Ratings
62%
7.3
7.6
89%
Financials
Revenue: $90,000,098
Budget: $70,000,000
Profit: + $20,000,098
Movie Details
Tag Line: When you get there, you will understand.
Status: Released
Average Rating: 7
Release Date: Aug 9, 1989
Rating: 2024-03-12
Run Time: 2h 20m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: 20th Century Fox , Pacific Western
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Alan Silvestri
|
| Supervising Sound Editor |
Dody Dorn
|
|
| Foley Mixer |
Marilyn Graf
|
|
| ADR Mixer |
Robert Deschaine
|
|
| Orchestrator |
James B. Campbell
|
|
| Sound Designer |
Blake Leyh
|
|
| Foley |
John Roesch
Greg Orloff
Joseph T. Sabella
|
|
| Sound Re-Recording Mixer |
Don J. Bassman
Richard Overton
Kevin E. Carpenter
Kevin F. Cleary
|
|
| Foley Artist |
Kevin Bartnof
|
|
| Sound Recordist |
Robert Renga
|
|
| Music Editor |
Kenneth Karman
|
|
| Assistant Sound Editor |
Howell Gibbens
|
|
| Foley Supervisor |
Marian Wilde
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| ADR Editor |
Joe Dorn
|
|
| Sound mixer |
Lee Orloff
|
|
| Boom Operator |
George Leong
|
|
| ADR Recordist |
David Jobe
|
|
| Sound Editor |
Stuart Copely
|
|
| Apprentice Sound Editor |
Roy Seeger
|
|
| Production | Producer |
Gale Anne Hurd
Van Ling
|
| Casting |
Howard Feuer
|
|
| Production Coordinator |
Laura Greenlee
|
|
| Assistant Production Coordinator |
Beth DePatie
|
|
| Key Set Production Assistant |
Hilbert Hakim
|
|
| Production Manager |
Charles Skouras III
|
|
| Production Assistant |
Matt Brown
|
|
| Production Supervisor |
Paul Tivers
|
|
| Casting Associate |
Dennis Osborne
|
|
| Location Manager |
Andrew Chapman
|
|
| Production Accountant |
Vince Heileson
|
|
| Assistant Accountant |
Robert Gordon
|
|
| Assistant Unit Manager |
Tekin Cetinkaya
|
|
| Production Secretary |
Jennifer C. Bell
|
|
| Directing | Director |
James Cameron
|
| First Assistant Director |
Newt Arnold
|
|
| Script Supervisor |
Sharron Reynolds-Enriquez
|
|
| Second Assistant Director |
Verónica González Rubio
|
|
| Writing | Writer |
James Cameron
|
| Editing | Editor |
Conrad Buff IV
Howard E. Smith
Joel Goodman
Steven Quale
|
| Assistant Editor |
Christopher Koefoed
|
|
| Color Timer |
Bob Hagans
|
|
| Negative Cutter |
Gary Burritt
|
|
| Project Manager |
Jim English
|
|
| Visual Effects | Visual Effects Supervisor |
Dennis Muren
John Bruno
Hoyt Yeatman
Steve Johnson
Walt Conti
|
| Effects Supervisor |
Larz Anderson
|
|
| Visual Effects Assistant Editor |
Erik Henry
|
|
| Visual Effects Coordinator |
Mike Chambers
|
|
| Visual Effects Producer |
Leslie Huntley
Laura Buff
Ned Gorman
Diana Shornstein
|
|
| Animation Supervisor |
Jeff Burks
|
|
| Visual Effects Production Assistant |
Christopher Warren
|
|
| Visual Effects Production Manager |
Kristina Birkmayer
|
|
| Art | Production Design |
Leslie Dilley
|
| Set Decoration |
Anne Kuljian
|
|
| Set Designer |
Thomas P. Wilkins
Andrew Precht
Gershon Ginsburg
|
|
| Art Direction |
Joseph C. Nemec III
Russell Christian
|
|
| Assistant Art Director |
Dan Webster
|
|
| Conceptual Design |
Ron Cobb
|
|
| Concept Artist |
Jean Giraud
|
|
| Construction Coordinator |
George Stokes
|
|
| Property Master |
Charles Stewart
Emily Yudell
|
|
| Sculptor |
Screaming Mad George
Brian Cole
|
|
| Painter |
Karen Steward
|
|
| Construction Foreman |
Tom Jones Jr.
|
|
| Leadman |
John D. Kretschmer
|
|
| Art Department Coordinator |
Mary Alice Palmer
|
|
| Storyboard Artist |
Phillip Norwood
|
|
| Production Illustrator |
Michele Moen
|
|
| Standby Painter |
Joe Cooper
|
|
| Assistant Property Master |
Linda Waxman
|
|
| Construction Buyer |
Charlotte Patterson
|
|
| Title Designer |
Ernest Farino
|
|
| Supervising Art Director |
Peter Childs
|
|
| Costume & Make-Up | Costume Supervisor |
Deena Appel
|
| Costume Design |
Deborah Everton
|
|
| Set Dressing Artist |
General Fermon Judd Jr.
|
|
| Makeup Artist |
Kathryn Fenton
|
|
| Hairstylist |
Emanuel Millar
|
|
| Wardrobe Assistant |
Joshua Keep
|
|
| Crew | Stunts |
Clay Boss
Rick Avery
Steve Kelso
Glory Fioramonti
Denney Pierce
Marcia Holley
Loren Janes
Michael Cassidy
Kerry Rossall
Pat Romano
Diane Hetfield
Mike Johnson
|
| Stunt Coordinator |
Dick Warlock
|
|
| Stunt Double |
Jon H. Epstein
|
|
| Technical Advisor |
Gene Witham
|
|
| Weapons Master |
Randy E. Moore
|
|
| Special Effects Technician |
Donn Markel
|
|
| Craft Service |
Stephan Schultze
|
|
| Additional Music |
Robert Garrett
|
|
| Visual Effects Editor |
Miller Drake
Kathy Chasen-Hay
|
|
| Scenic Artist |
Michael T. Daigle
|
|
| Special Effects Coordinator |
Joseph A. Unsinn
Joe Viskocil
|
|
| Transportation Coordinator |
Chuck Clarke
|
|
| Video Assist Operator |
David Schmalz
|
|
| Unit Publicist |
Anne Marie Stein
|
|
| Propmaker |
Neil Gahm
|
|
| Editorial Staff |
Timothy Greenwood
|
|
| Carpenter |
Jack Cornish
|
|
| Driver |
John Anderson
|
|
| Set Production Assistant |
Nancy Blewer
|
|
| Stand In |
Dominic Jack Pizzo, Sr.
|
|
| Transportation Captain |
Brian Delahanty
|
|
| Camera | First Assistant Camera |
Ian Fox
|
| Steadicam Operator |
J. Michael Muro
Bob Gorelick
|
|
| Director of Photography |
Mikael Salomon
|
|
| Best Boy Grip |
Scott R. Davis
|
|
| Key Grip |
Bobby Huber
|
|
| Additional Second Assistant Camera |
David Luckenbach
|
|
| Still Photographer |
Richard Foreman Jr.
|
|
| Camera Operator |
Paul C. Babin
George D. Dodge
|
|
| Underwater Camera |
Jordan Klein Jr.
|
|
| Second Assistant Camera |
Marc Brown
|
|
| Grip |
Robert Hoelen
|
|
| Assistant Camera |
Michael Griffin
|
|
| Dolly Grip |
Jimmy Leavens
|
|
| Lighting | Gaffer |
Mark A. Shelton
George S. Neil
Dwight Campbell
|
| Underwater Gaffer |
Patrick Murray
|
|
| Best Boy Electric |
James M. McEwen
|
|
| Electrician |
Vince Pace
|
|
| Lighting Supervisor |
Richard Mula
|
|
| Rigging Grip |
W.D. Hill
|
|
| Key Rigging Grip |
Charles 'Tom' Hinson
|
|
| Department | Role | Name |
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