The Babadook
(2014) If it's in a word, or it's in a look, you can't get rid of the Babadook. | Released
Ratings
86%
6.5
6.8
98%
Financials
Revenue: $10,300,000
Budget: $2,000,000
Profit: + $8,300,000
Movie Details
Tag Line: If it's in a word, or it's in a look, you can't get rid of the Babadook.
Status: Released
Average Rating: 7
Release Date: May 22, 2014
Rating: 2014-11-28
Run Time: 1h 34m
Original Language: English
Website: Link
Production Countries: Australia , Canada
Production Companies: Screen Australia , Smoking Gun Productions , Causeway Films , South Australian Film Corporation , Entertainment One
Genres
Keywords
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Synopsis
A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Jennifer Kent
|
| Script Supervisor |
Taera Shroff
|
|
| First Assistant Director |
Dimitri Ellerington
Brad Lanyon
|
|
| Writing | Writer |
Jennifer Kent
|
| Production | Producer |
Kristian Moliere
Kristina Ceyton
|
| Casting |
Nikki Barrett
|
|
| Location Manager |
Scott McDonald
|
|
| Associate Producer |
Pete Best
|
|
| Production Accountant |
Mark Kraus
|
|
| Casting Associate |
Natalie Wall
|
|
| Production Coordinator |
Judi Oehme
|
|
| Production Secretary |
Gemma Salomon
|
|
| Production Runner |
Michael Philippou
|
|
| Camera | Director of Photography |
Radek Ładczuk
|
| Still Photographer |
Matt Nettheim
|
|
| Camera Operator |
Louis Puli
|
|
| Additional Camera |
Michael Fairbairn
Dimitri Zaunders
|
|
| Focus Puller |
Frank Hruby
|
|
| Second Unit Director of Photography |
Nima Nabili Rad
|
|
| Key Grip |
Mike Smith
|
|
| Assistant Camera |
Adam Camporeale
Jordan Agutter
|
|
| Steadicam Operator |
Louis Puli
|
|
| Clapper Loader |
Maxx Corkindale
|
|
| Data Wrangler |
Dimitri Zaunders
|
|
| Grip |
Chris Davies
Ben Walsh
|
|
| First Assistant Camera |
Gerard Maher
|
|
| Sound | Original Music Composer |
Jed Kurzel
|
| Sound Effects Editor |
Frank Lipson
|
|
| ADR Mixer |
Pete Best
Tara Webb
Andrew McGrath
Scott Illingworth
|
|
| Dialogue Editor |
Pete Best
|
|
| Foley Artist |
John Simpson
|
|
| Boom Operator |
Marco Arlotta
|
|
| Sound Re-Recording Mixer |
Pete Smith
|
|
| Editing | Editor |
Simon Njoo
|
| First Assistant Editor |
Sean Lahiff
|
|
| Digital Intermediate Colorist |
Marty Pepper
|
|
| Assistant Editor |
Kasra Rassoulzadegan
|
|
| Crew | Scenic Artist |
John Haratzis
|
| Special Effects Coordinator |
Clint Dodd
|
|
| Stunt Coordinator |
Reg Roordink
|
|
| Sound Recordist |
Des Kenneally
|
|
| Unit Publicist |
Chris Chamberlin
|
|
| Prop Maker |
Michael Cusack
Wesley Champion
Richard Chataway
|
|
| Stand In |
Olivia Beardsley
|
|
| Second Unit |
Olivia Beardsley
|
|
| Art | Set Decoration |
Jennifer Drake
|
| Set Designer |
Ross Perkin
|
|
| Art Direction |
Karen Hannaford
|
|
| Title Designer |
James Boorman
|
|
| Art Department Assistant |
Kelly Rivett
Conor Reid
Aimée-Lee Curran
|
|
| Construction Manager |
Paul Spencer
|
|
| Production Design |
Alex Holmes
|
|
| Lighting | Gaffer |
Robertto Karas
Zac Murphy
|
| Electrician |
Danny Philippou
|
|
| Costume & Make-Up | Costume Design |
Heather Wallace
|
| Makeup & Hair |
Sue Carroll
Marion Lee
|
|
| Hair Supervisor |
Tracy Phillpot
|
|
| Wardrobe Assistant |
Vicki Nhieu
|
|
| Costume Assistant |
Kim O'Mallon
|
|
| Makeup Supervisor |
Tracy Phillpot
|
|
| Prosthetics |
Justin Dix
|
|
| Visual Effects | Visual Effects Supervisor |
Marty Pepper
|
| Department | Role | Name |
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