Ratings
Financials
Revenue: $64,828,421
Budget: $20,000,000
Profit: + $44,828,421
Movie Details
Tag Line: The true story of a heist gone wrong... in all the right ways.
Status: Released
Average Rating: 7
Release Date: Feb 28, 2008
Rating: 2008-07-15
Run Time: 1h 52m
Original Language: English
Website: Link
Production Countries: Australia , United Kingdom , United States of America
Production Companies: Omnilab Media , Mosaic Media Group , Relativity Media , Skyline (Baker St) , Atlas Entertainment , Lionsgate , Arclight Films
Sources:
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Keywords
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Synopsis
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
Crew
Department | Role | Name |
---|---|---|
Writing | Screenplay |
Dick Clement
Ian La Frenais
|
Script Editor |
Mark Thomas
|
|
Production | Producer |
Mairi Bett
Charles Roven
Aaron Shuster
Steven Chasman
|
Executive Producer |
Alan Glazer
David Alper
Matthew Street
George McIndoe
Alex Gartner
David Whealy
Gary Hamilton
Scott Fischer
Ryan Kavanaugh
Christopher Mapp
|
|
Line Producer |
Luigi Desole
Pete Ford
|
|
Casting |
Lucinda Syson
|
|
Production Manager |
Sasha Harris
|
|
Location Manager |
Giles Edleston
|
|
Casting Assistant |
Kate Ringsell
|
|
Researcher |
Celia Barnett
|
|
Assistant Accountant |
Tracey Taylor
|
|
Assistant Production Coordinator |
Hollie Foster
|
|
First Assistant Accountant |
Daniel Budd
|
|
Production Executive |
Peter Block
|
|
Production Coordinator |
Polly Jefferies
Natalia Pizzey
|
|
Sound | Original Music Composer |
J. Peter Robinson
|
Sound Re-Recording Mixer |
Paul Pirola
Andrew Neil
|
|
Music Editor |
Simon Leadley
|
|
Supervising Sound Effects Editor |
Andrew Neil
|
|
Dialogue Editor |
James Harvey
|
|
Sound Effects Editor |
Steve Burgess
Peter Mills
|
|
Assistant Sound Editor |
Kieran McVeigh
|
|
Boom Operator |
Simon Bysshe
Robin Johnson
|
|
Production Sound Mixer |
Simon Hayes
|
|
Dolby Consultant |
Bruce Emery
|
|
Foley Editor |
Blair Slater
|
|
ADR Mixer |
Alan Freedman
Peter Gleaves
Jonathan Rimas
|
|
Sound Recordist |
John McKerrow
|
|
ADR Recordist |
Rachael Tate
|
|
ADR Coordinator |
Lionel Strutt
|
|
Foley Artist |
Mario Vaccaro
|
|
Music Programmer |
Edward Rogers
|
|
Music Consultant |
Kim Green
|
|
Art | Production Design |
Gavin Bocquet
|
Art Department Coordinator |
Pippa Sheen
|
|
Set Decoration |
Mark Scruton
|
|
Assistant Art Director |
Richard Selway
|
|
Art Direction |
Mark Scruton
|
|
Supervising Art Director |
Phil Harvey
|
|
Construction Manager |
Robert Voysey
Malcolm Roberts
|
|
Standby Art Director |
Ben Collins
|
|
Draughtsman |
Wilson Du
|
|
Storyboard Artist |
Nick Pelham
|
|
Art Department Assistant |
Louise Begbie
Hannah Read
|
|
Set Dresser |
Amelia Marasco
|
|
Props |
Paul Hearn
|
|
Property Master |
Nick Turnbull
|
|
Graphic Designer |
Laura Dishington
|
|
Title Designer |
Nathan Bayliss
|
|
Editing | Editor |
John Gilbert
|
Digital Intermediate Colorist |
Justin Heitman
|
|
First Assistant Editor |
Ruth Coulson
Amelia Ford
|
|
Digital Intermediate |
Nic Smith
Tony Poriazis
|
|
Online Editor |
George Awburn
|
|
Costume & Make-Up | Costume Design |
Odile Dicks-Mireaux
|
Costume Supervisor |
Marion Weise
|
|
Hairdresser |
Jodie Hellingman
|
|
Makeup Artist |
Carla Vicenzino
Laura McIntosh
|
|
Prosthetics |
Waldo Mason
|
|
Hair Supervisor |
Heather Ross
|
|
Key Hair Stylist |
Sharon O'Brien
Donald McInnes
|
|
Makeup & Hair Assistant |
Helene Glover
|
|
Hair Designer |
Kirstin Chalmers
|
|
Hairstylist |
Massimo Gattabrusi
|
|
Makeup Designer |
Heather Ross
|
|
Key Makeup Artist |
Sharon O'Brien
|
|
Costume Assistant |
Anthony Brookman
Yvonne Otzen
|
|
Assistant Costume Designer |
Sharon Long
|
|
Costumer |
Julie Barton
|
|
Directing | Director |
Roger Donaldson
|
Script Supervisor |
Sylvia Parker
Susie Struth
Polly Hope
|
|
First Assistant Director |
Brendan Campbell
Matthew Baker
Luigi Spoletini
Josh Robertson
Lee Grumett
|
|
Additional Second Assistant Director |
Michael Stevenson
|
|
Camera | Director of Photography |
Michael Coulter
Karl von Moller
|
Still Photographer |
Jack English
|
|
Camera Operator |
Stuart Howell
Chris Plevin
Martin Hume
Tim Wooster
Chas Bain
|
|
Grip |
Luke Myslowski
|
|
Key Grip |
Peter Myslowski
|
|
First Assistant "B" Camera |
John Ferguson
|
|
First Assistant Camera |
Andrew Jerram
|
|
Second Assistant "B" Camera |
Ray Meere
|
|
Second Unit Director of Photography |
Mike Brewster
|
|
First Assistant "A" Camera |
Julian Bucknall
|
|
Second Assistant "A" Camera |
Luke Coulter
|
|
Crew | Unit Publicist |
Graham Smith
|
Post Production Supervisor |
Marc van Buuren
|
|
Stand In |
Philip Ball
|
|
Special Effects Coordinator |
Brian Holmes
|
|
Stunt Coordinator |
Greg Powell
|
|
Special Effects Technician |
Daniel Williams
Neil Toddy Todd
|
|
Floor Runner |
Kate Brontë-Stewart
|
|
Armorer |
Scott Warwick
Nick Jeffries
|
|
Visual Effects | Visual Effects Supervisor |
David Booth
Peter Webb
|
Visual Effects Producer |
Ineke Majoor
|
|
Lead Animator |
Paul Buckley
|
|
Lighting | Gaffer |
Terry Edland
|
Electrician |
Richard Mason
|
|
Rigging Gaffer |
Tony Hayes
|
|
Department | Role | Name |