The Hunted
(1995) He's trapped in a world where killing is an art and revenge is an obsession. | Released
Ratings
5.7
5.9
9%
Financials
Revenue: $6,600,000
Budget: $15,000,000
Profit: - $-8,400,000
Movie Details
Tag Line: He's trapped in a world where killing is an art and revenge is an obsession.
Status: Released
Average Rating: 6
Release Date: Feb 24, 1995
Rating: 1998-12-15
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Bregman/Baer Productions , Universal Pictures
Genres
Keywords
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Synopsis
Paul Racine, a high-powered American business executive in Japan, is catapulted into a maze of danger and intrigue after he and his sexy companion are the targets of assassins hired by the ruthless Kinjo. To survive, Racine must join forces with a powerful samurai and together they will fight the force of evil in an awesome battle rooted in centuries of brutal conflict.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
J.F. Lawton
|
| Second Unit Director |
Buddy Joe Hooker
Cellin Gluck
|
|
| First Assistant Director |
Brian Giddens
|
|
| Second Assistant Director |
Jackie Jordan
|
|
| Script Supervisor |
Candice Field
|
|
| Third Assistant Director |
Paul Barry
|
|
| Second Unit First Assistant Director |
Jackie Jordan
|
|
| Writing | Writer |
J.F. Lawton
|
| Crew | Stunts |
Lauro David Chartrand-DelValle
Marny Eng
Allixandra East
Anthony Towe
Kevin J. Andruschak
Darryl Scheelar
Richard Yee
Mike Crestejo
|
| Special Effects |
Bob Comer
|
|
| Stunt Coordinator |
John Wardlow
Buddy Joe Hooker
|
|
| Special Effects Coordinator |
Bob Comer
|
|
| Unit Publicist |
Dixie Cutler
|
|
| Craft Service |
Lisa Chalmers
|
|
| Transportation Coordinator |
Mark 'Blue' Angus
|
|
| Transportation Captain |
Don Dykens
|
|
| Transportation Co-Captain |
Murray Mills
|
|
| Post Production Supervisor |
Bradley M. Goodman
|
|
| Post Production Consulting |
Carlyn Montes De Oca
|
|
| Visual Effects | Digital Compositor |
Jim Gorman
|
| Art | Set Decoration |
Lin MacDonald
|
| Art Direction |
Sheila Haley
|
|
| Production Design |
Phil Dagort
|
|
| Assistant Art Director |
Roxanne Narver
|
|
| Art Department Coordinator |
Kendelle Elliott
|
|
| Draughtsman |
Bjorn Ollner
Eric Norlin
|
|
| Assistant Set Decoration |
Ron Sowden
|
|
| Set Dresser |
Glenn MacDonald
Jeff Davies
Annastacia McDonald
Tony Soragnese
Susan Kosola
Perry Battista
|
|
| Property Master |
Mark Francis
|
|
| Assistant Property Master |
Max Matsuoka
|
|
| Construction Coordinator |
Doug Hardwick
|
|
| Construction Foreman |
Mike McLeod
|
|
| Greensman |
Avo Liva
|
|
| Title Designer |
Dorne Huebler
|
|
| Costume & Make-Up | Key Makeup Artist |
Fay von Schroeder
|
| Costume Designer |
Rita Riggs
|
|
| Hairstylist |
Roy Sidick
|
|
| Assistant Hairstylist |
Georgiana Sherritt
|
|
| Makeup Artist |
Margaret Solomon
Nancy Tong
|
|
| First Assistant Makeup Artist |
Fay von Schroeder
|
|
| Makeup & Hair Assistant |
Sachiko Uchida
|
|
| Assistant Costume Designer |
Linda Lee Langdon
|
|
| Costume Supervisor |
Thomas L. Pankiewich
|
|
| Costume Assistant |
Renee Davenport
|
|
| Set Costumer |
Ann Russell
|
|
| Lighting | Gaffer |
John Sprague
Duncan MacGregor
|
| Best Boy Electric |
Kelly Moore
|
|
| Editing | Editor |
Robert A. Ferretti
Eric Strand
|
| First Assistant Editor |
Darren T. Holmes
|
|
| Assistant Editor |
Cheryl Buckman
Neil Silver
Caroline Hardon
|
|
| Negative Cutter |
Sharon McGeeney
|
|
| Color Timer |
Keith Parrish
|
|
| Production | Casting |
Doreen Lane
Karen Rea
|
| Producer |
John Davis
Gary W. Goldstein
|
|
| Executive Producer |
William Fay
|
|
| Unit Production Manager |
Justis Greene
|
|
| Associate Producer |
Yuriko Matsubara
|
|
| Location Manager |
Bruce L. Brownstein
|
|
| Assistant Location Manager |
Pascal Verschooris
|
|
| Location Assistant |
Wendy Sawyer
|
|
| Production Coordinator |
Heather Meehan
|
|
| Assistant Production Coordinator |
Michael Rosser
|
|
| Production Accountant |
Steev Beeson
|
|
| Assistant Accountant |
Julie Cursley-Gilkes
Siobhan Rowand
|
|
| Casting Associate |
Bianca Cioffi-Zaring
Sherry Lynn Smith
|
|
| Camera | Director of Photography |
Jack Conroy
|
| Camera Operator |
Attila Szalay
|
|
| First Assistant Camera |
Bradley S. Creasser
|
|
| Second Assistant Camera |
Larry Portmann
Barb Harwood
|
|
| "B" Camera Operator |
A.J. Vesak
|
|
| First Assistant "B" Camera |
Simon Barry
|
|
| Still Photographer |
Bob Akester
|
|
| Key Grip |
Andrew Mulkani
|
|
| Dolly Grip |
Pierre Hubert
|
|
| Grip |
Ian Roscorla
Mike Legree
|
|
| Sound | Original Music Composer |
Motofumi Yamaguchi
|
| Sound Re-Recording Mixer |
Lora Hirschberg
Tom Johnson
|
|
| Production Sound Mixer |
Larry Sutton
|
|
| Boom Operator |
Tony Giacinti
|
|
| Supervising Sound Editor |
Robert Shoup
Gloria S. Borders
|
|
| Sound Editor |
Frank E. Eulner
Dennis Leonard
|
|
| ADR Editor |
Laurel Ladevich
|
|
| Dialogue Editor |
Michael Silvers
Dianna Stirpe
|
|
| Foley Editor |
Sandina Bailo-Lape
|
|
| Assistant Sound Editor |
Karen Brocco
Phil Benson
Lindakay Brown
Kevin Rose-Williams
Susan Sanford
|
|
| Foley Artist |
Dennie Thorpe
Tom Barwick
|
|
| Foley Recordist |
Tony Eckert
|
|
| Music Editor |
Robin Katz
|
|
| Department | Role | Name |