Ratings
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: How far would you go to fix human nature?
Status: Released
Average Rating: 6
Release Date: Jun 17, 2022
Rating: 2022-06-15
Run Time: 1h 47m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Grand Electric , The New Yorker Studios
Sources:
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Keywords
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Synopsis
A prisoner in a state-of-the-art penitentiary begins to question the purpose of the emotion-controlling drugs he's testing for a pharmaceutical genius.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Joseph Kosinski
|
| First Assistant Director |
Alexander H. Gayner
|
|
| Second Assistant Director |
Samantha Smith McGrady
|
|
| Script Supervisor |
Carolina Häggström
|
|
| Second Second Assistant Director |
Dan Cole
|
|
| Third Assistant Director |
Rebecca Keros
Shayla Girdler
|
|
| Production | Producer |
Paul Wernick
Rhett Reese
Jeremy Steckler
Eric Newman
Chris Hemsworth
Geneva Wasserman
Tommy Harper
Agnes Chu
|
| Executive Producer |
Sarah Bowen
|
|
| Casting |
Kirsty McGregor
Stevie Ray
|
|
| Unit Production Manager |
Georgina Marquis
Tommy Harper
|
|
| Line Producer |
Georgina Marquis
|
|
| Associate Producer |
Emily Cheung
|
|
| Production Coordinator |
Jade van der Lei
|
|
| Location Manager |
Duncan Jones
|
|
| Sound | Original Music Composer |
Joseph Trapanese
|
| Music Supervisor |
Yvette Metoyer
|
|
| Production Sound Mixer |
Mark Cornish
|
|
| Boom Operator |
Scott Bruce
|
|
| Utility Sound |
Kempsey Lyon
|
|
| Sound Designer |
Ren Klyce
|
|
| Supervising Sound Editor |
Tom Myers
|
|
| Sound Re-Recording Mixer |
Gary Rizzo
Tom Myers
|
|
| Dialogue Editor |
Chris Gridley
Kim Foscato
Brad Semenoff
|
|
| Foley Editor |
Kimberly Patrick
Alyssa Nevarez
Chris Frazier
|
|
| Foley Artist |
Jana Vance
Ronni Brown
|
|
| Foley Mixer |
Richard Duarte
|
|
| Editing | Editor |
Stephen Mirrione
|
| Art | Production Design |
Jeremy Hindle
|
| Set Decoration |
Nancy McIlvaney
|
|
| Supervising Art Director |
A. Todd Holland
|
|
| Art Direction |
Bill Booth
|
|
| Assistant Art Director |
Jim Millett
|
|
| Art Department Coordinator |
Susan Higgins
|
|
| Property Master |
Bob Booker
|
|
| Costume & Make-Up | Costume Design |
Amelia Gebler
|
| Costume Supervisor |
Adam Dalli
|
|
| Hair Designer |
Nancy Hennah
|
|
| Makeup Designer |
Nancy Hennah
|
|
| Hair Supervisor |
Tracey Henton
|
|
| Makeup Supervisor |
Tracey Henton
|
|
| Key Hair Stylist |
Lynne O'Brien
|
|
| Key Makeup Artist |
Lynne O'Brien
|
|
| Camera | Director of Photography |
Claudio Miranda
|
| "A" Camera Operator |
Tucker Korte
|
|
| "B" Camera Operator |
Richard Bradshaw
Margie McClymont
|
|
| First Assistant "A" Camera |
Chris Child
|
|
| First Assistant "B" Camera |
Jason Binnie
|
|
| First Assistant "C" Camera |
Warren Lazarides
|
|
| Second Assistant "A" Camera |
Audra Murray
|
|
| Second Assistant "B" Camera |
Dermot McNamara
|
|
| Second Assistant "C" Camera |
Emily Murray
|
|
| Digital Imaging Technician |
Lukas Davidson
|
|
| Key Grip |
Simon Cooke
|
|
| Writing | Screenplay |
Rhett Reese
Paul Wernick
|
| Short Story |
George Saunders
|
|
| Visual Effects | Visual Effects Supervisor |
Ryan Tudhope
|
| Visual Effects Producer |
Lynzi Grant
Steve Garrad
|
|
| Special Effects Supervisor |
Julian Summers
|
|
| VFX Artist |
Meow Nutjaree Wannasri
|
|
| Crew | Stunt Coordinator |
Keir Beck
|
| Post Production Supervisor |
David E. Hall
|
|
| Lighting | Gaffer |
Matt Slattery
|
| Department | Role | Name |







