Smoke
(1995) The most precious things are lighter than air. | Released
Ratings
70%
7.2
7.4
93%
Financials
Revenue: $8,349,430
Budget: $7,000,000
Profit: + $1,349,430
Movie Details
Tag Line: The most precious things are lighter than air.
Status: Released
Average Rating: 7
Release Date: Jun 9, 1995
Rating: R
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: Germany , Japan , United States of America
Production Companies: Miramax , NDF International , Eurospace
Genres
Keywords
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Synopsis
Writer Paul Benjamin is nearly hit by a bus when he leaves Auggie Wren's smoke shop. Stranger Rashid Cole saves his life, and soon middle-aged Paul tells homeless Rashid that he wouldn't mind a short-term housemate. Still grieving over his wife's murder, Paul is moved by both Rashid's quest to reconnect with his father and Auggie's discovery that a woman who might be his daughter is about to give birth.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Heidi Levitt
Billy Hopkins
Kim Orchen
|
| Executive Producer |
Bob Weinstein
Harvey Weinstein
Satoru Iseki
|
|
| Line Producer |
Diana Phillips
|
|
| Producer |
Peter Newman
Hisami Kuroiwa
Kenzo Horikoshi
Greg Johnson
|
|
| Production Coordinator |
Jennifer Roth
|
|
| Location Production Assistant |
Alex Corven Caronia
George Lazaros
|
|
| Unit Production Manager |
Margot Lulick
|
|
| Assistant Production Coordinator |
John Daschbach
|
|
| Extras Casting |
Cary Wong
Judie Fixler
|
|
| Production Secretary |
Exile Ramirez
|
|
| ADR Voice Casting |
David H. Kramer
|
|
| Key Set Production Assistant |
Nina Chien
|
|
| Assistant Location Manager |
Heidi Topper
|
|
| Associate Producer |
Shoko Kimizuka
|
|
| Location Manager |
Lys Hopper
|
|
| Sound | Original Music Composer |
Rachel Portman
|
| Orchestrator |
Rachel Portman
Emile Charlap
|
|
| Supervising Sound Editor |
Robert Hein
|
|
| Sound Effects Editor |
Magdaline Volaitis
|
|
| Foley Artist |
Marko Costanzo
|
|
| Assistant Sound Editor |
Chris Fielder
Brian Langman
Donovan C. Howard
|
|
| Dialogue Editor |
Fred Rosenberg
Jeffrey Stern
Kenton Jakub
Sylvia Menno
|
|
| Music Consultant |
Lynn Geller
|
|
| Boom Operator |
John Fundus
Mark Goodermote
|
|
| Foley Editor |
Frank Kern
Steven Visscher
|
|
| Sound |
Drew Kunin
|
|
| Sound Re-Recording Mixer |
Michael Barry
|
|
| Music Editor |
Steve Borne
Brunilda Torres
James Flatto
|
|
| Conductor |
Jonathan Sheffer
|
|
| Scoring Mixer |
Brian Risner
|
|
| Foley Supervisor |
Bruce Pross
|
|
| First Assistant Sound Editor |
Julie Lindner
|
|
| Musician |
John Moses
|
|
| Editing | Editor |
Christopher Tellefsen
Maysie Hoy
|
| Additional Editor |
Christopher Tellefsen
|
|
| Assistant Editor |
Morgan Neville
|
|
| First Assistant Editor |
Sara Corrigan
Debra C. Victoroff
James Cozza
Liz Schenck
|
|
| Color Timer |
Tom Salvatore
|
|
| Colorist |
Leo Hallal
Greg Babiuk
|
|
| Crew | Post Production Supervisor |
Jasmine Kosovic
|
| Post Production Assistant |
Avi Zev Weider
Kristen Kusama
|
|
| Stunts |
Douglas Crosby
Chuck Jeffreys
|
|
| Stunt Coordinator |
Blaise Corrigan
|
|
| Scenic Artist |
Robert Barnett
Philip Kennedy
Lauren Doner
Joyce Kubalak-Szuflita
|
|
| Transportation Coordinator |
Ralph Volpe
Louis Volpe
|
|
| Dialect Coach |
Lilene Mansell
|
|
| Carpenter |
Mark Mann
Rodney Clark
Timothy Main
Charles Cecil
Andrew Gangloff
Ernie Gangloff
Claude Horstmann
W. Ernest Stalder
|
|
| Craft Service |
Lauren Gale
|
|
| Unit Publicist |
Reid Rosefelt
|
|
| Charge Scenic Artist |
Elizabeth Linn
|
|
| Set Production Assistant |
Eileen Cabiling
|
|
| Post Production Scripts |
Kevin Donegan
|
|
| Cableman |
Richard Murphy
|
|
| Art | Production Design |
Kalina Ivanov
|
| Title Designer |
Randall Balsmeyer
|
|
| Set Decoration |
Karin Wiesel
|
|
| Set Dresser |
Joseph Badalucco Jr.
Anthony Dimeo
Andrew Dimeo
|
|
| Art Department Trainee |
Shanya Tsao
Rae Umsted
William Breslo
Jean-Phillipe Preteur
Pam Shawshin
|
|
| Construction Coordinator |
Rhonda Moscoe
Bill Lehne
|
|
| Art Direction |
Jeffrey D. McDonald
|
|
| Leadman |
Gus Papadopoulos
|
|
| Property Master |
Ann Edgeworth
|
|
| Graphic Designer |
Joan Winters
Janene Higgins
|
|
| Construction Grip |
Larry Steinberg
Chris Marzulli
Glen Bowen
Vince Biscano
Sam Burrell
|
|
| Art Department Coordinator |
Loretta Farb
|
|
| Key Carpenter |
Mark Horstmann
|
|
| Assistant Property Master |
Laura Iler
|
|
| Art Department Assistant |
Magen Kauffman
|
|
| Key Construction Grip |
John Merrick
|
|
| Camera | Grip |
Billy Miller
Harry Ford
|
| Director of Photography |
Adam Holender
|
|
| Still Photographer |
Lorey Sebastian
K.C. Bailey
|
|
| "A" Camera Operator |
David Knox
|
|
| Best Boy Grip |
Peter Betulia
Billy Miller Jr.
|
|
| Key Grip |
Brad Goss
|
|
| First Assistant Camera |
John Cambria
|
|
| Second Assistant Camera |
Michael Cambria
|
|
| Dolly Grip |
James W. Finnerty
|
|
| Directing | Director |
Wayne Wang
|
| Co-Director |
Paul Auster
|
|
| Script Supervisor |
Karen Kelsall
|
|
| First Assistant Director |
Todd Pfeiffer
|
|
| Second Assistant Director |
Jude Gorjanc
|
|
| Assistant Director |
David Marcellino
|
|
| Writing | Writer |
Paul Auster
|
| Costume & Make-Up | Hairstylist |
Wayne Herndon
|
| Costume Design |
Chuck Keehne
Claudia Brown
|
|
| Wardrobe Supervisor |
Cheryl Kilbourne-Kimpton
Marcia Patten
|
|
| Makeup Artist |
Patricia Regan
|
|
| Costume Assistant |
John Denison
|
|
| On Set Dresser |
Joel Barkow
|
|
| Prosthetics |
Robert Alonso
|
|
| Lighting | Best Boy Electric |
Thomas Dolan
|
| Electrician |
Thomas Landi
Collin Quinlan
|
|
| Gaffer |
James A. Dolan
|
|
| Department | Role | Name |
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