Terminal
(2018) Revenge never looked so good | Released
Ratings
5.5
5.3
9%
Financials
Revenue: $843,970
Budget: $0
Profit: + $843,970
Movie Details
Tag Line: Revenge never looked so good
Status: Released
Average Rating: 6
Release Date: May 10, 2018
Rating: 2018-05-08
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America , United Kingdom , Hong Kong , Ireland , Hungary
Production Companies: LuckyChap Entertainment , Beagle Pug Films , Highland Film Group , Ruyi Films , Miscellaneous Entertainment , Hassell Free Production , Subotica , Rapid Farms Productions
Sources:
Genres
Keywords
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Synopsis
In the dark heart of a sprawling, anonymous city, two assassins carry out a sinister mission, a teacher battles a fatal illness, and an enigmatic janitor and a curious waitress lead dangerous double lives. Murderous consequences unravel in the dead of night, as their lives intertwine at the hands of a mysterious criminal mastermind who is hell-bent on revenge.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Vaughn Stein
|
| Directing | Director |
Vaughn Stein
|
| Script Supervisor |
Irene Chawko
|
|
| Production | Producer |
Margot Robbie
Arianne Fraser
David Barron
Tom Ackerley
Josey McNamara
Molly Hassell
Teun Hilte
|
| Casting |
Neely Eisenstein
|
|
| Executive Producer |
George Waud
Aoife O'Sullivan
D. Todd Shepherd
Matthew Jenkins
Shelley Madison
Habib Paracha
Joe Simpson
Tristan Lynch
|
|
| Co-Producer |
Sophia Kerr
Stephanie Pon
|
|
| Line Producer |
Judit Sós
Szandra Barbara Pozsár
|
|
| Extras Casting |
Zsolt Ferenc Maier
Veronika Varjasi
|
|
| Extras Casting Assistant |
Tibor Gadácsi
|
|
| Art | Production Design |
Richard Bullock
|
| Art Direction |
Adrien Asztalos
|
|
| Set Decoration |
Zoltán Frank
|
|
| Graphic Designer |
Gergo Pocsai
|
|
| Leadman |
Orosz Tamás
|
|
| Standby Art Director |
Lizzie Kilham
|
|
| Art Department Coordinator |
Hardy Ilona
|
|
| Assistant Art Director |
Riemer Szandra
|
|
| Set Dresser |
Arnold Gerhát
|
|
| Camera | Director of Photography |
Christopher Ross
|
| Dolly Grip |
János Horváth
|
|
| Focus Puller |
Theo Berman
|
|
| Still Photographer |
Gábor Kotschy
Mika Cotellon
|
|
| Key Grip |
Warwick Drucker
|
|
| Steadicam Operator |
Iain Mackay
|
|
| Clapper Loader |
Tibor Gulyás
|
|
| Editing | Editor |
Johannes Bock
Alex Márquez
|
| Assistant Editor |
Martin Fanning
|
|
| Digital Intermediate Colorist |
Dave Hughes
|
|
| Costume & Make-Up | Costume Design |
Julian Day
|
| Makeup Artist |
Réka Maróti
|
|
| Assistant Costume Designer |
Amy Pollitt
Sarolta Udvardi
|
|
| Key Makeup Artist |
Márta Antal
|
|
| Makeup Designer |
Sallie Jaye
|
|
| Costume Supervisor |
Sosa Juristovszky
|
|
| Key Costumer |
Virág Kerényi
|
|
| Hair Designer |
Sallie Jaye
|
|
| Sound | Original Music Composer |
Rupert Gregson-Williams
Tony Clarke
|
| Dialogue Editor |
Fionn Higgins
|
|
| Sound Re-Recording Mixer |
Mark Henry
Nikola Medić
Ken Galvin
|
|
| ADR Mixer |
Aaron Southerland
Robert Edwards
|
|
| Production Sound Mixer |
János Csáki
|
|
| Assistant Dialogue Editor |
Morgan Carparelli
|
|
| Boom Operator |
István Baranyai
Bálint Csáki
|
|
| Sound Recordist |
János Csáki Jr.
|
|
| Supervising Sound Editor |
Nikola Medić
|
|
| Lighting | Electrician |
Gábor Kövári
Gábor Iváncsik
|
| Rigging Gaffer |
Zoltán Lakatos
|
|
| Lighting Technician |
Kovács András
Attila Kolozs
|
|
| Gaffer |
Balázs Vákár
|
|
| Crew | Video Assist Operator |
Máté Oláh
|
| Pyrotechnician |
Márton Pintér
Attila Varsányi
Szilvassy Istvan
|
|
| Techno Crane Operator |
Mark Epstein
|
|
| Picture Car Coordinator |
Bánó Péter
|
|
| Visual Effects | Visual Effects Producer |
Ciaran Crowley
|
| Digital Compositor |
Robert Hartigan
Keith Maloney
Stacy Mangan
Daryl McMahon
|
|
| Pyrotechnic Supervisor |
László Pintér
|
|
| Special Effects Supervisor |
Ferenc Deák
|
|
| 2D Supervisor |
Tilman Paulin
|
|
| Visual Effects Supervisor |
Tim Chauncey
|
|
| Department | Role | Name |