Ratings
Financials
Revenue: $71,000,000
Budget: $60,000,000
Profit: + $11,000,000
Movie Details
Tag Line: A hero should never have to stand alone.
Status: Released
Average Rating: 6
Release Date: Apr 7, 2000
Rating: R
Run Time: 2h 08m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Munich Film Partners & Company (MFP) ROE Production , Paramount , Seven Arts Pictures
Genres
Keywords
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Synopsis
A Marine Colonel is brought to court-martial after ordering his men to fire on demonstrators surrounding the American embassy in Yemen.
Crew
Department | Role | Name |
---|---|---|
Production | Casting |
Denise Chamian
|
Producer |
Richard D. Zanuck
Scott Rudin
|
|
Co-Producer |
Arne Schmidt
|
|
Unit Production Manager |
Roberto Malerba
|
|
Executive Producer |
Adam Schroeder
Jim Webb
|
|
Location Casting |
Mark Fincannon
|
|
Location Manager |
David Israel
|
|
Assistant Unit Manager |
Aziz Hamichi
|
|
Assistant Production Manager |
Hamid Ait Timaghrit
|
|
Casting Assistant |
Stacie Goodman
|
|
Production Supervisor |
Carlos H. Sánchez
|
|
Production Assistant |
Craig Andujar
|
|
Production Accountant |
Norma Smith
|
|
Production Coordinator |
Nanette Siegert
|
|
Assistant Production Coordinator |
Jennifer Blair
|
|
Assistant Accountant |
Kelley Baker
|
|
Executive Assistant |
Eben Davidson
|
|
First Assistant Accountant |
Nicki McCain
|
|
Production Consultant |
Melissa Schuermann
|
|
Writing | Screenplay |
Stephen Gaghan
|
Story |
Jim Webb
|
|
Art | Production Design |
Robert W. Laing
|
Art Direction |
William Cruse
|
|
Assistant Art Director |
Andy Nicholson
|
|
Leadman |
William S. Maxwell III
|
|
Property Master |
Barry Bedig
|
|
Art Department Assistant |
Alan Day
|
|
Lead Painter |
Christopher Woodworth
|
|
Title Designer |
Nina Saxon
|
|
Assistant Property Master |
Scott M. Anderson
|
|
Sound | Original Music Composer |
Mark Isham
|
Sound Designer |
Steve Boeddeker
|
|
Supervising Sound Editor |
Steve Boeddeker
Mike Szakmeister
|
|
Sound Re-Recording Mixer |
Greg P. Russell
Kevin O’Connell
|
|
Sound Mixer |
Russell Williams II
|
|
Foley Editor |
Scott Curtis
Tammy Fearing
|
|
Assistant Sound Editor |
Beau Borders
|
|
Foley Artist |
Robin Harlan
Sarah Monat
|
|
Foley Mixer |
Randy Singer
|
|
Dialogue Editor |
Carin Rogers
|
|
Sound Editor |
Ronald Eng
Chris Scarabosio
|
|
Music Editor |
Thomas A. Carlson
|
|
Supervising ADR Editor |
Kerry Dean Williams
Robert Ulrich
|
|
Dolby Consultant |
Thom 'Coach' Ehle
|
|
ADR Editor |
Petra Bach
|
|
ADR Mixer |
Dean Drabin
|
|
Boom Operator |
Michael A. Patillo
|
|
Sound Engineer |
Hanson Hsu
|
|
Sound Assistant |
Karym Ronda
|
|
Utility Sound |
Ronald L. Wright
|
|
Crew | Stunt Coordinator |
Buddy Joe Hooker
|
Dialect Coach |
Tim Monich
|
|
Stunts |
Jeffrey J. Dashnaw
Dick Ziker
Lance Gilbert
|
|
Special Effects Technician |
Terry Erickson
|
|
Special Effects Coordinator |
Richard Wood
|
|
Pilot |
Cliff Fleming
Craig Hosking
Rick Shuster
John T. Scanlon
|
|
Visual Effects Editor |
Debra Wolff
|
|
Armorer |
David Fencl
|
|
Stand In |
Cullen G. Chambers
|
|
Driver |
Edward Cook
|
|
Carpenter |
Tony Capasso
|
|
Chef |
Peter Hansen
|
|
Loader |
Stacy De La Motte
|
|
Production Controller |
Kieran Woo
|
|
Propmaker |
Thomas Cooper
|
|
Systems Administrators & Support |
Jason Shea
|
|
Transportation Captain |
Austin Thompson
|
|
Transportation Coordinator |
Dusty Saunders
|
|
Video Assist Operator |
Wayne Tidwell
|
|
Stunt Double |
Clifford Happy
|
|
Costume & Make-Up | Costume Design |
Gloria Gresham
|
Makeup Artist |
Allan A. Apone
|
|
Costume Supervisor |
Mitchell Ray Kenney
|
|
Key Hair Stylist |
Gail Rowell-Ryan
|
|
Hairstylist |
Cydney Cornell
|
|
Set Costumer |
Kelly Porter
|
|
Prosthetic Makeup Artist |
Brian Penikas
|
|
Set Dressing Artist |
Carl Catanese
|
|
Costume Assistant |
Lahcen Abbana
|
|
Camera | Director of Photography |
William A. Fraker
Nicola Pecorini
|
Dolly Grip |
Mark Meyers
|
|
Still Photographer |
Sam Emerson
|
|
Camera Operator |
Pete Cavaciuti
Mark Van Loon
|
|
Steadicam Operator |
Pete Cavaciuti
Mark Van Loon
|
|
Second Assistant Camera |
Matthew Moriarty
|
|
Clapper Loader |
Sam Barnes
|
|
First Assistant Camera |
Robert Heine
|
|
First Company Grip |
J. Michael Popovich
|
|
Focus Puller |
Jonathan Sykes
|
|
Directing | Director |
William Friedkin
|
First Assistant Director |
Newt Arnold
|
|
Script Supervisor |
P.R. Tooke
|
|
Second Assistant Director |
Marty Jedlicka
|
|
Second Second Assistant Director |
Michael Salven
|
|
Editing | Editor |
Augie Hess
|
First Assistant Editor |
Darrin Navarro
|
|
Color Timer |
Terry Hager
|
|
Assistant Editor |
John M. Vitale
Fred C. Vitale
|
|
Negative Cutter |
Dana L. Marker
|
|
Lighting | Gaffer |
Patrick Bramucci
|
Best Boy Electric |
Alessio Bramucci
|
|
Electrician |
Bryan Booth
|
|
Rigging Gaffer |
Martin Bosworth
|
|
Lighting Technician |
Stephen Thorp
|
|
Rigging Grip |
Daniel Dietrich
|
|
Chief Lighting Technician |
Doug Pentek
|
|
Assistant Chief Lighting Technician |
Don Yamasaki
|
|
Visual Effects | Special Effects Supervisor |
Paul J. Lombardi
|
Visual Effects Supervisor |
Erik Nash
|
|
Visual Effects Producer |
Denise Ballantyne
|
|
Visual Effects Coordinator |
Joel Román Mendías
|
|
Visual Effects Production Assistant |
Rob Feng
|
|
Department | Role | Name |
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