See How They Run
(2022) The greatest murder ever staged | Released
Ratings
6.4
6.5
Financials
Revenue: $21,921,551
Budget: $40,000,000
Profit: - $-18,078,449
Movie Details
Tag Line: The greatest murder ever staged
Status: Released
Average Rating: 6
Release Date: Sep 9, 2022
Rating: PG-13
Run Time: 1h 39m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Searchlight Pictures , DJ Films , TSG Entertainment
Genres
Keywords
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Synopsis
In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Gina Carter
Damian Jones
|
| Executive Producer |
Sarada McDermott
|
|
| Casting |
Yesi Ramirez
|
|
| Post Production Coordinator |
Robert Platt-Higgins
|
|
| Unit Production Manager |
Liza Carmel
|
|
| Line Producer |
Thomas Darby-Evans
|
|
| Production Manager |
John Palfery Smith
|
|
| Costume & Make-Up | Costume Design |
Odile Dicks-Mireaux
|
| Costume Supervisor |
Alex Watherston
|
|
| Assistant Costume Designer |
Luan Placks
Emma Burnand
|
|
| Hair Designer |
Nadia Stacey
|
|
| Makeup Designer |
Nadia Stacey
|
|
| Makeup Supervisor |
Carolyn Cousins
|
|
| Costume Assistant |
Kashca Garwood-Walker
|
|
| Costumer |
Amy Pollitt
Holly McLean
Hannah Warren
Tom O’Dell
|
|
| Costume Standby |
Charlotte Ashworth
|
|
| Set Costumer |
Marianna Bourmpoula
|
|
| Makeup Artist |
Zainab Jaye
Kerieann London
|
|
| Sound | Orchestrator |
Richard Bronskill
Mark Baechle
|
| ADR Mixer |
Mark DeSimone
Patrick Christensen
Chris Navarro
Mike Tehrani
|
|
| Original Music Composer |
Daniel Pemberton
|
|
| Sound Re-Recording Mixer |
Paul Cotterell
Paul Carter
|
|
| Foley Supervisor |
Barnaby Smyth
|
|
| Supervising Sound Editor |
Danny Sheehan
|
|
| Sound Designer |
Paul Carter
|
|
| Dialogue Editor |
Kasper Pedersen
|
|
| Music Supervisor |
Sarah Bridge
|
|
| Foley Mixer |
Keith Partridge
|
|
| Production Sound Mixer |
Martin Beresford
|
|
| Music Editor |
Robin Baynton
Andy Patterson
|
|
| Second Assistant Sound |
Julian Bale
|
|
| ADR Recordist |
Alex Stylianou
Jennie Shea
|
|
| Art | Production Design |
Amanda McArthur
|
| Supervising Art Director |
John Reid
|
|
| Assistant Set Decoration |
Sophia Millar
Amy Lockwood
Amy Diamond
|
|
| Art Direction |
Abbie Bellwood
Daniel Kearns
|
|
| Standby Art Director |
Robert Haynes
|
|
| Set Decoration |
Celia De La Hey
|
|
| Art Department Coordinator |
Tabitha Boyd
|
|
| Set Dresser |
Piotr Micyk
|
|
| Camera | Director of Photography |
Jamie D. Ramsay
|
| Editing | Editor |
Peter Lambert
Gary Dollner
|
| Digital Intermediate Producer |
Suhaila Mahmoud
|
|
| First Assistant Editor |
Monika Radwanska
|
|
| Writing | Writer |
Mark Chappell
|
| Visual Effects | Visual Effects Supervisor |
Tim Barter
James D. Etherington
|
| Visual Effects Producer |
Zafar Janjua
|
|
| Compositing Lead |
Dan Victoire
|
|
| Digital Compositor |
Callum Mcnulty
Jonathan Atkins-Pott
|
|
| VFX Editor |
James Devlin
|
|
| Rotoscoping Artist |
Blanca Del Pozo Cavallé De Moya
|
|
| Pipeline Technical Director |
Thomas Ashby
|
|
| VFX Artist |
Jonathan Jean-Marie Wannyn
Siân Venables
Antonio Pavlov
|
|
| Directing | Director |
Tom George
|
| First Assistant Director |
Neil Wallace
|
|
| Script Supervisor |
Natalie Scicluna
|
|
| Crew | Post Production Supervisor |
Louise Seymour
|
| Visual Effects Editor |
James Devlin
Elliot Barrett
|
|
| Compositor |
Nino Oz
|
|
| Department | Role | Name |