Spawn
(1997) Born in darkness. Sworn to justice. | Released
Ratings
34%
5.4
5.2
18%
Financials
Revenue: $87,840,042
Budget: $40,000,000
Profit: + $47,840,042
Movie Details
Tag Line: Born in darkness. Sworn to justice.
Status: Released
Average Rating: 5
Release Date: Jul 31, 1997
Rating: 1997-07-31
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema , Pull Down Your Pants Pictures , Todd McFarlane Entertainment , Juno Pix
Genres
Keywords
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Synopsis
After being murdered by corrupt colleagues in a covert government agency, Al Simmons makes a pact with the devil to be resurrected to see his beloved wife Wanda. In exchange for his return to Earth, Simmons agrees to lead Hell's Army in the destruction of mankind.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Sound Effects Editor |
Harry Cohen
Bruce Stubblefield
Scott A. Jennings
Patricio A. Libenson
D. Chris Smith
|
| Original Music Composer |
Graeme Revell
|
|
| Supervising Sound Editor |
Dean Beville
|
|
| Music Supervisor |
Happy Walters
|
|
| Foley Editor |
Scott Curtis
Linda Di Franco
Michael Dressel
|
|
| Music Editor |
Joshua Winget
|
|
| Sound Re-Recording Mixer |
Chris David
Jim Fitzpatrick
Steve Pederson
Liz Sroka
|
|
| Sound Effects Designer |
Paul Berolzheimer
|
|
| Sound Editor |
Greg Hedgepath
Frank Smathers
Solange S. Schwalbe
David E. Stone
|
|
| Sound Designer |
Jeffrey Kaplan
Brian Williams
|
|
| ADR Editor |
Linda Folk
|
|
| Foley Mixer |
Shawn Kennelly
Eric Thompson
|
|
| Sound Mixer |
James Thornton
|
|
| Assistant Sound Editor |
Damon Cohoon
Bob Wishnefsky
|
|
| Music Coordinator |
Joe Fischer
|
|
| Boom Operator |
Bill Flick
|
|
| Production | Casting |
Mary Jo Slater
Bruce H. Newberg
|
| Producer |
Clint Goldman
|
|
| Executive Producer |
Todd McFarlane
|
|
| Extras Casting |
Jennifer Bender
|
|
| Camera | Director of Photography |
Guillermo Navarro
|
| Still Photographer |
Peter Iovino
|
|
| Steadicam Operator |
Dan Kneece
Dennis J. Laine
|
|
| Second Unit Director of Photography |
Jonathan Taylor
|
|
| Assistant Camera |
Timothy James Kane
|
|
| Camera Operator |
Allen D. Easton
|
|
| Key Grip |
Rick Stribling
|
|
| First Assistant Camera |
Evan A. Nesbitt
|
|
| Visual Effects | Creature Design |
Patrick Tatopoulos
|
| Visual Effects Producer |
Michele Maples
Tom C. Peitzman
Casey Cannon
Bruce Jones
Paul Patrick Quinn
Sandra Almond
|
|
| Visual Effects Supervisor |
Steve 'Spaz' Williams
Jamie Dixon
Jay Riddle
David Biedny
|
|
| Animation |
Anders J.L Beer
Matthew Talbot-Kelly
Mark Wendell
Trish Schutz-Krause
Nathalie Buce
Ian Hulbert
|
|
| Visual Effects Coordinator |
Jeanmarie King
Susan Greenhow
Stephanie Taylor
|
|
| Visual Effects |
Richard Trus
|
|
| CG Animator |
Constance Bracewell
Kelly Wilcox
Micheal Thomas Parks
|
|
| Special Effects Supervisor |
Garry Elmendorf
|
|
| Roto Supervisor |
Karen Klein
|
|
| Animation Supervisor |
James Straus
Dennis Turner
|
|
| 3D Animator |
Colin Cunningham
|
|
| Animation Director |
Emiko Miki
|
|
| Matte Painter |
Toshiyuki Kimura
|
|
| Visual Effects Compositor |
Lance Wilhoite
|
|
| Art | Assistant Art Director |
Joseph P. Lucky
|
| Leadman |
Robert Greenfield
Mark Weissenfluh
|
|
| Production Design |
Philip Harrison
|
|
| Storyboard Artist |
Derek Thompson
P.K. MacCarthy
|
|
| Set Decoration |
Dena Roth
|
|
| Title Designer |
Kyle Cooper
Eric Smith
|
|
| Set Designer |
Fanée Aaron
Dorn Merrill Kennison
Barry Lehrman
Sharon E. Alshams
|
|
| Construction Coordinator |
Robert A. Blackburn
|
|
| Concept Artist |
Marc Gabbana
John Bell
TyRuben Ellingson
Hajime Sorayama
|
|
| Property Master |
Ron Greenwood
|
|
| Set Dresser |
Richard F. Anderson
|
|
| Art Direction |
Eric W. Orbom
|
|
| Assistant Property Master |
Ron Seigel
|
|
| Background Designer |
Richard Bennett
|
|
| Crew | Stunt Coordinator |
Charles Croughwell
|
| Stunts |
Tony Brubaker
Kane Hodder
Debbie Lee Carrington
Mark Hicks
Faith Minton
Denney Pierce
Al Goto
Dane Farwell
|
|
| Stunt Double |
Mark Hicks
Tom Elliott
|
|
| Visual Effects Art Director |
Scott Leberecht
|
|
| Software Engineer |
Berj Bannayan
|
|
| Unit Publicist |
Deborah Wuliger
|
|
| Armorer |
Tony Swatton
|
|
| Weapons Master |
Harry Lu
|
|
| Digital Effects Supervisor |
Alan Barnett
Melissa Davies
Rudy Hassen
|
|
| Choreographer |
Cindy Cummins
|
|
| Techno Crane Operator |
Ray Patrick
|
|
| Editing | Editor |
Michael N. Knue
Todd Busch
|
| First Assistant Editor |
Todd Busch
|
|
| Assistant Editor |
Steve Ansell
Joëlle Taar
Neil Eric Wenger
|
|
| Color Timer |
Mike Mertens
Mike Sowa
|
|
| Costume & Make-Up | Costume Design |
Daniel J. Lester
|
| Special Effects Makeup Artist |
Greg Funk
Chris Hanson
Norman Cabrera
|
|
| Makeup Artist |
Cindy J. Williams
|
|
| Key Makeup Artist |
Donna Cicatelli-Lewis
|
|
| Contact Lens Technician |
Cristina Patterson
|
|
| Set Costumer |
Winifred Kennamer
|
|
| Writing | Screenplay |
Alan B. McElroy
|
| Author |
Todd McFarlane
|
|
| Directing | Director |
Mark A.Z. Dippé
|
| Script Supervisor |
Hilary Momberger-Powers
Robin Anderson
|
|
| Lighting | Lighting Technician |
Kevin Brown
Derick Pritchard
|
| Gaffer |
David Lee
|
|
| Electrician |
Kenneth J. Appel
Keith A. Hascher
|
|
| Best Boy Electric |
John Crimins
Nathan Hathaway
|
|
| Rigging Gaffer |
Jeffrey De La Rosa
|
|
| Rigging Grip |
Marshall Valentine
|
|
| Lighting Director |
Ed Lee
|
|
| Department | Role | Name |
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