Ratings
Financials
Revenue: $270,248,367
Budget: $42,000,000
Profit: + $228,248,367
Movie Details
Tag Line: Power can be murder to resist.
Status: Released
Average Rating: 7
Release Date: Jun 30, 1993
Rating:
Run Time: 2h 34m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Mirage Enterprises , Paramount , Davis Entertainment , Scott Rudin Productions
Genres
Keywords
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Synopsis
Mitch McDeere is a young man with a promising future in Law. About to sit his Bar exam, he is approached by 'The Firm' and made an offer he doesn't refuse. Seduced by the money and gifts showered on him, he is totally oblivious to the more sinister side of his company. Then, two Associates are murdered. The FBI contact him, asking him for information and suddenly his life is ruined. He has a choice - work with the FBI, or stay with the Firm. Either way he will lose his life as he knows it. Mitch figures the only way out is to follow his own plan...
Crew
Department | Role | Name |
---|---|---|
Production | Casting Associate |
Debra Zane
|
Producer |
John Davis
Sydney Pollack
Scott Rudin
|
|
Executive Producer |
Michael Hausman
Lindsay Doran
|
|
Unit Production Manager |
Michael Hausman
|
|
Casting |
David Rubin
|
|
Unit Manager |
Scott Ferguson
|
|
Extras Casting Assistant |
Jason White
|
|
Location Manager |
Michael Dellheim
|
|
Publicist |
Lauren Beth Strogoff
|
|
Production Coordinator |
Nanette Siegert
|
|
Production Accountant |
Elton MacPherson
|
|
Payroll Accountant |
J.R. Craigmille
|
|
Directing | Director |
Sydney Pollack
|
First Assistant Director |
David McGiffert
|
|
Script Supervisor |
Anne Rapp
|
|
Second Assistant Director |
Carla Corwin
|
|
Editing | Editor |
William Steinkamp
Fredric Steinkamp
|
Assistant Editor |
Joyce Arrastia
Karl F. Steinkamp
Michael T. Wilson
|
|
Color Timer |
Phil Hetos
|
|
Negative Cutter |
Theresa Repola Mohammed
|
|
Camera | Director of Photography |
John Seale
|
Still Photographer |
François Duhamel
|
|
Aerial Camera |
David L. Butler
|
|
First Company Grip |
Robin Alan Knight
|
|
Second Company Grip |
Riko Schatke
|
|
Grip |
Lee McLemore
|
|
Writing | Screenplay |
Robert Towne
David Rayfiel
David Rabe
|
Novel |
John Grisham
|
|
Crew | Stunt Coordinator |
Andy Armstrong
|
Stunt Double |
Keith Campbell
|
|
Special Effects |
Ken Estes
|
|
Transportation Coordinator |
Jerry Jackson
|
|
Costume & Make-Up | Assistant Costume Designer |
Marjorie McCown
|
Costume Design |
Ruth Myers
|
|
Costumer |
Luke Reichle
|
|
Key Hair Stylist |
William A. Farley
|
|
Costume Supervisor |
Bruce Ericksen
|
|
Sound | Music |
Dave Grusin
|
Dialogue Editor |
Adam Sawelson
Gary Lewis
Matthew Sawelson
|
|
Sound Re-Recording Mixer |
Chris Jenkins
Doug Hemphill
|
|
Foley Editor |
Lucy Coldsnow-Smith
Jeff Rosen
|
|
Supervising Sound Editor |
J. Paul Huntsman
|
|
Sound Effects Editor |
Myron Nettinga
John Haeny
|
|
Supervising ADR Editor |
Jessica Gallavan
|
|
ADR Editor |
Chris Jargo
|
|
Assistant Sound Editor |
Carmen Flores De Tanis
Jennifer Portman
Carolann Sanchez-Shapiro
|
|
Music Editor |
Ted Whitfield
|
|
Boom Operator |
Steve Bowerman
|
|
Art | Property Master |
Robin L. Miller
|
Production Design |
Richard Macdonald
|
|
Set Decoration |
Casey Hallenbeck
|
|
Art Direction |
John Willett
|
|
Assistant Art Director |
James C. Feng
|
|
Construction Coordinator |
E.W. Bradford
|
|
Assistant Set Decoration |
Steven Curtis Husch
|
|
Construction Foreman |
Jerry G. Henery
Mark Fabert
|
|
Assistant Property Master |
Michael Gastaldo
|
|
Title Designer |
Phill Norman
|
|
Set Supervisor |
Robin Borman
|
|
Lighting | Chief Lighting Technician |
Morris Flam
|
Assistant Chief Lighting Technician |
Andy Day
|
|
Department | Role | Name |