The Dark Half
(1993) There are very good reasons to be afraid of the dark. | Released
Ratings
53%
6
5.9
57%
Financials
Revenue: $10,611,160
Budget: $15,000,000
Profit: - $-4,388,840
Movie Details
Tag Line: There are very good reasons to be afraid of the dark.
Status: Released
Average Rating: 6
Release Date: Apr 23, 1993
Rating: 1993-04-23
Run Time: 2h 02m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: George A. Romero Productions , Orion Pictures
Sources:
Genres
Keywords
People Rated This
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Synopsis
Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad's wife and their baby.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Christopher Young
|
| Supervising Sound Editor |
Michael Hilkene
Eric Lindemann
|
|
| Sound Effects Editor |
Jim Bryan
|
|
| Sound Re-Recording Mixer |
Bill W. Benton
Gregory H. Watkins
Carlos Delarios
|
|
| Music Editor |
John LaSalandra
|
|
| Boom Operator |
Bill J. DiDonna
|
|
| Foley Artist |
Gregg Barbanell
Joan Rowe
|
|
| Sound Editor |
Gaston Biraben
Elliott Koretz
Mark Rathaus
|
|
| Sound Mixer |
John Sutton
|
|
| Editing | Editor |
Pasquale Buba
|
| Color Timer |
Keith Parrish
|
|
| First Assistant Editor |
Ray Boniker
|
|
| Negative Cutter |
Gary Burritt
|
|
| Costume & Make-Up | Costume Design |
Barbara Anderson
|
| Makeup Artist |
Jeannee Josefczyk
Carol Paulick
|
|
| Makeup & Hair Assistant |
Jeffrey A. Rubis
|
|
| Special Effects Makeup Artist |
Louis Kiss
Larry Odien
|
|
| Wardrobe Assistant |
Melinda Eshelman
|
|
| Wardrobe Supervisor |
Nancy A. Palmatier
|
|
| Production | Casting |
Terry Liebling
Donna M. Belajac
|
| Producer |
Declan Baldwin
|
|
| Associate Producer |
Christine Forrest
|
|
| Production Supervisor |
Janice F. Sperling
|
|
| Executive Producer |
George A. Romero
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Extras Casting |
Nancy Mosser
|
|
| Assistant Accountant |
Lisa Kruczek
|
|
| Consulting Producer |
Richard Hawley
|
|
| Production Assistant |
Linda Carola
Fred 'Fredo' Donatelli
Michele Fetting
Steve Parys
Bob Pomeroy
Dawn Murphy Riley
|
|
| Production Coordinator |
Ann Ruark
Mary Ann Marino
|
|
| Unit Production Manager |
Declan Baldwin
|
|
| Writing | Screenplay |
George A. Romero
|
| Novel |
Stephen King
|
|
| Directing | Director |
George A. Romero
|
| Script Supervisor |
James Ellis Deakins
|
|
| First Assistant Director |
Nicholas Mastandrea
|
|
| Second Assistant Director |
Drew Ann Rosenberg
|
|
| Second Unit Director |
Tom Dubensky
|
|
| Camera | Director of Photography |
Tony Pierce-Roberts
|
| Additional Camera |
Michael Spiller
|
|
| Still Photographer |
Lynne Warberg
|
|
| Camera Operator |
Jeffery J. Tufano
Michael Levine
|
|
| Steadicam Operator |
Kyle Rudolph
|
|
| Second Unit Director of Photography |
Michael Spiller
|
|
| Best Boy Grip |
Scott Hillman
|
|
| Dolly Grip |
Richard M. Sieg
|
|
| First Assistant Camera |
Luke Latino
|
|
| Grip |
Bart Flaherty
Joey Wrubleski
John S. Moyer
|
|
| Key Grip |
John Janusek
|
|
| Second Assistant Camera |
Carol A. Ogihara
|
|
| Crew | Makeup Effects |
John Vulich
Everett Burrell
|
| Scenic Artist |
Vincent Borrelli
Thomas J. Garrigan
Mary O'Brien
Paul Bucciarelli
|
|
| Special Effects Coordinator |
Kristina M. Horner
|
|
| Stunt Coordinator |
Phil Neilson
|
|
| Transportation Coordinator |
Marc Scott
|
|
| Unit Publicist |
Mitch Kreindel
|
|
| Stunts |
Cynthia Neilson
|
|
| Animatronic and Prosthetic Effects |
Christopher P. Martin
Tom Culnan
Ken Walker
|
|
| Carpenter |
Robert Buncher
Chris Ferrence
Kenneth J. Kellers
Brent Peelor
Aaron Skalka
|
|
| Loader |
Richard S. Crumrine Jr.
|
|
| Special Effects Technician |
Nikolay Galitzine
|
|
| Animal Coordinator |
Mark Harden
|
|
| Projection |
Jon Sharpe
|
|
| Art | Production Design |
Cletus Anderson
|
| Art Direction |
James C. Feng
|
|
| Set Decoration |
Brian J. Stonestreet
|
|
| Set Designer |
David Eckert
|
|
| Art Department Coordinator |
Andrew Sands
|
|
| Construction Coordinator |
Louis P. Taylor
|
|
| Assistant Property Master |
Marty Garrigan
|
|
| Lead Set Dresser |
Gregory Jones
|
|
| Set Dresser |
Mia Boccella
Daniel Fisher
Megan Graham
Smith Harper Hutchings
Ralph Roger Pivirotto
Sonja Roth
Beth A. Rubino
Maurin L. Scarlata
Barbara E. Thompson
Jane Hyland
|
|
| Storyboard Artist |
Pete von Sholly
|
|
| Main Title Designer |
Neal Thompson
|
|
| Visual Effects | Visual Effects Producer |
Peter Kuran
|
| Visual Effects Supervisor |
Kevin Kutchaver
|
|
| Special Effects Supervisor |
Carl Horner
|
|
| Lighting | Gaffer |
Marc Rogers
|
| Electrician |
Chris Lugar
Ethan Phillips
John Alan Roush
|
|
| Lighting Technician |
Frank McGough
|
|
| Department | Role | Name |