Rules of Engagement
(2000) A hero should never have to stand alone. | Released
Ratings
45%
6.2
6.4
36%
Financials
Revenue: $71,000,000
Budget: $60,000,000
Profit: + $11,000,000
Movie Details
Tag Line: A hero should never have to stand alone.
Status: Released
Average Rating: 6
Release Date: Apr 7, 2000
Rating: R
Run Time: 2h 08m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Munich Film Partners & Company (MFP) ROE Production , Paramount , Seven Arts Pictures
Genres
Keywords
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Synopsis
Part war movie, part courtroom thriller, this gripping drama finds a war hero put on trial for a rescue mission gone terribly wrong with only his doubtful friend and fellow marine to represent him.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Denise Chamian
|
| Producer |
Richard D. Zanuck
Scott Rudin
|
|
| Co-Producer |
Arne Schmidt
|
|
| Unit Production Manager |
Roberto Malerba
|
|
| Executive Producer |
Adam Schroeder
Jim Webb
|
|
| Location Casting |
Mark Fincannon
|
|
| Location Manager |
David Israel
|
|
| Assistant Unit Manager |
Aziz Hamichi
|
|
| Assistant Production Manager |
Hamid Ait Timaghrit
|
|
| Casting Assistant |
Stacie Goodman
|
|
| Production Supervisor |
Carlos H. Sánchez
|
|
| Production Assistant |
Craig Andujar
|
|
| Production Accountant |
Norma Smith
|
|
| Production Coordinator |
Nanette Siegert
|
|
| Assistant Production Coordinator |
Jennifer Blair
|
|
| Assistant Accountant |
Kelley Baker
|
|
| Executive Assistant |
Eben Davidson
|
|
| First Assistant Accountant |
Nicki McCain
|
|
| Production Consultant |
Melissa Schuermann
|
|
| Writing | Screenplay |
Stephen Gaghan
|
| Story |
Jim Webb
|
|
| Art | Production Design |
Robert W. Laing
|
| Art Direction |
William Cruse
|
|
| Assistant Art Director |
Andy Nicholson
|
|
| Leadman |
William S. Maxwell III
|
|
| Property Master |
Barry Bedig
|
|
| Art Department Assistant |
Alan Day
|
|
| Lead Painter |
Christopher Woodworth
|
|
| Title Designer |
Nina Saxon
|
|
| Assistant Property Master |
Scott M. Anderson
|
|
| Sound | Original Music Composer |
Mark Isham
|
| Sound Designer |
Steve Boeddeker
|
|
| Supervising Sound Editor |
Steve Boeddeker
Mike Szakmeister
|
|
| Sound Re-Recording Mixer |
Greg P. Russell
Kevin O’Connell
|
|
| Sound Mixer |
Russell Williams II
|
|
| Foley Editor |
Scott Curtis
Tammy Fearing
|
|
| Assistant Sound Editor |
Beau Borders
|
|
| Foley Artist |
Robin Harlan
Sarah Monat
|
|
| Foley Mixer |
Randy Singer
|
|
| Dialogue Editor |
Carin Rogers
|
|
| Sound Editor |
Ronald Eng
Christopher Scarabosio
|
|
| Music Editor |
Thomas A. Carlson
|
|
| Supervising ADR Editor |
Kerry Dean Williams
Robert Ulrich
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| ADR Editor |
Petra Bach
|
|
| ADR Mixer |
Dean Drabin
|
|
| Boom Operator |
Michael A. Patillo
|
|
| Sound Engineer |
Hanson Hsu
|
|
| Sound Assistant |
Karym Ronda
|
|
| Utility Sound |
Ronald L. Wright
|
|
| Crew | Stunt Coordinator |
Buddy Joe Hooker
|
| Dialect Coach |
Tim Monich
|
|
| Stunts |
Jeffrey J. Dashnaw
|
|
| Special Effects Technician |
Terry Erickson
|
|
| Special Effects Coordinator |
Dick Wood
|
|
| Pilot |
Cliff Fleming
Craig Hosking
Rick Shuster
John T. Scanlon
|
|
| Visual Effects Editor |
Debra Wolff
|
|
| Armorer |
David Fencl
|
|
| Stand In |
Cullen G. Chambers
|
|
| Driver |
Edward Cook
|
|
| Carpenter |
Tony Capasso
|
|
| Chef |
Peter Hansen
|
|
| Loader |
Stacy De La Motte
|
|
| Production Controller |
Kieran Woo
|
|
| Propmaker |
Thomas Cooper
|
|
| Systems Administrators & Support |
Jason Shea
|
|
| Transportation Captain |
Austin Thompson
|
|
| Transportation Coordinator |
Dusty Saunders
|
|
| Video Assist Operator |
Wayne Tidwell
|
|
| Stunt Double |
Clifford Happy
|
|
| Costume & Make-Up | Costume Design |
Gloria Gresham
|
| Makeup Artist |
Allan A. Apone
|
|
| Costume Supervisor |
Mitchell Ray Kenney
|
|
| Key Hair Stylist |
Gail Rowell-Ryan
|
|
| Hairstylist |
Cydney Cornell
|
|
| Set Costumer |
Kelly Porter
|
|
| Prosthetic Makeup Artist |
Brian Penikas
|
|
| Set Dressing Artist |
Carl Catanese
|
|
| Costume Assistant |
Lahcen Abbana
|
|
| Camera | Director of Photography |
William A. Fraker
Nicola Pecorini
|
| Dolly Grip |
Mark Meyers
|
|
| Still Photographer |
Sam Emerson
|
|
| Camera Operator |
Pete Cavaciuti
Mark Van Loon
|
|
| Steadicam Operator |
Pete Cavaciuti
Mark Van Loon
|
|
| Second Assistant Camera |
Matthew Moriarty
|
|
| Clapper Loader |
Sam Barnes
|
|
| First Assistant Camera |
Robert Heine
|
|
| First Company Grip |
J. Michael Popovich
|
|
| Focus Puller |
Jonathan Sykes
|
|
| Directing | Director |
William Friedkin
|
| First Assistant Director |
Newt Arnold
|
|
| Script Supervisor |
P.R. Tooke
|
|
| Second Second Assistant Director |
Michael Salven
|
|
| Second Assistant Director |
Martin Jedlicka
|
|
| Editing | Editor |
Augie Hess
|
| First Assistant Editor |
Darrin Navarro
|
|
| Color Timer |
Terry Haggar
|
|
| Assistant Editor |
John M. Vitale
Fred C. Vitale
|
|
| Negative Cutter |
Dana L. Marker
|
|
| Lighting | Gaffer |
Patrick Bramucci
|
| Best Boy Electric |
Alessio Bramucci
|
|
| Electrician |
Bryan Booth
|
|
| Rigging Gaffer |
Martin Bosworth
|
|
| Lighting Technician |
Stephen Thorp
|
|
| Rigging Grip |
Daniel Dietrich
|
|
| Chief Lighting Technician |
Doug Pentek
|
|
| Assistant Chief Lighting Technician |
Don Yamasaki
|
|
| Visual Effects | Special Effects Supervisor |
Paul J. Lombardi
|
| Visual Effects Supervisor |
Erik Nash
|
|
| Visual Effects Producer |
Denise Ballantyne
|
|
| Visual Effects Coordinator |
Joel Román Mendías
|
|
| Visual Effects Production Assistant |
Rob Feng
|
|
| Department | Role | Name |
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