The Long Day Closes
(1992) A magical story about a boy’s love affair with the music and movies of the 50s. | Released
Ratings
85%
7.2
7.5
83%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: A magical story about a boy’s love affair with the music and movies of the 50s.
Status: Released
Average Rating: 7
Release Date: May 22, 1992
Rating: 1993-05-28
Run Time: 1h 25m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Film Four International , BFI , Channel Four Films
Genres
Keywords
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Synopsis
Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Terence Davies
|
| Third Assistant Director |
David Gilchrist
|
|
| Second Assistant Director |
Tommy Gormley
|
|
| Other |
James Norton
|
|
| Continuity |
Carol Thompson
|
|
| First Assistant Director |
Gus Maclean
|
|
| Writing | Writer |
Terence Davies
|
| Production | Producer |
Olivia Stewart
|
| Production Secretary |
Kate Mellor
|
|
| Casting Assistant |
Marianne Elliott
|
|
| Publicist |
John Battsek
Emma Chapman
Phil Symes
|
|
| Production Accountant |
Sheryl Leonardo
Susan Nicholson
|
|
| Production Assistant |
Maxine Howard
Dan Zeff
|
|
| Executive Producer |
Colin MacCabe
Ben Gibson
|
|
| Location Manager |
Andrew MacDonald Brown
Jeff Bowen
|
|
| Associate Producer |
Maureen McCue
|
|
| Casting Director |
Doreen Jones
|
|
| Production Manager |
Chris Harvey
|
|
| Production Coordinator |
Lesley Stewart
|
|
| Executive In Charge Of Production |
Angela Topping
|
|
| Editing | Editor |
William Diver
|
| First Assistant Editor |
Catherine Creed
|
|
| Assistant Editor |
Christine Campbell
|
|
| Camera | Focus Puller |
Chris Plevin
|
| Camera Trainee |
Tristam Cones
|
|
| Director of Photography |
Michael Coulter
|
|
| Clapper Loader |
Jeremy Kelly
|
|
| Grip |
Gary Romaine
|
|
| Other |
Sarah Fitzgerald
Paul Collard
Clive Neakes
|
|
| Camera Operator |
Harriet Cox
|
|
| Additional Photography |
Chris Plevin
Jeremy Kelly
|
|
| Still Photographer |
Tom Hilton
|
|
| Lighting | Gaffer |
Terry Edland
|
| Electrician |
Dennis O'Connell
Rick Butland
Dave Tyler
Kevin Edland
|
|
| Rigging Supervisor |
David Harrison
|
|
| Art | Assistant Art Director |
Tracey Gallacher
|
| Property Buyer |
Karen Wakefield
|
|
| Art Direction |
Kave Quinn
|
|
| Additional Construction |
Terry Thompson
Charlie McMillan
Peter Cheesman
Jim Thompson
Alan Hausmann
Simon Clarkson
Alan Weeks
Hugh Doherty
Peter Seater
Ronnie Barlow
Albert Grassi
|
|
| Runner Art Department |
Ben Johnson
Mariana Russell
|
|
| Construction Manager |
John McMillan
Robin Thistlethwaite
|
|
| Painter |
Bill Meal
|
|
| Production Design |
Christopher Hobbs
|
|
| Property Master |
Gordon Fitzgerald
|
|
| Standby Property Master |
Pat Harkins
Piero Jamieson
|
|
| Standby Carpenter |
Geoff Stainthorp
|
|
| Other |
Ben Pulsford
|
|
| Dressing Prop |
Stewart Cunningham
|
|
| Crew | Transportation Coordinator |
Jim Atkins
|
| Thanks |
Margaret Wicks
|
|
| Carpenter |
Stuart Wood
|
|
| Other |
Kevin Rowe
Jason Kent
David Lewis
|
|
| Scenic Artist |
Catherine Goodley
|
|
| Vehicles Wrangler |
Dave Watson
|
|
| Costume & Make-Up | Wardrobe Supervisor |
Patrick Wheatley
|
| Makeup & Hair |
Heather Jones
Aileen Seaton
|
|
| Wardrobe Assistant |
Marion Weise
|
|
| Costume Designer |
Monica Howe
|
|
| Sound | Vocals |
Ruth Davies
Isobel Buchanan
Gerard O'Beirne
|
| Dialogue Editor |
Patrick O'Neill
|
|
| Conductor |
David Firman
|
|
| Sound Editor |
Alex Mackie
|
|
| Music Director |
Robert Lockhart
|
|
| Sound Mixer |
Adrian Rhodes
Aad Wirtz
|
|
| Boom Operator |
June Prinz
|
|
| Sound Recordist |
Moya Burns
|
|
| Music Supervisor |
Bob Last
|
|
| Department | Role | Name |