Ratings
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 3
Release Date: Jun 30, 1994
Rating: 1994-10-06
Run Time: 1h 42m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: MDP Worldwide , The Kushner-Locke Company
Sources:
Genres
Keywords
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Synopsis
Lila a college student discovers a latent ability to see into the past. When a professor hires her for some psychological tests she becomes the target of the killer of the woman she sees in her dreams.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Brian Grant
|
| First Assistant Director |
Aaron Barsky
|
|
| Second Assistant Director |
Eddie Fickett
|
|
| Script Supervisor |
Bridgette Kelley
|
|
| Second Unit First Assistant Director |
Mark Ean
|
|
| Writing | Writer |
Dougal Wallace
|
| Production | Executive Producer |
Mitchell G. Blumberg
Kim Snyder
|
| Producer |
John Morrissey
|
|
| Line Producer |
Michael Mandaville
|
|
| Casting |
Annette Benson
|
|
| Unit Production Manager |
Michael Mandaville
|
|
| Production Coordinator |
Dawn Thomas
|
|
| Assistant Production Coordinator |
Abby Laspia
|
|
| Production Accountant |
Al Belmont
|
|
| Casting Assistant |
Rachel Oberstein
|
|
| Extras Casting |
Johnny Fontane
|
|
| Location Manager |
Eric Fierstein
|
|
| Assistant Location Manager |
Collin Malone
|
|
| Key Production Assistant |
Erica Spano
Matthew R. Eyraud
|
|
| Production Assistant |
Phyllis Hsu
Lawrence O'Flahavan
David 'Sharkey' Pruger
Sandra Miller
Todd Bird
|
|
| Producer's Assistant |
Nancie Kay Shuman
|
|
| Sound | Music |
Arthur Kempel
|
| Sound Re-Recording Mixer |
Peter Cole
William Freesh
|
|
| ADR Recordist |
Conner Moore
|
|
| Foley Recordist |
Conner Moore
|
|
| Sound Mixer |
Neil Spritz
|
|
| Sound Effects Editor |
Derek Sample
|
|
| Boom Operator |
Todd O. Russell
|
|
| Sound Effects |
Howard Neiman
|
|
| Foley Artist |
Martin Moore
|
|
| Editing | Editor |
John Lafferty
|
| Assistant Editor |
Laura Steiger
Nicole Schubert
|
|
| Color Timer |
Jim J. Williams
|
|
| Art | Production Design |
Barry Robison
|
| Art Direction |
Troy Myers
|
|
| Set Decoration |
Troy Myers
|
|
| Title Designer |
Mary Stuart
Brian Grant
Todd Mesher
|
|
| Set Dresser |
Ildiko Toth
|
|
| Swing |
John Moore
Michael Ivey
Jake Conway
Thomas Cabell
Terence M. McGuire
Mike R. Berman
Karrin Ludeking-Berman
Ramon Rodgers
Anthony Sparango
|
|
| Leadman |
Matthew Gilbert
|
|
| Storyboard Artist |
Michael Bacon
|
|
| Property Master |
Robert Smith
|
|
| Assistant Property Master |
Alex Hampson
|
|
| Camera | Director of Photography |
Ross Berryman
|
| First Assistant Camera |
Erin-Bruce Cook
Greg Kidd
Andy Parke
John Scott
|
|
| Camera Operator |
Paul A. Edwards
|
|
| Second Assistant Camera |
Robert Schierer
|
|
| Still Photographer |
Anita Ingle
|
|
| Camera Loader |
Ken Bazal
|
|
| Key Grip |
Andre Sobczak
|
|
| Best Boy Grip |
Ross Guidici
|
|
| Dolly Grip |
Pavel Dygas
|
|
| Grip |
Barry Gross
Jeff Stewart
Vince Kustush
Bill Essling
|
|
| Second Unit Director of Photography |
David O'Connel
David J. Miller
|
|
| Costume & Make-Up | Makeup Artist |
Ann Pala
|
| Costume Design |
Marilyn Madsen
|
|
| Hairstylist |
Peggy Hannaman
|
|
| Assistant Costume Designer |
Brenda Maben
|
|
| Wardrobe Assistant |
Maxine Heywood
|
|
| Assistant Makeup Artist |
Matthew Monzon
James Higgins
|
|
| Visual Effects | Special Effects Supervisor |
Beverley Hartigan
|
| Crew | Stunts |
Spice Williams-Crosby
Ed Anders
Kirk Beebe
|
| Stunt Coordinator |
BJ Davis
|
|
| Additional Music |
Jeff Rona
|
|
| Transportation Coordinator |
Mike Burnette
|
|
| Transportation Captain |
Chris Sharff
|
|
| Post Production Supervisor |
Miles Christensen
|
|
| Special Effects |
Beverley Hartigan
|
|
| Lighting | Gaffer |
Adam Goldfine
|
| Best Boy Electric |
Kenneth Struck
|
|
| Electrician |
Stephan Dalyai
Holly May Walker
Dale Sprawls
Shantell Hall
|
|
| Department | Role | Name |






