The Eighth Day of the Week
(2006) An elderly, recently widowed ballet primadonna is scammed out of her house but finds a new homeless love. | Released
Ratings
7
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: An elderly, recently widowed ballet primadonna is scammed out of her house but finds a new homeless love.
Status: Released
Average Rating: 7
Release Date: Dec 3, 2006
Rating: 2007-03-22
Run Time: 1h 40m
Original Language: Hungarian
Website: -
Production Countries: Hungary , Poland
Production Companies: Dánielfilm Studio
Genres
Keywords
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Synopsis
After her husband's death, Hanna Szendroy, the former primadonna, portrayed by Maya Komorowska is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Judit Elek
|
| Co-Producer |
Lajos Szakácsi
Michał Kwieciński
János Hevesi T.
|
|
| Casting |
Sándor Zsótér
|
|
| Unit Manager |
István Nedeczky
|
|
| Production Manager |
Ildikó Kovács
|
|
| Consulting Accountant |
László Csiki
|
|
| Directing | Second Assistant Director |
Antal B. Koch
|
| Director |
Judit Elek
|
|
| First Assistant Director |
Tamás Kulcsár
|
|
| Art | Construction Coordinator |
Mihály Balaskó
|
| Set Decoration |
Sándor Katona
|
|
| Construction Manager |
Andrea Tóth
|
|
| Production Design |
Tamás Banovich
|
|
| Props |
Péter Mátyássy
Tibor Sziki Gál
|
|
| Writing | Writer |
Judit Elek
Eli Laszlo Berger
|
| Costume & Make-Up | Costume Design |
Györgyi Szakács
|
| Hair Assistant |
László Horváth
|
|
| Key Makeup Artist |
Magdolna Márta
|
|
| Dresser |
Mari Havasi
Ildikó Tóth
|
|
| Wardrobe Coordinator |
János Breckl
|
|
| Sound | Production Sound Mixer |
György Kovács
|
| Sound Recordist |
István Ifj. Perger
|
|
| Boom Operator |
Csaba Erös
|
|
| Original Music Composer |
László Melis
|
|
| Crew | Thanks |
Balázs Vákár
|
| Pyrotechnician |
Gyula Krasnyánszky
|
|
| Film Processor |
Judit Szép
|
|
| Special Effects |
Ferenc Kardos
|
|
| Stunt Coordinator |
György Kivés
|
|
| Post-Production Manager |
Erika Köcsky
|
|
| Choreographer |
Ilona Bárány
|
|
| Cinematography |
Eli Laszlo Berger
|
|
| Editing | Colorist |
Benedek Kabán
|
| Editor |
Zoltán Varga
|
|
| Camera | Still Photographer |
Miklós Gáspár
|
| Focus Puller |
Árpád Horváth
|
|
| Assistant Camera |
Csaba Tóth
Tamás Pályi Kiss
|
|
| Best Boy Grip |
József Buczkó
|
|
| Dolly Grip |
Zsolt Jámbor
|
|
| Key Grip |
Ernő Bacsics
|
|
| Director of Photography |
László Berger
Eli Laszlo Berger
|
|
| Lighting | Lighting Technician |
István Gyura
László Jenő Tóth
|
| Chief Lighting Technician |
Tibor Wéber
|
|
| Visual Effects | Visual Effects |
Csaba Juhász
|
| Department | Role | Name |