The Adventures of Priscilla, Queen of the Desert
(1994) She's back... Looking as gorgeous and outrageous as ever in a brand new frock. | Released
Ratings
68%
7.3
7.5
94%
Financials
Revenue: $28,200,000
Budget: $2,000,000
Profit: + $26,200,000
Movie Details
Tag Line: She's back... Looking as gorgeous and outrageous as ever in a brand new frock.
Status: Released
Average Rating: 7
Release Date: May 31, 1994
Rating: R
Run Time: 1h 44m
Original Language: English
Website: Link
Production Countries: Australia , United States of America
Production Companies: PolyGram Filmed Entertainment , Latent Image Productions Pty. Ltd. , Specific Films
Genres
Keywords
People Rated This
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Synopsis
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and finding new horizons.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Owen Paterson
|
| Art Direction |
Colin Gibson
|
|
| Title Designer |
Libby Blainey
|
|
| Art Department Assistant |
Yann Vignes
|
|
| Costume & Make-Up | Costume Design |
Lizzy Gardiner
Tim Chappel
|
| Wardrobe Supervisor |
Emily Seresin
|
|
| Makeup & Hair |
Angela Conte
|
|
| Wardrobe Coordinator |
Brett Cooper
|
|
| Key Hair Stylist |
Cassie Hanlon
|
|
| Key Makeup Artist |
Cassie Hanlon
|
|
| Costume Assistant |
Adam Dalli
|
|
| Crew | Stunt Coordinator |
Robert Simper
|
| Post Production Supervisor |
Sue Seeary
|
|
| Studio Teacher |
Jenny Lee-Robinson
|
|
| Choreographer |
Mark White
|
|
| Unit Publicist |
Catherine Lavelle
|
|
| Writing | Screenplay |
Stephan Elliott
|
| Directing | Director |
Stephan Elliott
|
| Continuity |
Kate Dennis
|
|
| Second Assistant Director |
Emma Schofield
Maria Phillips
|
|
| First Assistant Director |
Stuart Freeman
|
|
| Third Assistant Director |
Jamie Platt
|
|
| Camera | Director of Photography |
Brian J. Breheny
|
| Grip |
Ian McAlpine
|
|
| Focus Puller |
Adrien Seffrin
|
|
| Key Grip |
Pat Nash
|
|
| Still Photographer |
Elise Lockwood
|
|
| Clapper Loader |
Anna Wareham
|
|
| Sound | Original Music Composer |
Guy Gross
|
| Sound Mixer |
Phil Judd
|
|
| Sound Supervisor |
Phil Judd
|
|
| Sound Designer |
Guntis Sics
|
|
| Sound Recordist |
Guntis Sics
Grant Shepherd
|
|
| Boom Operator |
Fiona McBain
|
|
| Foley Editor |
Gerry Long
Steve Burgess
|
|
| ADR Recordist |
Simon Hewitt
|
|
| Dialogue Editor |
Angus Robertson
|
|
| Sound Effects Editor |
Steve Erskine
|
|
| Sound Effects |
Tim Colvin
|
|
| Production | Producer |
Al Clark
Michael Hamlyn
|
| Additional Casting |
Faith Martin
|
|
| Executive Producer |
Rebel Penfold-Russell
|
|
| Associate Producer |
Sue Seeary
|
|
| Production Secretary |
Sue Seeary
|
|
| Production Coordinator |
Esther Rodewald
|
|
| Location Manager |
Rick Kornaat
|
|
| Unit Manager |
Rick Kornaat
|
|
| Production Accountant |
John May
|
|
| Local Casting |
Bobbie Pick-up
|
|
| Editing | Editor |
Sue Blainey
|
| Assistant Editor |
Andrew Yuncken
|
|
| Lighting | Electrician |
Peter A. Holland
|
| Gaffer |
Paul Booth
|
|
| Best Boy Electric |
Matt Inglis
|
|
| Visual Effects | Visual Effects |
Roger Cowland
|
| Department | Role | Name |