Ratings
Financials
Revenue: $7,770,731
Budget: $0
Profit: + $7,770,731
Movie Details
Tag Line: In the 1930s, an artist and his models scandalized a nation with their controversial paintings. For a young couple, meeting them was the experience of a lifetime.
Status: Released
Average Rating: 6
Release Date: Mar 4, 1994
Rating: R
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: Australia , United Kingdom
Production Companies: British Screen Finance Ltd , Sarah Radclyffe Productions , Samson Productions Pty. Ltd. , WMG Film
Genres
Keywords
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Synopsis
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.
Crew
Department | Role | Name |
---|---|---|
Sound | Original Music Composer |
Rachel Portman
|
Music Coordinator |
Christine Woodruff
|
|
ADR Recordist |
Simon Hewitt
Paul Carr
|
|
Sound Re-Recording Mixer |
Dean Humphreys
Tim Cavagin
|
|
Foley Recordist |
Paul Carr
|
|
Sound Editor |
Alan Bell
Susan Midgley
|
|
Sound Recordist |
David Lee
|
|
Assistant Sound Editor |
Richard Fettes
Stephen Spencer
|
|
Conductor |
David Snell
|
|
Boom Operator |
Mark Keating
|
|
Production | Executive Producer |
Robert Jones
Hans Brockmann
Justin Ackerman
|
Producer's Assistant |
Dixie Linder
Susan Lane
|
|
Producer |
Sue Milliken
|
|
Casting Assistant |
Anousha Zarkesh
|
|
Production Coordinator |
Emma Schofield
Neris Thomas
|
|
Casting |
Liz Mullinar
|
|
Researcher |
Sandra Mckenzie
|
|
Post Producer |
Sylvia Walker Wilson
|
|
Production Manager |
Tatts Bishop
|
|
Location Manager |
Maude Heath
|
|
Production Assistant |
Melinda Bryant
|
|
Extras Casting |
Kate Finsterer
|
|
Production Accountant |
Jill Steele
Bobbie Johnson
|
|
Unit Manager |
Will Mathews
|
|
Art | Set Decoration |
Kerrie Brown
|
Art Direction |
Laurie Faen
|
|
Property Buyer |
Colin Gibson
Andrew Short
|
|
Assistant Art Director |
Prisque Salvi
|
|
Assistant Set Designer |
Sarah Tooth
|
|
Construction Manager |
Danny Burnett
|
|
Art Department Assistant |
Bart Groen
|
|
Painter |
Richard Baldwin
|
|
Editing | Editor |
Humphrey Dixon
|
Negative Cutter |
Mike Murphy
Kim Norris
|
|
Assistant Editor |
Nick Breslin
Jason Costelloe
|
|
First Assistant Editor |
Susan Midgley
|
|
Writing | Screenplay |
John Duigan
|
Directing | Director |
John Duigan
|
First Assistant Director |
P.J. Voeten
|
|
Second Assistant Director |
John Martin
|
|
Continuity |
Susan Wiley
|
|
Third Assistant Director |
Rowena Talacko
|
|
Camera | Director of Photography |
Geoff Burton
|
Clapper Loader |
Leilani Hannah
|
|
Focus Puller |
Kathryn Milliss
|
|
Grip |
David Shaw
Kent Santilla
|
|
Steadicam Operator |
David Woodward
|
|
Key Grip |
Simon Quaife
|
|
Camera Operator |
Julian Penny
|
|
Costume & Make-Up | Makeup Artist |
Noriko Watanabe
Yvonne Savage
Adele Wilcox
Cassie Hanlon
Matthew Bartholomew
|
Hairdresser |
Jan Zeigenbein
|
|
Costume Coordinator |
Mel Dykes
|
|
Wardrobe Assistant |
Heather Laurie
|
|
Makeup & Hair Assistant |
Elaine Fitcher
|
|
Costumer |
Sussane Head
Julie Bryant
Suzzette Waters
|
|
Lighting | Gaffer |
Ian Plummer
|
Electrician |
Matt Buchan
Greg Allen
Grant Atkinson
Robert Burr
|
|
Best Boy Electric |
Dave Hanson
|
|
Crew | Stunts |
Randy Fife
Mireille Samson
|
Unit Publicist |
Rea Francis
|
|
Vehicles Coordinator |
Tim Parry
|
|
Animal Wrangler |
Scott Barlow
Kathryn Forward
|
|
Carpenter |
Dean Steiner
Yvonne Gudgeon
Norman Wray
|
|
Post Production Supervisor |
Mike Solinger
|
|
Special Effects |
Arthur Spinx
|
|
Department | Role | Name |