The In Crowd
(2000) What would you do to get in? | Released
Ratings
14%
4.5
4.6
2%
Financials
Revenue: $5,280,035
Budget: $15,000,000
Profit: - $-9,719,965
Movie Details
Tag Line: What would you do to get in?
Status: Released
Average Rating: 5
Release Date: Jul 19, 2000
Rating: 2000-07-17
Run Time: 1h 45m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Morgan Creek Entertainment , Warner Bros. Pictures
Genres
Keywords
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Synopsis
A mentally disturbed young woman takes a job at a posh country club and falls in with a clique of wealthy college kids where she's taken under the wing of the clique's twisted leader, who harbors some dark secrets too terrifying to tell.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Mark Gibson
Philip Halprin
|
| Directing | Director |
Mary Lambert
|
| Second Unit Director |
Buddy Joe Hooker
|
|
| First Assistant Director |
John E. Vohlers
|
|
| Second Assistant Director |
Eric Tignini
|
|
| Second Second Assistant Director |
Rebecca Stefan
|
|
| Script Supervisor |
Jennifer Opresnick
|
|
| Production | Executive Producer |
Michael I. Rachmil
Jonathan A. Zimbert
|
| Producer |
James G. Robinson
|
|
| Associate Producer |
David Robinson
|
|
| Casting |
Pam Dixon
|
|
| Production Supervisor |
Ann Dunsford
|
|
| Unit Production Manager |
George Manasse
|
|
| Extras Casting |
Richard Futch
Margaret Mullins
|
|
| Local Casting |
Shay Bentley Griffin
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Casting Assistant |
Rebecca Rian
|
|
| Assistant Location Manager |
Charles Poulnot
|
|
| Location Manager |
Stephen Yetman
|
|
| Producer's Assistant |
David 'Kam' Coyner
Kirstie Field
|
|
| First Assistant Accountant |
Robin Cross
|
|
| Production Secretary |
Nancy Jacklyn
|
|
| Camera | Director of Photography |
Tom Priestley Jr.
|
| Best Boy Grip |
William 'Bill' Allanson II
Kelly Curry
John Gilchrist Jr.
|
|
| Camera Loader |
Steve Calalang
Tom Cioccio
Robert Lau
|
|
| Camera Operator |
Jonathan Herron
|
|
| "B" Camera Operator |
Malcolm MacIntosh
Jeff Moore
|
|
| Dolly Grip |
David E. Poole
Darrell B. Sheldon
|
|
| First Assistant Camera |
Andrew Priestley
John Verardi
|
|
| First Assistant "B" Camera |
Mike Repeta
|
|
| Second Assistant Camera |
Arthur Szefer
|
|
| Still Photographer |
Michael Tackett
|
|
| Key Grip |
Dennis Zoppe
|
|
| Editing | Editor |
Pasquale Buba
|
| Digital Colorist |
Andrew Drapkin
|
|
| Assistant Editor |
Suzy Gilbert
Ray Neapolitan
|
|
| Color Timer |
Jeff Smithwick
|
|
| Art | Production Design |
John D. Kretschmer
|
| Set Decoration |
Steve Davis
|
|
| Set Designer |
Coleen Balance
Geoffrey S. Grimsman
|
|
| Construction Coordinator |
Roger Beaudoin
|
|
| Construction Foreman |
Richard M. Cole
|
|
| Greensman |
Lee Donaldson
Cindy Seay
|
|
| Assistant Property Master |
Brian Avery Galligan
|
|
| Property Master |
Ted J. Koch
|
|
| Property Buyer |
Matthew H. Morris
|
|
| Leadman |
Bob Smith
|
|
| Assistant Production Design |
Keva Keyes
|
|
| Costume & Make-Up | Costume Design |
Jennifer Bryan
|
| Key Makeup Artist |
Kerrie R. Plant
Nicki Ledermann
|
|
| Hair Department Head |
Beatrice De Alba
|
|
| Key Hair Stylist |
Taylor Knight
|
|
| Makeup Artist |
Kyra Panchenko
Darwin Hensley
Jeff Goodwin
|
|
| Additional Hairstylist |
Vanessa Davis
JoJo Guthrie
Patricia McAlhany Glasser
|
|
| Set Costumer |
Yvonne Battistelli
Maggie Burback
Yvonne R. Fraser
Karen Keyes
Michaell Keith Taylor Jr.
|
|
| Tailor |
Patricia Buckley-Moss
|
|
| Costume Supervisor |
Carol Sadler
|
|
| Crew | Stunts |
Tina Mckissick
Lisa Hickey
Jodi Lyn Brockton
Steve Filmore
Dale Frye
Lex D. Geddings
Anderson Martin
Lonnie R. Smith Jr.
Jodi Michelle Pynn
Michele Waitman
Dara Fischetti
Linda Ruff
|
| Stunt Coordinator |
Cal Johnson
|
|
| Post-Production Manager |
David Toma
|
|
| Scenic Artist |
Judi Bell
Rick Mobbs
|
|
| Propmaker |
Joe Golz
William Rampey
|
|
| Charge Scenic Artist |
Alton McClellan
|
|
| Special Effects Technician |
Gary Pilkinton
Michael J. Hudson
|
|
| Special Effects Coordinator |
Kathleen Tonkin
|
|
| Special Effects |
Barbara Vazquez
|
|
| Video Assist Operator |
Otto Lindsey
|
|
| Post Production Assistant |
Ryan Chan
Eric D. Graham
|
|
| Additional Music |
James S. Levine
|
|
| Cast Driver |
Kenneth Bennett
|
|
| Transportation Captain |
Wayne Jones
|
|
| Driver |
Brett Leslie
Joey Ricker
Scott Siler
|
|
| Transportation Coordinator |
Lee Siler
|
|
| Set Production Assistant |
Jillian Gallant
|
|
| Production Office Assistant |
Sherie Graham
|
|
| Sound | Supervising Sound Editor |
Michael E. Lawshe
|
| Sound Re-Recording Mixer |
Kevin E. Carpenter
Gregory H. Watkins
|
|
| Dialogue Editor |
Nancie Araki
Virginia Cook-McGowan
Catherine Flynn
Karyn Foster
Mark R. La Pointe
|
|
| Sound Effects Editor |
Timothy A. Cleveland
Andrew Somers
|
|
| Assistant Sound Editor |
Jeff Cranford
Terry Garcia
Todd Harris
Lisa K. Wolf
|
|
| ADR Recordist |
Laverne Dewberry
|
|
| Sound Editor |
Paul J. Diller
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| Foley Mixer |
Eric Gotthelf
|
|
| Boom Operator |
Douglas L. Hill
|
|
| Foley Editor |
David Horton Jr.
David M. Horton
|
|
| Sound Assistant |
Marshall McGee
|
|
| Foley Recordist |
Chris Munyon
|
|
| ADR Mixer |
Troy Porter
Bryan O. Watkins
|
|
| Production Sound Mixer |
Steven R. Smith
|
|
| Utility Sound |
Michael Piotrowski
|
|
| Original Music Composer |
Jeff Rona
|
|
| Music Consultant |
Robin Lynn
|
|
| Music Supervisor |
Doc McGhee
|
|
| Scoring Mixer |
Alan Meyerson
|
|
| Assistant Music Supervisor |
Frank Rand
|
|
| Musician |
Joel J. Richard
|
|
| Music Editor |
Brian Richards
|
|
| ADR & Dubbing |
Devin Corey
|
|
| Lighting | Gaffer |
Dan Cornwall
|
| Rigging Gaffer |
Stephen Crowley
|
|
| Lighting Technician |
Rusty Edmonson
|
|
| Electrician |
David Ellis
Harrison Palmer
John David Reynolds
Simon Carey
|
|
| Best Boy Electric |
Dale Fowler
|
|
| Key Rigging Grip |
John R. Sutton
|
|
| Visual Effects | Special Effects Supervisor |
Robert Vazquez
|
| Department | Role | Name |
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