Ratings
Financials
Revenue: $40,651,864
Budget: $18,000,000
Profit: + $22,651,864
Movie Details
Tag Line: Knowing is good. Knowing everything is better.
Status: Released
Average Rating: 6
Release Date: Apr 27, 2017
Rating: 2017-08-01
Run Time: 1h 50m
Original Language: English
Website: Link
Production Countries: France , United Arab Emirates , United States of America
Production Companies: Image Nation Abu Dhabi , Parkes+MacDonald Image Nation , Route One Entertainment , Playtone , Likely Story , 1978 Films , EuropaCorp , IM Global
Sources:
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Keywords
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Synopsis
A young tech worker takes a job at a powerful Internet corporation, quickly rises up the company's ranks, and soon finds herself in a perilous situation concerning privacy, surveillance and freedom. She comes to learn that her decisions and actions will determine the future of humanity.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
James Ponsoldt
|
| First Assistant Director |
Nicolas Harvard
|
|
| Script Supervisor |
Steve Gehrke
Barry L. Caldwell
|
|
| Second Assistant Director |
Chris O'Hara
|
|
| Writing | Novel |
Dave Eggers
|
| Screenplay |
James Ponsoldt
Dave Eggers
|
|
| Production | Executive Producer |
Stefanie Azpiazu
Evan Hayes
Laurie MacDonald
Steven Shareshian
Sally Wilcox
Peter Cron
Russell Levine
|
| Producer |
Anthony Bregman
Gary Goetzman
Tom Hanks
Walter F. Parkes
|
|
| Casting |
Avy Kaufman
Chris Bustard
|
|
| Co-Producer |
Sophia Dilley
|
|
| Line Producer |
Alex Scott-Gatty
|
|
| Production Manager |
Caroline Ross
|
|
| Production Supervisor |
Jeff Valeri
|
|
| Casting Assistant |
Harrison Nesbit
|
|
| Location Manager |
Scott Trimble
Edward Mazurek
|
|
| Casting Associate |
Leeba Zakharov
|
|
| Production Coordinator |
Wednesday Standley
|
|
| Editing | Editor |
Lisa Lassek
Franklin Peterson
|
| First Assistant Editor |
Lara Khachooni
|
|
| Camera | Director of Photography |
Matthew Libatique
|
| Grip |
M. Shane Cates
|
|
| Key Grip |
Tana Dubbe
|
|
| Still Photographer |
Frank Masi
|
|
| Camera Operator |
Thomas C. Miller
Colin Hudson
|
|
| Additional Photography |
Tommy Maddox-Upshaw
|
|
| Steadicam Operator |
Colin Hudson
|
|
| Sound | Original Music Composer |
Danny Elfman
|
| Sound Effects Editor |
D. Chris Smith
Casey Genton
|
|
| Sound Mixer |
Lisa Pinero
|
|
| Boom Operator |
Randall L. Johnson
|
|
| Foley |
David Jobe
|
|
| Music Editor |
Ellen Segal
|
|
| Music Supervisor |
Tiffany Anders
|
|
| Orchestrator |
Edgardo Simone
|
|
| Assistant Sound Editor |
Jesse Garcia
|
|
| Dialogue Editor |
Susan Kurtz
|
|
| Art | Production Design |
Gerald Sullivan
|
| Art Direction |
Sarah M. Pott
Sebastian Schroder
|
|
| Set Decoration |
Rosemary Brandenburg
|
|
| Set Dresser |
Bart Barbuscia
Jaudi Negri
Lars Slind
Bryan Stanis
|
|
| Location Scout |
Jeff Rubinstein
Diane Friedman
Peter Moody
|
|
| Art Department Assistant |
Lenna Karacostas
|
|
| Conceptual Design |
Luca Nemolato
|
|
| Costume & Make-Up | Costume Design |
Emma Potter
|
| Key Hair Stylist |
Elizabeth Cortez
|
|
| Hair Department Head |
Kathrine Gordon
|
|
| Makeup Department Head |
Jane Galli
|
|
| Costume Supervisor |
Valerie Zielonka
|
|
| Set Costumer |
John Voght
Todd Voght
|
|
| Crew | Post Production Supervisor |
J.M. Logan
|
| Stunt Coordinator |
Wade Allen
|
|
| Stunts |
Chad Dashnaw
Kelli Barksdale
Danny Wynands
Clay Cullen
|
|
| Thanks |
Daniela Kriston
|
|
| Compositors |
Stephen Morton
Carl Stern
Ricardo Elliott II
|
|
| Post Production Assistant |
Adam Zucker
Steven Trebus
|
|
| Score Engineer |
Tyler Westen
|
|
| Stunt Driver |
Dean Bailey
Robert Nagle
|
|
| Stunt Double |
Alice Rietveld
|
|
| Visual Effects | VFX Editor |
Shiran Amir
Todd Reynolds
Patrick J. Barry
|
| VFX Artist |
Teague Chrystie
|
|
| Lighting | Gaffer |
Jeff Ferrero
|
| Department | Role | Name |







