The Hand that Rocks the Cradle
(1992) Trust is her weapon. Innocence her opportunity. Revenge her only desire. | Released
Ratings
6.9
6.6
64%
Financials
Revenue: $88,036,683
Budget: $11,700,000
Profit: + $76,336,683
Movie Details
Tag Line: Trust is her weapon. Innocence her opportunity. Revenge her only desire.
Status: Released
Average Rating: 7
Release Date: Jan 10, 1992
Rating: 1992-01-10
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hollywood Pictures , Interscope Communications , Nomura Babcock & Brown
Sources:
Genres
Keywords
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Synopsis
A suburban family chooses seemingly sweet Peyton Flanders as their newborn's nanny. Only much later does the infant's mother, Claire Bartel, realize Peyton's true intentions -- to destroy Claire and replace her in the family. The nail-biting suspense builds quickly in this chilling psychological thriller about deception and bitter revenge.
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Robert Elswit
|
| Second Assistant Camera |
Stefan Tarzan
|
|
| Key Grip |
Mark Shane Davis
|
|
| Production | Producer |
David Madden
|
| Co-Producer |
Ira Halberstadt
|
|
| Executive Producer |
Robert W. Cort
Ted Field
|
|
| Casting |
Junie Lowry-Johnson
|
|
| Unit Production Manager |
Ira Halberstadt
|
|
| Production Coordinator |
Sheila A. Warner
|
|
| Casting Associate |
Ron Surma
|
|
| Extras Casting |
Amy Caton-Ford
|
|
| Sound | Original Music Composer |
Graeme Revell
|
| Production Sound Mixer |
James Pilcher
|
|
| Supervising Sound Editor |
Dane A. Davis
|
|
| Music Editor |
Dick Bernstein
|
|
| Sound Effects Editor |
Kini Kay
Todd Toon
|
|
| Foley Editor |
Kurt Nicholas Forshager
Tom Hammond
Chuck Michael
|
|
| ADR Supervisor |
Randy Vandegrift
|
|
| Dialogue Editor |
Kimberly Lowe Voigt
Martin J. Bram
Maciek Malish
|
|
| Assistant Sound Editor |
Peter Brancaccio
|
|
| Foley Artist |
Joan Rowe
Gregg Barbanell
|
|
| Scoring Mixer |
Dennis S. Sands
|
|
| Sound Re-Recording Mixer |
Richard Portman
Dan Wallin
Anna Behlmer
|
|
| Editing | Editor |
John F. Link
|
| First Assistant Editor |
Mark Stevens
|
|
| Negative Cutter |
Theresa Repola Mohammed
|
|
| Color Timer |
Bob Kaiser
|
|
| Writing | Screenplay |
Amanda Silver
|
| Directing | Director |
Curtis Hanson
|
| First Assistant Director |
Michael Daves
Ray Greenfield
|
|
| Second Assistant Director |
Brenda Kalosh
|
|
| Script Supervisor |
Candy Bennici
|
|
| Art | Production Design |
Edward Pisoni
|
| Set Decoration |
Sandy Reynolds-Wasco
|
|
| Art Direction |
Mark Zuelzke
|
|
| Leadman |
Melissa Matthies
|
|
| Property Master |
Blanche Sindelar
|
|
| Assistant Property Master |
Kim Larsen-Santini
|
|
| Set Designer |
Gilbert Wong
|
|
| Construction Coordinator |
Alun Vick
|
|
| Greensman |
Michael McCombe
|
|
| Costume & Make-Up | Costume Design |
Jennifer von Mayrhauser
|
| Assistant Costume Designer |
Heidi Shulman
|
|
| Costume Supervisor |
Kathy Kiatta
|
|
| Costumer |
Wendy M. Craig
|
|
| Key Hair Stylist |
Nina Paskowitz
|
|
| Crew | Stunt Coordinator |
John Moio
|
| Stunts |
Cris Thomas-Palomino
Daniel W. Barringer
Lynn Salvatori
David Boushey
Jamie Bunch Elliott
Barbara Anne Klein
|
|
| Special Effects Coordinator |
Bob Riggs
|
|
| Transportation Coordinator |
A. Welch Lambeth
Russell Davis
|
|
| Transportation Captain |
Robert T. Chestnut
|
|
| Lighting | Electrician |
Colleen Kingdon
|
| Department | Role | Name |