Ratings
Financials
Revenue: $115,103,979
Budget: $13,000,000
Profit: + $102,103,979
Movie Details
Tag Line: This time, the combat is real.
Status: Released
Average Rating: 6
Release Date: Jun 18, 1986
Rating: PG
Run Time: 1h 53m
Original Language: English
Website: -
Production Countries: United States of America , China
Production Companies: Columbia Pictures , Delphi II Productions
Genres
Keywords
People Rated This
Main Cast
Crew
Department | Role | Name |
---|---|---|
Writing | Writer |
Robert Mark Kamen
|
Production | Producer |
Jerry Weintraub
|
Casting |
Caro Jones
|
|
Associate Producer |
William J. Cassidy
Susan Ekins
Karen Trudy Rosenfelt
|
|
Executive Producer |
R.J. Louis
|
|
Unit Production Manager |
Howard Pine
|
|
Location Manager |
Pete Corral
|
|
Production Coordinator |
Jeannie Jeha
|
|
Production Accountant |
Diane Bandolas
|
|
Assistant Accountant |
Jan Foreman
|
|
Extras Casting |
Marge Spencer
|
|
Crew | Stunts |
Bill M. Ryusaki
Lori Lynn Ross
Roger Ito
Erik Felix
Linda Arvidson
Mike Hassett
|
Special Effects |
Paul H. Haines Jr.
Gary Dion
Al Wininger
|
|
Choreographer |
Nobuko Miyamoto
Paul De Rolf
Jose De Vega
Randy Sabusawa
|
|
Martial Arts Choreographer |
Pat E. Johnson
|
|
Technical Advisor |
Louis Schwartzberg
Zenko Heshiki
|
|
Transportation Coordinator |
Alan Falco
Harry Ueshiro
|
|
Transportation Captain |
Tino Caira
|
|
Unit Publicist |
Peter Benoit
|
|
Cableman |
William M. Randall Jr.
|
|
Editing | Editor |
Jane Kurson
John G. Avildsen
David Garfield
|
Assistant Editor |
Penelope Shaw
Karen Kory
Douglas Brumer
|
|
Color Timer |
Reid Burns
|
|
Sound | Music Editor |
Stephen A. Hope
|
Original Music Composer |
Bill Conti
|
|
Sound Editor |
Bob Cornett
Joseph Holsen
Michael P. Redbourn
Neil Burrow
|
|
Sound Mixer |
William Randall
|
|
ADR Editor |
Jay Kamen
Richard Friedman
|
|
Supervising ADR Editor |
Doreen A. Dixon
|
|
Sound Re-Recording Mixer |
Robert Knudson
Robert Glass
Don Digirolamo
|
|
Assistant Sound Editor |
Blake R. Cornett
Martha Burns Holsen
|
|
Music Supervisor |
Brooks Arthur
|
|
Orchestrator |
Jack Eskew
|
|
Boom Operator |
David Stafford
|
|
Supervising Sound Editor |
Tom C. McCarthy
|
|
Foley Editor |
Jim Bullock
|
|
Art | Set Designer |
James Teegarden
|
Production Design |
William J. Cassidy
|
|
Property Master |
Sam Gordon
|
|
Art Direction |
William F. Matthews
|
|
Construction Coordinator |
Hendrik Wynands
|
|
Set Decoration |
Lee Poll
|
|
Construction Foreman |
Danny Wynands
Michael Van Dyke
Mike Wynands
|
|
Leadman |
Mark Hite
|
|
Props |
Richard Leon
|
|
Standby Painter |
Glen Cooper
|
|
Swing |
Ronnie Wexler
|
|
Costume & Make-Up | Key Hair Stylist |
Cheri Ruff
|
Costume Designer |
Mary Malin
|
|
Key Makeup Artist |
John M. Elliott Jr.
|
|
Makeup Artist |
Jim Kail
|
|
Hairstylist |
Steve Elsbree
|
|
Camera | Director of Photography |
James Crabe
|
Steadicam Operator |
Stephen St. John
|
|
Still Photographer |
Ralph Nelson Jr.
|
|
First Assistant Camera |
Brad Edmiston
Alan R. Disler
|
|
Camera Operator |
Craig Denault
|
|
Second Assistant Camera |
Mario Zavala
|
|
Dolly Grip |
O.T. Henderson
|
|
Key Grip |
James M. Sheppherd
|
|
Best Boy Grip |
John Lubin
|
|
Directing | Director |
John G. Avildsen
|
First Assistant Director |
Clifford C. Coleman
|
|
Script Supervisor |
Marshall Schlom
|
|
Second Assistant Director |
Dennis Maguire
|
|
Second Second Assistant Director |
Christine Larson
|
|
Lighting | Chief Lighting Technician |
Ross A. Maehl
|
Visual Effects | Special Effects Supervisor |
Dennis Dion
|
Department | Role | Name |
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