S.W.A.T.: Firefight
(2011) | Released
Ratings
5.7
5.4
Financials
Revenue: $0
Budget: $8,000,000
Profit: - $-8,000,000
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Mar 1, 2011
Rating: R
Run Time: 1h 29m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Original Film , Stage 6 Films , RCR Media Group
Genres
Keywords
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Synopsis
Los Angeles S.W.A.T. officer, Lt. Paul Cutler, is sent to train the Detroit S.W.A.T. team on new anti-terrorism and homeland security techniques. Cutler has a hard time settling into his assignment as he locks horns with his new captain and encounters resistance from the team he must lead. Cutler begins to adjust to his new assignment, starting a budding romance with police psychologist Kim Byers along the way. Unexpectedly, a routine hostage call turns deadly, and a relentless ex-government agent named Walter Hatch vows revenge on Cutler and the entire S.W.A.T. team for killing the woman he loves. Cutler must use his considerable S.W.A.T. training and knowledge to save his teammates and defeat a trained killer.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Bruton Jones
|
| Set Decoration |
Selina van den Brink
|
|
| Set Designer |
Sarah M. Pott
|
|
| Construction Coordinator |
Sean Clouser
|
|
| Art Department Coordinator |
Vicki Stefanopoulos
|
|
| Sound | Supervising Sound Editor |
Benjamin L. Cook
Joe Dzuban
|
| Music |
John Paesano
|
|
| Sound Recordist |
Dean Andre
|
|
| Music Editor |
Greg Vines
|
|
| Sound Effects Editor |
Jeffrey A. Pitts
|
|
| Sound Editor |
Tim Tuchrello
|
|
| Boom Operator |
Craig Dollinger
|
|
| Music Supervisor |
Kier Lehman
|
|
| Dialogue Editor |
Jacob Riehle
|
|
| Foley Editor |
Trent Richmond
|
|
| Production | Producer |
Neal H. Moritz
Amanda Lewis
|
| Executive Producer |
Scott Putman
Rui Costa Reis
Eliad Josephson
|
|
| Co-Producer |
Benny Boom
Jeni Mulein
Dyan Traynor
|
|
| Location Manager |
Michael S. Jones
Bridget Reddeman
|
|
| Production Supervisor |
Daniel A. Mondschain
|
|
| Costume & Make-Up | Costume Design |
Francine Jamison-Tanchuck
|
| Makeup Department Head |
Kimberly Jones
|
|
| Costume Supervisor |
Stanley Moore
|
|
| Key Makeup Artist |
Jayne Laube
|
|
| Key Hair Stylist |
Jeannette Moriarty
|
|
| Key Costumer |
Vicente Parada
|
|
| Hair Department Head |
John Tarro
|
|
| Directing | Director |
Benny Boom
|
| First Assistant Director |
Mike Ellis
|
|
| Writing | Screenplay |
Reed Steiner
|
| Story |
Reed Steiner
Randy Walker
Michael Albanese
Ed Arneson
|
|
| Camera | Dolly Grip |
Erik F. Hill
|
| Director of Photography |
Don Davis
|
|
| Camera Operator |
Kevin D. Hewitt
Christopher Bottoms
|
|
| Steadicam Operator |
William Eichler
|
|
| Still Photographer |
Alicia Gbur
|
|
| First Assistant Camera |
Andy Hoehn
Reed Koppen
|
|
| Visual Effects | Visual Effects Supervisor |
Cyryl Koshyk
|
| Pyrotechnic Supervisor |
Joe Pancake
|
|
| Special Effects Supervisor |
Russell Tyrrell
|
|
| Visual Effects Producer |
Paul Andraos
|
|
| Crew | Armorer |
Sam Arthurs
|
| Stunt Double |
Jessica Harbeck
|
|
| Pyrotechnician |
Richard L. Hill
|
|
| Stunts |
Troy Gilbert
|
|
| Lighting | Lighting Technician |
Michael W. Anderson
|
| Gaffer |
Anthony 'Spike' Simms
|
|
| Best Boy Electric |
Michael J. Conner
|
|
| Department | Role | Name |