Ratings
3.6
4.7
Financials
Revenue: $0
Budget: $30,000
Profit: - $-30,000
Movie Details
Tag Line: 48 hours of clubs, chaos and kebabs
Status: Released
Average Rating: 4
Release Date: May 11, 2000
Rating: 2000-05-11
Run Time: 1h 33m
Original Language: English
Website: -
Production Countries: Australia
Production Companies: South Australian Film Corporation , Living Motion Pictures
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Clapper Loader |
Michael Bambacas
|
| Assistant Grip |
Rick Belfield
|
|
| Still Photographer |
Matt Nettheim
|
|
| Camera Car |
Peter Itsines
|
|
| Grip |
Chris Davies
|
|
| Focus Puller |
Craig 'Rags' Philpot
|
|
| Assistant Camera |
Lachlan Milne
Michael Bambacas
Sam Collins
|
|
| Key Grip |
Marcus Bosisto
|
|
| Camera Operator |
David Foreman
|
|
| Second Unit Director of Photography |
Tom Gleeson
|
|
| Directing | Director |
Clinton Smith
|
| Second Assistant Director |
Clair Parker
|
|
| Additional Third Assistant Director |
Kath McIntyre
|
|
| First Assistant Director |
David Wolfe-Barry
|
|
| Third Assistant Director |
Jamie Nicolai
|
|
| Production | Line Producer |
David Lightfoot
|
| Executive Producer |
Jonathan Shteinman
|
|
| Associate Producer |
Gregory J. Read
|
|
| Producer |
Barton Smith
Emile Sherman
|
|
| Casting |
Gregory Apps
|
|
| Production Manager |
David Lightfoot
|
|
| Unit Manager |
John Fairhead
|
|
| Costume & Make-Up | Costume Design |
Ruth De la Lande
|
| Makeup & Hair |
Tina Gordon
Jennifer Lamphee
|
|
| Makeup & Hair Assistant |
Jodee Lenaine-Smith
Fiona Rees-Jones
|
|
| Makeup Trainee |
Belinda Zollo
Bianca Panizza
|
|
| Sound | Music |
Rafael May
|
| Dolby Consultant |
Bruce Emery
Maggie Longmore
|
|
| Sound Designer |
Pete Smith
|
|
| Sound Recordist |
Des Kenneally
Phil Cole
|
|
| Foley Artist |
John Simpson
|
|
| Foley Recordist |
Tony Young
|
|
| ADR Editor |
Pete Best
|
|
| Sound Effects Editor |
Pete Smith
|
|
| Assistant Sound Engineer |
Rory McGregor
|
|
| Sound Editor |
Pete Smith
|
|
| Dialogue Editor |
Sara-Jane van Gyen
|
|
| Sound |
Pete Best
|
|
| Boom Operator |
Robert 'Gotch' Cutcher
|
|
| Supervising Sound Editor |
Pete Smith
|
|
| Sound Mixer |
Pete Smith
|
|
| Sound Re-Recording Mixer |
Pete Smith
|
|
| Assistant Sound Designer |
Martin Potter
|
|
| Writing | Writer |
Peter Buckmaster
Clinton Smith
|
| Art | Art Direction |
Michelle McGahey
Tony Cronin
|
| Production Design |
Michelle McGahey
John Santucci
|
|
| Props |
Sophie Tarney
|
|
| Storyboard Artist |
Charlie Hill-Smith
Brendan Winter
Kaldon Smith
|
|
| Set Dresser |
Sarah Abbey
David Swanson
Jennifer Drake
Peter Santucci
Sophie Tarney
Helen Lucy Moss
|
|
| Runner Art Department |
Mark Aitchison
Peter Santucci
|
|
| Property Buyer |
Tony Cronin
Sarah Abbey
|
|
| Standby Property Master |
Andrew Gibbs
|
|
| Painter |
Ben Resch
|
|
| Crew | Additional Dialogue |
Rick Kalowski
Anthony O'Connor
|
| Cinematography |
David Foreman
|
|
| Post-Production Manager |
Gregory J. Read
|
|
| Special Effects Coordinator |
Vic Wilson
|
|
| Carpenter |
Kevin Jarrett
|
|
| Special Effects Assistant |
Bradd Buckley
|
|
| Tattooist |
John Penglase
|
|
| Editing | Editor |
Frans Vandenburg
|
| Department | Role | Name |
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