The Good German
(2006) If war is Hell, then what comes after? | Released
Ratings
49%
5.8
6.1
32%
Financials
Revenue: $5,914,908
Budget: $32,000,000
Profit: - $-26,085,092
Movie Details
Tag Line: If war is Hell, then what comes after?
Status: Released
Average Rating: 6
Release Date: Dec 15, 2006
Rating: 2006-12-15
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Warner Bros. Pictures , Virtual Studios , Section Eight
Sources:
Genres
Keywords
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Synopsis
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Novel |
Joseph Kanon
|
| Screenplay |
Paul Attanasio
|
|
| Directing | Director |
Steven Soderbergh
|
| First Assistant Director |
Gregory Jacobs
|
|
| Second Assistant Director |
Trey Batchelor
|
|
| Second Second Assistant Director |
Jody Spilkoman
|
|
| Additional Second Assistant Director |
Basti Van Der Woude
|
|
| Camera | Director of Photography |
Steven Soderbergh
|
| Camera Operator |
Chris Lombardi
|
|
| Still Photographer |
Melinda Sue Gordon
|
|
| First Assistant Camera |
Steven Meizler
|
|
| Editing | Editor |
Steven Soderbergh
|
| Digital Intermediate |
Gregg Schaublin
|
|
| First Assistant Editor |
David Kirchner
|
|
| Production | Casting |
Debra Zane
|
| Casting Associate |
Jeremy Rich
Tannis Vallely
|
|
| Producer |
Gregory Jacobs
Ben Cosgrove
|
|
| Executive Producer |
Ben Waisbren
Frederic W. Brost
|
|
| Art | Production Design |
Philip Messina
|
| Art Direction |
Doug J. Meerdink
|
|
| Set Decoration |
Kristen Toscano Messina
|
|
| Art Department Coordinator |
Wylie Griffin
|
|
| Construction Coordinator |
Chris Snyder
|
|
| Greensman |
Steve Borgese
|
|
| Leadman |
Scott Bobbitt
|
|
| Property Master |
Robin L. Miller
|
|
| Costume & Make-Up | Costume Design |
Louise Frogley
|
| Costume Supervisor |
Lynda Foote
|
|
| Set Costumer |
Shandra Beri
Jason M. Moore
|
|
| Hair Department Head |
Waldo Sanchez
|
|
| Hairstylist |
Emanuel Millar
|
|
| Key Hair Stylist |
Marina Hart
Fríða Aradóttir
|
|
| Makeup Department Head |
Julie Hewett
|
|
| Makeup Artist |
Michelle Vittone
Heba Thorisdottir
|
|
| Sound | Sound Re-Recording Mixer |
Larry Blake
|
| Music Editor |
Bill Bernstein
|
|
| Sound Designer |
Larry Blake
|
|
| Foley Artist |
Dawn Fintor
Alicia Stevenson
|
|
| Dialogue Editor |
Kimaree Long
|
|
| Foley Mixer |
David Betancourt
|
|
| Production Sound Mixer |
Paul Ledford
|
|
| Original Music Composer |
Thomas Newman
|
|
| Boom Operator |
Randall L. Johnson
|
|
| Crew | Special Effects Coordinator |
Kevin Hannigan
|
| Choreographer |
Laura Dunlop
Lynn Givens
|
|
| Carpenter |
Gregory Lynch Jr.
Micah Roehr
|
|
| Stunts |
Joni Avery
Mickey Giacomazzi
Gene Hartline
|
|
| Post Production Assistant |
Ryan Piers Williams
|
|
| Visual Effects | Visual Effects Coordinator |
Heather Elisa Hill
|
| Visual Effects Producer |
Melissa Brockman
|
|
| Visual Effects Supervisor |
Thomas J. Smith
|
|
| Lighting | Rigging Gaffer |
R. Michael De Chellis
|
| Rigging Grip |
Kent Baker
Jose F. Barrios
Jose Danner
Joe Hill
|
|
| Lighting Technician |
James Plannette
|
|
| Department | Role | Name |