Ratings
Financials
Revenue: $7,770,731
Budget: $0
Profit: + $7,770,731
Movie Details
Tag Line: Love, Lust, Art and Religion
Status: Released
Average Rating: 6
Release Date: Mar 4, 1994
Rating: 1994-03-25
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: Australia , United Kingdom
Production Companies: British Screen Finance Ltd , Sarah Radclyffe Productions , Samson Productions Pty. Ltd. , WMG Film
Genres
Keywords
People Rated This
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Synopsis
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Sue Milliken
|
Executive Producer |
Robert Jones
Hans Brockmann
Justin Ackerman
|
|
Production Manager |
Catherine Bishop
|
|
Production Coordinator |
Emma Schofield
Neris Thomas
|
|
Location Manager |
Maude Heath
|
|
Producer's Assistant |
Susan Lane
Dixie Linder
|
|
Post Producer |
Sylvia Walker Wilson
|
|
Researcher |
Sandra Mckenzie
|
|
Production Assistant |
Melinda Bryant
|
|
Production Accountant |
Jill Steele
Bobbie Johnson
|
|
Unit Manager |
Will Mathews
|
|
Casting |
Liz Mullinar
|
|
Extras Casting |
Kate Finsterer
|
|
Casting Assistant |
Anousha Zarkesh
|
|
Directing | Director |
John Duigan
|
First Assistant Director |
P.J. Voeten
|
|
Second Assistant Director |
John Martin
|
|
Third Assistant Director |
Rowena Talacko
|
|
Continuity |
Susan Wiley
|
|
Camera | Director of Photography |
Geoff Burton
|
Focus Puller |
Kathryn Milliss
|
|
Clapper Loader |
Leilani Hannah
|
|
Key Grip |
Simon Quaife
|
|
Steadicam Operator |
David Woodward
|
|
Camera Operator |
Julian Penny
|
|
Grip |
Kent Santilla
David Shaw
|
|
Editing | Editor |
Humphrey Dixon
|
First Assistant Editor |
Susan Midgley
|
|
Assistant Editor |
Nick Breslin
Jason Costelloe
|
|
Negative Cutter |
Mike Murphy
Kim Norris
|
|
Sound | Original Music Composer |
Rachel Portman
|
Sound Editor |
Alan Bell
Susan Midgley
|
|
Sound Recordist |
David Lee
|
|
Boom Operator |
Mark Keating
|
|
Assistant Sound Editor |
Richard Fettes
Stephen Spencer
|
|
Music Coordinator |
Christine Woodruff
|
|
Sound Re-Recording Mixer |
Dean Humphreys
Tim Cavagin
|
|
ADR Recordist |
Paul Carr
Simon Hewitt
|
|
Foley Recordist |
Paul Carr
|
|
Conductor |
David Snell
|
|
Writing | Screenplay |
John Duigan
|
Art | Art Direction |
Laurie Faen
|
Set Decoration |
Kerrie Brown
|
|
Property Buyer |
Andrew Short
Colin Gibson
|
|
Assistant Set Designer |
Sarah Tooth
|
|
Assistant Art Director |
Prisque Salvi
|
|
Art Department Assistant |
Bart Groen
|
|
Construction Manager |
Danny Burnett
|
|
Painter |
Richard Baldwin
|
|
Costume & Make-Up | Makeup Artist |
Noriko Watanabe
Adele Wilcox
Yvonne Savage
Cassie Hanlon
Matthew Bartholomew
|
Costume Coordinator |
Mel Dykes
|
|
Costumer |
Sussane Head
Julie Bryant
Suzzette Waters
|
|
Wardrobe Assistant |
Heather Laurie
|
|
Hairdresser |
Jan Zeigenbein
|
|
Makeup & Hair Assistant |
Elaine Fitcher
|
|
Lighting | Gaffer |
Ian Plummer
|
Electrician |
Robert Burr
Grant Atkinson
Matt Buchan
Greg Allen
|
|
Best Boy Electric |
Dave Hanson
|
|
Crew | Vehicles Coordinator |
Tim Parry
|
Animal Wrangler |
Scott Barlow
Kathryn Forward
|
|
Carpenter |
Dean Steiner
Yvonne Gudgeon
Norman Wray
|
|
Post Production Supervisor |
Mike Solinger
|
|
Unit Publicist |
Rea Francis
|
|
Special Effects |
Arthur Spinx
|
|
Stunts |
Randy Fife
Mireille Samson
|
|
Department | Role | Name |