Spawn
(1997) Born in darkness. Sworn to justice. | Released
Ratings
34%
5.4
5.2
18%
Financials
Revenue: $87,840,042
Budget: $40,000,000
Profit: + $47,840,042
Movie Details
Tag Line: Born in darkness. Sworn to justice.
Status: Released
Average Rating: 5
Release Date: Jul 31, 1997
Rating: 1997-07-31
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema , Pull Down Your Pants Pictures , Todd McFarlane Entertainment , Juno Pix
Sources:
Genres
Keywords
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Where to watch Spawn
Purchaseble on (Rent or Buy episodes, seasons or full series)
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Synopsis
After being murdered by corrupt colleagues in a covert government agency, Al Simmons makes a pact with the devil to be resurrected to see his beloved wife Wanda. In exchange for his return to Earth, Simmons agrees to lead Hell's Army in the destruction of mankind.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Author |
Todd McFarlane
|
| Screenplay |
Alan B. McElroy
|
|
| Production | Producer |
Clint Goldman
|
| Executive Producer |
Todd McFarlane
|
|
| Casting |
Bruce H. Newberg
Mary Jo Slater
|
|
| Extras Casting |
Jennifer Bender
|
|
| Sound | Original Music Composer |
Graeme Revell
|
| Sound Re-Recording Mixer |
Jim Fitzpatrick
Chris David
Liz Sroka
Steve Pederson
|
|
| ADR Editor |
Linda Folk
|
|
| Assistant Sound Editor |
Damon Cohoon
Bob Wishnefsky
|
|
| Boom Operator |
Bill Flick
|
|
| Foley Editor |
Scott Curtis
Linda Di Franco
Michael Dressel
|
|
| Foley Mixer |
Shawn Kennelly
Eric Thompson
|
|
| Sound Designer |
Brian Williams
Jeffrey Kaplan
|
|
| Sound Editor |
Greg Hedgepath
Solange S. Schwalbe
Frank Smathers
David E. Stone
|
|
| Sound Effects Designer |
Paul Berolzheimer
|
|
| Sound Effects Editor |
Harry Cohen
Scott A. Jennings
Patricio A. Libenson
D. Chris Smith
Bruce Stubblefield
|
|
| Sound Mixer |
James Thornton
|
|
| Supervising Sound Editor |
Dean Beville
|
|
| Music Coordinator |
Joe Fischer
|
|
| Music Editor |
Joshua Winget
|
|
| Music Supervisor |
Happy Walters
|
|
| Camera | Director of Photography |
Guillermo Navarro
|
| Assistant Camera |
Timothy James Kane
|
|
| Camera Operator |
Allen D. Easton
|
|
| Second Unit Director of Photography |
Jonathan Taylor
|
|
| Steadicam Operator |
Dan Kneece
Dennis J. Laine
|
|
| First Assistant Camera |
Evan A. Nesbitt
|
|
| Key Grip |
Rick Stribling
|
|
| Still Photographer |
Peter Iovino
|
|
| Editing | Editor |
Todd Busch
Michael N. Knue
|
| Assistant Editor |
Steve Ansell
Joëlle Taar
Neil Eric Wenger
|
|
| Color Timer |
Mike Mertens
Mike Sowa
|
|
| First Assistant Editor |
Todd Busch
|
|
| Directing | Director |
Mark A.Z. Dippé
|
| Script Supervisor |
Robin Anderson
Hilary Momberger-Powers
|
|
| Crew | Stunts |
Mark Hicks
Dane Farwell
Debbie Lee Carrington
Al Goto
Jimmy Ortega
Faith Minton
Kane Hodder
Tony Brubaker
Denney Pierce
|
| Stunt Double |
Mark Hicks
Tom Elliott
|
|
| Thanks |
Russell Frazier
|
|
| Stunt Coordinator |
Charles Croughwell
|
|
| Choreographer |
Cindy Cummins
|
|
| Techno Crane Operator |
Ray Patrick
|
|
| Digital Effects Supervisor |
Alan Barnett
Melissa Davies
Rudy Hassen
|
|
| Software Engineer |
Berj Bannayan
|
|
| Visual Effects Art Director |
Scott Leberecht
|
|
| Armorer |
Tony Swatton
|
|
| Unit Publicist |
Deborah Wuliger
|
|
| Weapons Master |
Harry Lu
|
|
| Costume & Make-Up | Costume Design |
Daniel J. Lester
|
| Contact Lens Technician |
Cristina Patterson
|
|
| Key Makeup Artist |
Donna Cicatelli-Lewis
|
|
| Makeup Artist |
Cindy J. Williams
|
|
| Special Effects Makeup Artist |
Norman Cabrera
Greg Funk
Chris Hanson
|
|
| Set Costumer |
Winifred Kennamer
|
|
| Art | Production Design |
Philip Harrison
|
| Set Decoration |
Dena Roth
|
|
| Art Direction |
Eric W. Orbom
|
|
| Assistant Art Director |
Joseph P. Lucky
|
|
| Assistant Property Master |
Ron Seigel
|
|
| Concept Artist |
John Bell
Marc Gabbana
Hajime Sorayama
TyRuben Ellingson
|
|
| Construction Coordinator |
Robert A. Blackburn
|
|
| Leadman |
Robert Greenfield
Mark Weissenfluh
|
|
| Property Master |
Ron Greenwood
|
|
| Set Designer |
Fanée Aaron
Sharon E. Alshams
Dorn Merrill Kennison
Barry Lehrman
|
|
| Set Dresser |
Richard F. Anderson
|
|
| Storyboard Artist |
P.K. MacCarthy
Derek Thompson
|
|
| Background Designer |
Richard Bennett
|
|
| Title Designer |
Kyle Cooper
Eric Smith
|
|
| Visual Effects | Visual Effects |
Richard Trus
|
| Visual Effects Coordinator |
Jeanie King
Susan Greenhow
Jeanmarie King
Stephanie Taylor
|
|
| Digital Compositor |
Russell Frazier
|
|
| 3D Animator |
Colin Cunningham
|
|
| Animation Director |
Emiko Miki
|
|
| Animation Supervisor |
James Straus
Dennis Turner
|
|
| Animation |
Nathalie Buce
Anders J.L Beer
Trish Schutz-Krause
Ian Hulbert
Matthew Talbot-Kelly
Mark Wendell
|
|
| CG Animator |
Constance Bracewell
Kelly Wilcox
Micheal Thomas Parks
|
|
| Matte Painter |
Toshiyuki Kimura
|
|
| Roto Supervisor |
Karen Klein
|
|
| Visual Effects Compositor |
Lance Wilhoite
|
|
| Visual Effects Producer |
Sandra Almond
Bruce Jones
Tom C. Peitzman
Paul Patrick Quinn
Casey Cannon
Michele Maples
|
|
| Visual Effects Supervisor |
Jay Riddle
Steve 'Spaz' Williams
Jamie Dixon
David Biedny
|
|
| Creature Design |
Patrick Tatopoulos
|
|
| Special Effects Supervisor |
Garry Elmendorf
|
|
| Lighting | Best Boy Electric |
John Crimins
Nathan Hathaway
|
| Electrician |
Kenneth J. Appel
Keith A. Hascher
|
|
| Gaffer |
David Lee
|
|
| Lighting Technician |
Kevin Brown
Derick Pritchard
|
|
| Rigging Gaffer |
Jeffrey De La Rosa
|
|
| Rigging Grip |
Marshall Valentine
|
|
| Lighting Director |
Ed Lee
|
|
| Department | Role | Name |
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