Sosenko
|
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Steadicam Operator |
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Kyle Rudolph
|
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First Assistant Camera |
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Gary Muller
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Joe Collins
|
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Still Photographer |
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Andrew D. Schwartz
|
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Key Grip |
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George Patsos
|
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Dolly Grip |
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Keith Bunting
|
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Camera Loader |
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Kathleen Corgan
|
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Second Assistant "B" Camera |
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Matthew W. Flannery
|
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Second Assistant Camera |
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A. Lee Morris
|
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Directing | Director |
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Penny Marshall
|
Script Supervisor |
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Luca Kouimelis
|
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First Assistant Director |
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Richard Patrick
|
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Second Assistant Director |
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Danielle Rigby
|
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Lighting | Chief Lighting Technician |
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Petr Hlinomaz
|
Rigging Grip |
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Billy Patsos
|
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Assistant Chief Lighting Technician |
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Xavier Henselmann
|
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Art | Set Decoration |
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George DeTitta Jr.
|
Assistant Art Director |
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Ted Haigh
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Stephen H. Carter
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Molly Mikula
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Marion Kolsby
|
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Production Design |
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Bill Groom
|
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Art Direction |
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Teresa Carriker-Thayer
|
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Property Master |
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David H. Allen
|
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Construction Coordinator |
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Raymond M. Samitz
|
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Leadman |
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Gerald DeTitta
|
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Greensman |
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Amy Safhay
|
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Writing | Screenplay |
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Morgan Ward
|
Book |
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Beverly D'Onofrio
|
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Costume & Make-Up | Key Hair Stylist |
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Francesca Paris
|
Prosthetics |
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Gary Archer
|
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Costume Design |
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Cynthia Flynt
|
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Key Makeup Artist |
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Bernadette Mazur
|
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Makeup Artist |
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Kimberly Greene
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Don Kozma
![]()
Christine Leiter
|
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Wardrobe Supervisor |
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Cheryl Kilbourne-Kimpton
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Rose Wells
|
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Hairstylist |
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Barbara Olvera
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Judi Goodman
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Stanley Hall
|
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Assistant Costume Designer |
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Lynn Hoffman
|
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Seamstress |
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Joni M. Huth
|
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Wardrobe Coordinator |
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Kathleen Mobley
|
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Crew | Pilot |
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Al Cerullo
|
Scenic Artist |
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Garf Brown
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Doug Cluff
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Sylvia Trapanese
|
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Unit Publicist |
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Amy Leigh Johnson
|
|
Department | Role | Name |
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