Ratings
Financials
Revenue: $64,828,421
Budget: $20,000,000
Profit: + $44,828,421
Movie Details
Tag Line: The true story of a heist gone wrong... in all the right ways.
Status: Released
Average Rating: 7
Release Date: Feb 28, 2008
Rating: R
Run Time: 1h 51m
Original Language: English
Website: Link
Production Countries: Australia , United Kingdom , United States of America
Production Companies: Omnilab Media , Mosaic Media Group , Relativity Media , Skyline (Baker St) , Atlas Entertainment
Genres
Keywords
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Synopsis
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
Crew
Department | Role | Name |
---|---|---|
Production | Casting |
Lucinda Syson
|
Producer |
Charles Roven
Steve Chasman
Mairi Bett
Aaron Shuster
|
|
Production Executive |
Peter Block
|
|
Executive Producer |
Alan Glazer
Alex Gartner
Ryan Kavanaugh
George McIndoe
David Alper
Gary Hamilton
Christopher Mapp
Scott Fischer
Matthew Street
David Whealy
|
|
Production Manager |
Sasha Harris
|
|
Line Producer |
Luigi Desole
Pete Ford
|
|
Production Coordinator |
Natalia Pizzey
Polly Jefferies
|
|
Location Manager |
Giles Edleston
|
|
Casting Assistant |
Kate Ringsell
|
|
Researcher |
Celia Barnett
|
|
First Assistant Accountant |
Daniel Budd
|
|
Assistant Production Coordinator |
Hollie Foster
|
|
Assistant Accountant |
Tracey Taylor
|
|
Editing | Editor |
John Gilbert
|
First Assistant Editor |
Amelia Ford
Ruth Coulson
|
|
Digital Intermediate |
Nic Smith
Tony Poriazis
|
|
Online Editor |
George Awburn
|
|
Digital Intermediate Colorist |
Justin Heitman
|
|
Art | Art Direction |
Mark Scruton
|
Set Decoration |
Mark Scruton
|
|
Production Design |
Gavin Bocquet
|
|
Supervising Art Director |
Phil Harvey
|
|
Assistant Art Director |
Richard Selway
|
|
Art Department Coordinator |
Pippa Sheen
|
|
Property Master |
Nick Turnbull
|
|
Art Department Assistant |
Louise Begbie
Hannah Read
|
|
Construction Manager |
Malcolm Roberts
Robert Voysey
|
|
Storyboard Artist |
Nick Pelham
|
|
Graphic Designer |
Laura Dishington
|
|
Props |
Paul Hearn
|
|
Standby Art Director |
Ben Collins
|
|
Draughtsman |
Wilson Du
|
|
Set Dresser |
Amelia Marasco
|
|
Title Designer |
Nathan Bayliss
|
|
Camera | Director of Photography |
Michael Coulter
Karl von Moller
|
Camera Operator |
Martin Hume
Tim Wooster
Stuart Howell
Chris Plevin
Chas Bain
|
|
Second Unit Director of Photography |
Mike Brewster
|
|
First Assistant "A" Camera |
Julian Bucknall
|
|
Still Photographer |
Jack English
|
|
Key Grip |
Peter Myslowski
|
|
First Assistant Camera |
Andrew Jerram
|
|
First Assistant "B" Camera |
John Ferguson
|
|
Second Assistant "B" Camera |
Ray Meere
|
|
Second Assistant "A" Camera |
Luke Coulter
|
|
Grip |
Luke Myslowski
|
|
Crew | Stunt Coordinator |
Greg Powell
|
Post Production Supervisor |
Marc van Buuren
|
|
Special Effects Coordinator |
Brian Holmes
|
|
Unit Publicist |
Graham Smith
|
|
Stand In |
Philip Ball
|
|
Armorer |
Nick Jeffries
Scott Warwick
|
|
Special Effects Technician |
Neil Toddy Todd
Daniel Williams
|
|
Floor Runner |
Kate Brontë-Stewart
|
|
Directing | Director |
Roger Donaldson
|
First Assistant Director |
Josh Robertson
Lee Grumett
Brendan Campbell
Luigi Spoletini
Matthew Baker
|
|
Script Supervisor |
Sylvia Parker
Susie Struth
Polly Hope
|
|
Writing | Screenplay |
Dick Clement
Ian La Frenais
|
Script Editor |
Mark Thomas
|
|
Costume & Make-Up | Costume Design |
Odile Dicks-Mireaux
|
Makeup Artist |
Carla Vicenzino
Laura McIntosh
|
|
Costume Supervisor |
Marion Weise
|
|
Hairstylist |
Massimo Gattabrusi
|
|
Key Hair Stylist |
Sharon O'Brien
Donald McInnes
|
|
Key Makeup Artist |
Sharon O'Brien
|
|
Prosthetics |
Waldo Mason
|
|
Assistant Costume Designer |
Sharon Long
|
|
Hair Designer |
Kirstin Chalmers
|
|
Costumer |
Julie Barton
|
|
Costume Assistant |
Anthony Brookman
Yvonne Otzen
|
|
Hairdresser |
Jodie Hellingman
|
|
Makeup Designer |
Heather Ross
|
|
Hair Supervisor |
Heather Ross
|
|
Makeup & Hair Assistant |
Helene Glover
|
|
Sound | Original Music Composer |
J. Peter Robinson
|
ADR Mixer |
Peter Gleaves
Alan Freedman
Jonathan Rimas
|
|
Dolby Consultant |
Bruce Emery
|
|
Music Programmer |
Edward Rogers
|
|
Production Sound Mixer |
Simon Hayes
|
|
Sound Re-Recording Mixer |
Paul Pirola
Andrew Neil
|
|
Foley Artist |
Mario Vaccaro
|
|
Music Editor |
Simon Leadley
|
|
Supervising Sound Effects Editor |
Andrew Neil
|
|
Sound Recordist |
John McKerrow
|
|
Dialogue Editor |
James Harvey
|
|
ADR Coordinator |
Lionel Strutt
|
|
Sound Effects Editor |
Peter Mills
Steve Burgess
|
|
ADR Recordist |
Rachael Tate
|
|
Foley Editor |
Blair Slater
|
|
Boom Operator |
Simon Bysshe
Robin Johnson
|
|
Music Consultant |
Kim Green
|
|
Assistant Sound Editor |
Kieran McVeigh
|
|
Visual Effects | Visual Effects Supervisor |
Peter Webb
David Booth
|
Visual Effects Producer |
Ineke Majoor
|
|
Lead Animator |
Paul Buckley
|
|
Lighting | Gaffer |
Terry Edland
|
Rigging Gaffer |
Tony Hayes
|
|
Electrician |
Richard Mason
|
|
Department | Role | Name |