The Goddess of 1967
(2000) | Released
Ratings
6.6
7.1
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 7
Release Date: Sep 8, 2000
Rating: 2000-11-07
Run Time: 1h 59m
Original Language: English
Website: -
Production Countries: Australia
Production Companies: New South Wales Film & Television Office
Genres
Keywords
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Synopsis
A rich, young businessman travels to Australia with the intention of buying a 1967 Citroën DS. Once he arrives, things do not go to plan, and he must drive the DS into the outback alongside a blind young woman in order to track down its seller.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Eddie Fong
Clara Law
|
| Production | Line Producer |
Dennis Kiely
|
| Executive Producer |
Helen Loveridge
Akiko Funatsu
Wouter Barendrecht
Peter Sainsbury
Michael J. Werner
|
|
| Producer |
Eddie Fong
|
|
| Casting |
Yōko Narahashi
Anousha Zarkesh
|
|
| Unit Manager |
Geoff Naylor
|
|
| Casting Assistant |
Jane Norris
Dani Skye
|
|
| Location Manager |
Auslan Ismail
|
|
| Production Coordinator |
Katie Gordon
|
|
| Production Accountant |
Lucy Vorst
|
|
| Directing | Director |
Clara Law
|
| First Assistant Director |
Chris Webb
|
|
| Second Assistant Director |
Tanya Jackson
|
|
| Third Assistant Director |
Scott Lovelock
Geoff Willman
|
|
| Continuity |
Claude Gonzalez
|
|
| Costume & Make-Up | Costume Design |
Helen Mather
Annie Marshall
|
| Assistant Makeup Artist |
Margaret Aston
|
|
| Makeup Supervisor |
Robyn Austin
|
|
| Hair Supervisor |
Robyn Austin
|
|
| Editing | Editor |
Kate Williams
|
| Color Grading |
Arthur Cambridge
|
|
| Colorist |
Adrian Hauser
|
|
| Assistant Editor |
Caroline Scott
|
|
| Art | Production Design |
Nicholas McCallum
|
| Art Direction |
Emma Lawes
|
|
| Construction Coordinator |
Geoff Howe
|
|
| Runner Art Department |
Dillon Yeats
|
|
| Title Designer |
Scott Otto Anderson
|
|
| Camera | Director of Photography |
Dion Beebe
|
| Clapper Loader |
Venetia Armstrong-Smith
|
|
| Grip |
John Balbi
|
|
| Still Photographer |
Simon Cardwell
|
|
| Assistant Camera |
Jeremy Dibben
|
|
| First Assistant Camera |
Sally Eccleston
|
|
| Focus Puller |
Benjamin Jasper
|
|
| Key Grip |
Roy Mico
|
|
| Sound | Original Music Composer |
Jen Anderson
|
| Boom Operator |
Sue Kerr
|
|
| Foley Artist |
Gerry Long
|
|
| ADR Recordist |
Robert Mackenzie
|
|
| Assistant Sound Editor |
Skye Ritchie
|
|
| Sound Editor |
Livia Ruzic
|
|
| Sound Mixer |
Roger Savage
|
|
| Sound Effects Designer |
Gareth Vanderhope
|
|
| Sound Recordist |
Peter Grace
|
|
| Crew | Post Production Supervisor |
Christian Gazal
|
| Stunts |
Mick Corrigan
|
|
| Post Production Assistant |
Billy Browne
|
|
| Choreographer |
Sue Healy
|
|
| Visual Effects | Visual Effects Producer |
Andrea Parkes
Chris Schwarze
|
| Visual Effects |
Peter Webb
|
|
| Animation Director |
Scott Otto Anderson
|
|
| Lighting | Gaffer |
Nick De Laine
|
| Best Boy Electric |
Adam Hunter
|
|
| Department | Role | Name |