The Invisible Woman
(2013) His greatest story was the one he could never tell. | Released
Ratings
75%
5.9
6.1
77%
Financials
Revenue: $3,986,888
Budget: $0
Profit: + $3,986,888
Movie Details
Tag Line: His greatest story was the one he could never tell.
Status: Released
Average Rating: 6
Release Date: Dec 25, 2013
Rating:
Run Time: 1h 51m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: BBC Film , Headline Pictures , Magnolia Mae Films
Genres
Keywords
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Synopsis
In 1857, at the height of his fame and fortune, novelist and social critic Charles Dickens meets and falls in love with teenage stage actress Nelly Ternan. As she becomes the focus of his heart and mind, as well as his muse, painful secrecy is the price both must pay.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Maria Djurkovic
|
| Set Decoration |
Tatiana Macdonald
|
|
| Supervising Art Director |
Nick Dent
|
|
| Art Direction |
Sarah Stuart
|
|
| Greensman |
Peter Hooper
Jon Marson
|
|
| Construction Coordinator |
Nicky Ackland-Snow
|
|
| Property Master |
Peter Hallam
|
|
| Assistant Art Director |
Marco Anton Restivo
|
|
| Graphic Designer |
Emily Lutyens
|
|
| Construction Manager |
Dominic Ackland-Snow
|
|
| Construction Foreman |
Gene D'Cruze
|
|
| Assistant Set Decoration |
Krysia Whitty
|
|
| Directing | Director |
Ralph Fiennes
|
| First Assistant Director |
Josh Robertson
|
|
| Third Assistant Director |
Toby Spanton
Sarah Jean Selway
Mark Cockren
|
|
| Script Supervisor |
Susanna Lenton
|
|
| Second Assistant Director |
Ben Howard
|
|
| Camera | Still Photographer |
David Appleby
|
| Director of Photography |
Rob Hardy
|
|
| Steadicam Operator |
Vince McGahon
Roger Tooley
|
|
| Camera Operator |
Alan Stewart
|
|
| First Assistant "A" Camera |
Jennie Paddon
|
|
| Key Grip |
Sam Phillips
|
|
| Clapper Loader |
Adam Dorney
David Mackie
|
|
| Sound | Foley |
Peter Burgis
Barnaby Smyth
|
| Music |
Ilan Eshkeri
|
|
| Supervising Sound Editor |
Matthew Collinge
|
|
| Sound Re-Recording Mixer |
Paul Cotterell
|
|
| Boom Operator |
Kate Morath
|
|
| Sound Supervisor |
Danny Sheehan
|
|
| Costume & Make-Up | Costume Design |
Michael O'Connor
|
| Assistant Costume Designer |
Maja Meschede
Anna Kot
|
|
| Costume Supervisor |
Georgina Gunner
|
|
| Set Costumer |
Wyn Vaughan-Humphreys
|
|
| Makeup & Hair |
Hannah Edwards
Zoe Clare Brown
Marc Pilcher
Sarah Kelly
Laura Pollock
Jane Oginsky
Natalie Reid
|
|
| Hair Designer |
Jenny Shircore
|
|
| Makeup Designer |
Jenny Shircore
|
|
| Production | Casting |
Leo Davis
|
| Producer |
Christian Baute
Gabrielle Tana
Carolyn Marks Blackwood
Stewart Mackinnon
|
|
| Unit Manager |
Tobin Hughes
|
|
| Production Coordinator |
Emma Mallett
|
|
| Production Manager |
Polly Hope
|
|
| Extras Casting |
Solomon Artistes
George Moss
|
|
| Executive Producer |
Stefano Ferrari
|
|
| Editing | Editor |
Nicolas Gaster
|
| First Assistant Editor |
Andrew Jadavji
|
|
| Lighting | Rigging Gaffer |
Dan Lowe
|
| Gaffer |
Julian White
|
|
| Crew | Post Production Supervisor |
Meg Clark
|
| Transportation Captain |
David Rosenbaum
|
|
| Stunt Coordinator |
Rowley Irlam
|
|
| Choreographer |
Francesca Jaynes
|
|
| Unit Publicist |
Claire Gascoyne
Jonathan Rutter
|
|
| Stunt Double |
Helen Steinway Bailey
|
|
| Floor Runner |
Michela Marini
Annie Hitchcock
Oliver Hazell
Sekani Doram
|
|
| Scenic Artist |
Satarupa Bradley
|
|
| Dialogue Coach |
Joan Washington
|
|
| Chaperone |
Jan Peters
Gemma Richardson
|
|
| Writing | Writer |
Abi Morgan
|
| Novel |
Claire Tomalin
|
|
| Visual Effects | Visual Effects Supervisor |
Paul Norris
|
| Visual Effects Producer |
Shanaullah Umerji
Meg Guidon
|
|
| Department | Role | Name |
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