Sweet Home Alabama
(2002) Sometimes What You're Looking For Is Right Where You Left It. | Released
Ratings
45%
6.4
6.2
38%
Financials
Revenue: $180,622,424
Budget: $30,000,000
Profit: + $150,622,424
Movie Details
Tag Line: Sometimes What You're Looking For Is Right Where You Left It.
Status: Released
Average Rating: 6
Release Date: Sep 26, 2002
Rating: PG-13
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Touchstone Pictures , Original Film , D&D Films , Pigeon Creek Films
Genres
Keywords
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Synopsis
New York fashion designer, Melanie Carmichael suddenly finds herself engaged to the city's most eligible bachelor. But her past holds many secrets—including Jake, the redneck husband she married in high school, who refuses to divorce her. Bound and determined to end their contentious relationship once and for all, Melanie sneaks back home to Alabama to confront her past.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Jeanne McCarthy
Juel Bestrop
Kathleen Chopin
|
| Executive Producer |
Michael Fottrell
Jon Jashni
Wink Mordaunt
|
|
| Unit Production Manager |
Michael Fottrell
Cheryl Quarantiello
|
|
| Producer |
Neal H. Moritz
Stokely Chaffin
|
|
| Casting Associate |
Blythe Cappello
Jennifer Euston
|
|
| Production Supervisor |
Sara E. White
Page Rosenberg-Marvin
|
|
| Art | Production Design |
Clay A. Griffith
|
| Property Master |
Dwight Benjamin-Creel
David H. Allen
|
|
| Set Decoration |
Lisa K. Sessions
|
|
| Set Dresser |
Donald Dowd
|
|
| Art Direction |
Jay Pelissier
|
|
| Art Department Coordinator |
Egan Gauntt
|
|
| Construction Coordinator |
Tony Kupersmith
|
|
| Sound | Original Music Composer |
George Fenton
|
| Music Supervisor |
Laura Ziffren
Dawn Soler
|
|
| Supervising ADR Editor |
Christopher T. Welch
|
|
| Sound Re-Recording Mixer |
Scott Millan
Bob Beemer
|
|
| Dialogue Editor |
Julie Feiner
Allen Hartz
David A. Arnold
|
|
| Supervising Sound Editor |
George Watters II
Suhail Kafity
|
|
| Supervising Dialogue Editor |
Teri E. Dorman
|
|
| Music Editor |
Michael T. Ryan
|
|
| Sound Effects Editor |
R.J. Palmer
|
|
| Foley Editor |
Jim Likowski
|
|
| Camera | Director of Photography |
Andrew Dunn
|
| Still Photographer |
Peter Iovino
|
|
| Camera Operator |
Bill O'Drobinak
|
|
| Costume & Make-Up | Makeup Department Head |
John Caglione Jr.
Judy Ponder-Patton
Sarah Mays
|
| Makeup Artist |
Christine Domaniecki
Brad Wilder
Donna Martin
|
|
| Costume Design |
Sophie de Rakoff
|
|
| Hair Department Head |
Joani Yarbrough
|
|
| Key Hair Stylist |
Victor DeNicola
Philip Ivey
|
|
| Hair Designer |
Anne Morgan
|
|
| Costume Supervisor |
Mary C. Lane
|
|
| Assistant Costume Designer |
Marina Ray
|
|
| Hairstylist |
Dawn Turner
Susan 'Star' Orr
|
|
| Editing | Editor |
Troy Takaki
Tracey Wadmore-Smith
|
| Directing | Director |
Andy Tennant
|
| First Assistant Director |
Louis D'Esposito
|
|
| Second Second Assistant Director |
Eric Yellin
Kristina M. Peterson
|
|
| Second Assistant Director |
Michael Viglietta
|
|
| Additional Second Assistant Director |
Hillary Schwartz
|
|
| Script Supervisor |
Alicia Accardo
Rebecca Edelson
|
|
| Writing | Story |
Douglas J. Eboch
|
| Screenplay |
C. Jay Cox
|
|
| Crew | Stunt Coordinator |
Lonnie R. Smith Jr.
|
| Stunts |
Cal Johnson
Randi Layne
Tim Gallin
Scott Dale
Anderson Martin
|
|
| Stunt Double |
Cal Johnson
|
|
| Department | Role | Name |