Ratings
Financials
Revenue: $65,754,228
Budget: $40,000,000
Profit: + $25,754,228
Movie Details
Tag Line: She Just Needed A Month To Change His Life Forever.
Status: Released
Average Rating: 7
Release Date: Feb 16, 2001
Rating: PG-13
Run Time: 1h 59m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Bel Air Entertainment , Warner Bros. Pictures , 3 Arts Entertainment
Genres
Keywords
People Rated This
Watch Sweet November
Synopsis
Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.
Crew
Department | Role | Name |
---|---|---|
Art | Production Design |
Naomi Shohan
|
Set Decoration |
Bob Kensinger
|
|
Art Direction |
Kevin Constant
|
|
Assistant Art Director |
Michael E. Goldman
|
|
Construction Coordinator |
Rodney Armanino
|
|
Construction Foreman |
Rich Clot
|
|
Production | Producer |
Steven Reuther
Erwin Stoff
Elliott Kastner
Deborah Stoff
|
Casting |
Risa Bramon Garcia
Randi Hiller
|
|
Unit Production Manager |
Marty P. Ewing
|
|
Co-Producer |
Marty P. Ewing
|
|
Location Manager |
Ellen Lent
Gail Stempler
|
|
Executive Producer |
Wendy Wanderman
|
|
Production Accountant |
Donald H. Walker
|
|
Associate Producer |
Jodi Ehrlich
|
|
Production Coordinator |
Noelle Chapin
|
|
Crew | Stunt Coordinator |
Webster Whinery
|
Special Effects Coordinator |
Rod M. Janusch
|
|
Stunts |
Robin Lynn Bonaccorsi
|
|
Camera | Director of Photography |
Edward Lachman
|
Key Grip |
Dave Childers
|
|
First Assistant "A" Camera |
Paul Sanchez
|
|
Still Photographer |
Merie Weismiller Wallace
|
|
Camera Operator |
Mitch Dubin
|
|
Steadicam Operator |
Kirk R. Gardner
|
|
Dolly Grip |
Orlando Orona
|
|
Editing | Editor |
Anne V. Coates
|
First Assistant Editor |
Robb Sullivan
|
|
Color Timer |
Dana Ross
|
|
Negative Cutter |
Mo Henry
|
|
Sound | Original Music Composer |
Christopher Young
|
Dialogue Editor |
Mildred Iatrou
Kimberly Lowe Voigt
Donald L. Warner Jr.
|
|
Foley Artist |
Sean Rowe
Laura Macias
Gregg Barbanell
|
|
Supervising Sound Editor |
Bruce Stambler
|
|
Music Editor |
Tanya Noel Hill
John Finklea
Curtis Roush
|
|
Sound Designer |
Tim Walston
|
|
Sound Re-Recording Mixer |
Daniel J. Leahy
Steve Pederson
Rick Hart
|
|
Supervising ADR Editor |
Becky Sullivan
|
|
Sound Effects Editor |
Brian Best
Steve Nelson
|
|
First Assistant Sound Editor |
Paul Aulicino
|
|
Music Supervisor |
G. Marq Roswell
|
|
Foley Editor |
Mark Pappas
|
|
Sound Mixer |
Nelson Stoll
|
|
Sound Editor |
John Michael Fanaris
|
|
Boom Operator |
Fred Runner
|
|
Foley Supervisor |
Michael Dressel
|
|
Foley Mixer |
Eric Thompson
|
|
ADR Mixer |
Tom O'Connell
|
|
Costume & Make-Up | Makeup Artist |
Peter Robb-King
Deborah K. Larsen
|
Key Hair Stylist |
Peggy Forcellini
|
|
Costume Design |
Shay Cunliffe
|
|
Hairstylist |
Wayne Herndon
Nina Paskowitz
|
|
Key Makeup Artist |
David Atherton
|
|
Wardrobe Supervisor |
Daniela Moore
|
|
Lighting | Rigging Gaffer |
Robert E. 'Bobby' Powell
|
Best Boy Electric |
Terry Sullivan
|
|
Gaffer |
John W. DeBlau
|
|
Directing | Director |
Pat O'Connor
|
First Assistant Director |
Jonathan Watson
|
|
Script Supervisor |
Leslie Park
|
|
Second Assistant Director |
John M. Morse
|
|
Writing | Screenplay |
Kurt Voelker
|
Original Film Writer |
Herman Raucher
|
|
Story |
Paul Yurick
|
|
Department | Role | Name |