Ratings
Financials
Revenue: $19,598,588
Budget: $75,000,000
Profit: - $-55,401,412
Movie Details
Tag Line: How well do you know the one you love?
Status: Released
Average Rating: 6
Release Date: Aug 27, 1999
Rating: R
Run Time: 1h 49m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema , Mad Chance
Genres
Keywords
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Synopsis
When astronaut Spencer Armacost returns to Earth after a mission that nearly cost him his life, he decides to take a desk job in order to see his beautiful wife, Jillian, more often. Gradually, Jillian notices that Spencer's personality seems to have changed, but her concerns fade when she discovers that she's pregnant. As Jillian grows closer to becoming a mother, her suspicions about Spencer return. Why does it seem as if he's a different person?
Crew
Department | Role | Name |
---|---|---|
Production | Casting |
Richard Pagano
Debi Manwiller
|
Executive Producer |
Mark Johnson
Donna Langley
Brian Witten
|
|
Co-Producer |
Diana Pokorny
|
|
Producer |
Andrew Lazar
|
|
Production Executive |
Leon Dudevoir
|
|
Unit Production Manager |
Mari-Jo Winkler
|
|
Casting Associate |
Eyde Belasco
|
|
Location Manager |
Deborah Parker
Robert Earl Craft
|
|
ADR Voice Casting |
Sondra James
|
|
Assistant Production Coordinator |
Cyndi Brenner
|
|
Production Supervisor |
Wendy Cox
|
|
Associate Producer |
Jody Hedien
|
|
Production Coordinator |
John DeSimone
Dina Farnell
|
|
Production Secretary |
Gregory Dunigan
|
|
Production Accountant |
Jon Davidson
|
|
Post Production Accountant |
Zane
|
|
Production Assistant |
Monica Barraza
|
|
Production Driver |
Knut Kielpinski
|
|
Payroll Accountant |
Arik Johnson
|
|
Costume & Make-Up | Makeup Artist |
Patty York
|
Costume Design |
Isis Mussenden
|
|
Makeup Department Head |
Deborah K. Larsen
|
|
Hair Department Head |
Candy L. Walken
|
|
Set Costumer |
Amy Jo Hoppenfeld
Ann Miller
|
|
Wardrobe Coordinator |
Faye Sevilla
|
|
Assistant Costume Designer |
Susan Kowarsh
Barbara Preser
|
|
Costume Supervisor |
Alexandria Forster
|
|
Wardrobe Supervisor |
Roseann Milano
|
|
Special Effects Makeup Artist |
Rick Lalonde
|
|
Contact Lens Technician |
Johanna Pizzo
|
|
Art | Set Decoration |
Leslie A. Pope
|
Special Props |
Eric Allard
|
|
Art Direction |
Sarah Knowles
|
|
Production Design |
Jan Roelfs
|
|
Set Designer |
Karl J. Martin
Randall D. Wilkins
|
|
Leadman |
Russell R. Anderson
|
|
Property Master |
David H. Allen
|
|
Construction Coordinator |
Joe Ondrejko
Brent Haywood
|
|
Sculptor |
Jeffrey P. Buccacio Jr.
|
|
Art Department Coordinator |
Patti McNulty
|
|
Set Painter |
Chris Samp
|
|
Set Dresser |
Christopher Casey
|
|
Assistant Set Decoration |
Christine Mayer
|
|
Location Scout |
Buck Allen
|
|
Camera | Director of Photography |
Allen Daviau
|
Steadicam Operator |
Larry McConkey
|
|
Camera Operator |
Paul C. Babin
|
|
First Assistant Camera |
Reggie Newkirk
Tony Olivieri
|
|
Second Assistant Camera |
Tim Metivier
A. Lee Morris
Paul Gibilisco
|
|
Key Grip |
Michael Kenner
|
|
Camera Loader |
Mary Funsten
|
|
Grip |
Quinn Grove
|
|
Editing | Editor |
Steve Mirkovich
Timothy Alverson
|
Assistant Editor |
William Yeh
Jennifer Apel
Tia Schellstede
|
|
Color Timer |
Mato
Bob McMillian
|
|
Colorist |
Michael Healey
|
|
Sound | Original Music Composer |
George S. Clinton
|
Foley Artist |
Marko Costanzo
Jay Peck
|
|
Assistant Sound Editor |
Chris Fielder
|
|
Foley Mixer |
Matthew Haasch
|
|
Orchestrator |
Rick Giovinazzo
|
|
Supervising Sound Editor |
Blake Leyh
|
|
Sound Editor |
Frank Kern
|
|
Music Editor |
Mike Flicker
|
|
Sound Effects Editor |
Sean Garnhart
|
|
Sound Re-Recording Mixer |
Tom Fleischman
|
|
Dialogue Editor |
Kimberly R. McCord-Wilson
|
|
ADR Editor |
Hal Levinsohn
|
|
Foley Editor |
Paul Urmson
|
|
Music Supervisor |
Paul Broucek
|
|
Apprentice Sound Editor |
Bill Orrico
|
|
Sound Mixer |
Michael Barosky
|
|
Production Sound Mixer |
Paul Ledford
|
|
Boom Operator |
Keenan Wyatt
|
|
Utility Sound |
Jerry Yuen
|
|
Music Consultant |
Michael Boriskin
|
|
Music Coordinator |
Annie Searles
|
|
Musician |
John Carrington
|
|
Crew | Stunts |
Jeffrey J. Dashnaw
Jimmy N. Roberts
Dana Hee
Troy Robinson
Erik Rondell
|
Choreographer |
JoAnn Fregalette Jansen
|
|
Stunt Double |
Nancy Young
|
|
Visual Effects Editor |
Guy T. Wiedmann
|
|
Special Effects Coordinator |
Gregory C. Tippie
Thomas R. Homsher
|
|
Stunt Coordinator |
Tim A. Davison
|
|
Video Assist Operator |
David Katz
|
|
Transportation Coordinator |
Craig Fehrman
|
|
Unit Publicist |
Guy Adan
|
|
Special Effects |
Sheena Duggal
|
|
Transportation Captain |
Walter McClain
|
|
Executive Visual Effects Producer |
Lee Berger
|
|
Editorial Staff |
Matt Boatright-Simon
|
|
Digital Supervisor |
Harry Lam
|
|
Driver |
David Conelli
|
|
Generator Operator |
Chris Scarfi
|
|
Post Production Supervisor |
Rick Reynolds
|
|
Animatronics Designer |
Jonathan Spence
|
|
Stand In |
Jeff Chena
|
|
Set Production Assistant |
Timothy Donohue
|
|
Writing | Screenplay |
Rand Ravich
|
Directing | Director |
Rand Ravich
|
First Assistant Director |
K.C. Colwell
|
|
Script Supervisor |
Marion Tumen
|
|
Second Second Assistant Director |
Paula Case
|
|
Second Assistant Director |
Darin Rivetti
|
|
Visual Effects | Digital Compositor |
Serkan Zelzele
Derek Spears
Patrick Zentis
Marc Rubone
Jeff W. Smith
|
Visual Effects Supervisor |
Linda Drake
John 'D.J.' Des Jardin
|
|
Special Effects Supervisor |
Michael Lantieri
|
|
Visual Effects Producer |
Josh R. Jaggars
|
|
3D Animator |
Bela Brozsek
Scott Giegler
|
|
Visual Effects |
Mitch Deoudes
|
|
Visual Effects Technical Director |
Seth Lippman
Allen Ruilova
Jeff Wolverton
Steve LaVietes
|
|
Visual Effects Compositor |
Randy Brown
|
|
Lighting | Electrician |
Ross Richardson
Juan Morse
R. Adam Chambers
Mike Gerzevitz
Greg Etheredge
Chris Rosen
Bennie Zura
|
Chief Lighting Technician |
Larry Wallace
|
|
Lighting Technician |
Peter Boynton
|
|
Rigging Gaffer |
David Dunbar
|
|
Best Boy Electric |
Michael Lyon
|
|
Gaffer |
William Moore
|
|
Department | Role | Name |