Ratings
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: This time it's for real
Status: Released
Average Rating: 5
Release Date: May 20, 2016
Rating: 2016-05-20
Run Time: 1h 30m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Pont Neuf Productions , Red & Black Films , Creative England , Stigma Films , Marzipan Productions
Sources:
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Keywords
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Synopsis
When a group of elite online gamers each receive a mysterious invitation to trial a state-of-the-art virtual reality video game, it’s a dream come true and impossible to resist. Arriving at the test site, the group step into hi-tech gear and prepare for a revolutionary, next-level gaming experience that brings modern warfare to life with frightening realism. At first it’s a unique and exhilarating experience. But what starts out like a dream encounter with cutting edge technology quickly takes a turn for the sinister. Once the group are attacked by enemy combatants, they soon realize this is no game after all. Make a mistake here and you pay with your life. Now these masters of the shoot ‘em up will have to fight for survival within a game gone bad, but this time it’s for real.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Charles Barker
|
| Script Supervisor |
Liz West
|
|
| First Assistant Director |
Liam Lock
|
|
| Second Assistant Director |
Nick Starr
|
|
| Second Unit Director |
James Nunn
|
|
| Writing | Writer |
Charles Barker
|
| Production | Producer |
John Giwa-Amu
Matthew James Wilkinson
|
| Casting Associate |
Celebrity Booker
Toby Spigel
|
|
| Casting |
Colin Jones
|
|
| Line Producer |
Victoria Goodall
|
|
| Production Coordinator |
Rose Wilde
|
|
| Production Consultant |
Roopesh Parekh
|
|
| Art | Set Decoration |
Ellie Pash
|
| Art Direction |
Alex Woodward
|
|
| Production Design |
Richard Campling
|
|
| Set Dresser |
Annabelle Bevan
|
|
| Standby Art Director |
Lottie McDowell
|
|
| Creative Director |
Paul Nicholas
|
|
| Costume & Make-Up | Costume Design |
Lindsey Archer
|
| Makeup Artist |
Velina Iankova
Jennifer Drew
Hannah Forbes
|
|
| Costume Supervisor |
Libby Irwin
|
|
| Makeup Designer |
Scarlett O'Connell
|
|
| Prosthetics |
Liam Doyle
|
|
| Costume Standby |
Kirsty Allen
|
|
| Special Effects Makeup Artist |
Dan Martin
|
|
| Visual Effects | Visual Effects Supervisor |
Christian Lett
|
| Visual Effects Coordinator |
Deborah Price
|
|
| Visual Effects Producer |
Peter Rogers
|
|
| CG Artist |
Toke Jepsen
Toffee Mushawasha
|
|
| Compositing Lead |
Cale Pugh
|
|
| Visual Effects Technical Director |
Daniel Wood
|
|
| Camera | Director of Photography |
John Lee
Ryan William White
|
| Camera Operator |
James Harrison
|
|
| First Assistant Camera |
Robert Austin-Taylor
|
|
| Focus Puller |
Erin Currie
Lauren Hatchard
Jaime Medrano Jr.
|
|
| Camera Trainee |
Mitchell Payne
|
|
| Digital Imaging Technician |
Arthur Graham-Maw
|
|
| Grip |
Marcus Knight
|
|
| Key Grip |
Luke Stone
|
|
| Camera Loader |
Eliot Stone
|
|
| Editing | Editor |
Tommy Boulding
|
| Colorist |
Tobias James Tomkins
|
|
| Sound | Music |
Tom Raybould
|
| Sound Re-Recording Mixer |
Paul McFadden
|
|
| Foley Editor |
Nathan Palmer
|
|
| ADR Editor |
Doug Sinclair
|
|
| ADR Mixer |
Matthew Kallen
|
|
| ADR Recordist |
Mirza Tahirović
|
|
| Boom Operator |
Bryn Duffy
Robin Gerrard
|
|
| Foley Artist |
Julie Ankerson
Meltem Baytok Topalakci
|
|
| Foley Mixer |
Jamie Talbutt
|
|
| Production Sound Mixer |
Nigel Albermaniche
|
|
| Supervising Sound Effects Editor |
Jon Salmon-Joyce
|
|
| Crew | Armorer |
Lee James Trueman
|
| Stunt Coordinator |
Vincent Keane
|
|
| Stunts Coordinator |
Levan Doran
|
|
| Dialect Coach |
Eleanor Boyce
|
|
| Scenic Artist |
Rachel Denning
Laura O'Connell
Matt Reeves
|
|
| Special Effects Technician |
Slobodan Velickovic
|
|
| Compositor |
Samantha Day-Lewis
Jonathon Parker
Paul Vorsman
Anthony Williams
|
|
| Lighting | Gaffer |
Peter Trevena
|
| Rigging Gaffer |
Peter Burgoyne
|
|
| Department | Role | Name |




