The Marrying Man
(1991) Every man has a weakness. For millionaire Charley Pearl she's blonde, beautiful and loves to say "I do". | Released
Ratings
5.6
5.7
10%
Financials
Revenue: $12,454,768
Budget: $26,000,000
Profit: - $-13,545,232
Movie Details
Tag Line: Every man has a weakness. For millionaire Charley Pearl she's blonde, beautiful and loves to say "I do".
Status: Released
Average Rating: 6
Release Date: Apr 5, 1991
Rating: 1991-04-05
Run Time: 1h 56m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hollywood Pictures , Permut Presentations , Silver Screen Partners IV
Sources:
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Keywords
People Rated This
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Synopsis
Charley Pearl, wealthy heir and gadabout, is slated to marry Adele, the daughter of a Hollywood tycoon. But, during a wild bachelor party in Las Vegas, Charley strikes up a flirtation with nightclub crooner Vicki Anderson that soon leads to her bedroom. When the couple are discovered by Vicki's beau, infamous gangster Bugsy Siegel, he makes a surprising pronouncement -- they'd better marry, or Charley is a dead man.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Jerry Rees
|
| Script Supervisor |
Adell Aldrich
|
|
| First Assistant Director |
David B. Householter
|
|
| Second Assistant Director |
Richard Oswald
|
|
| Sound | Foley Artist |
Kevin Bartnof
Hilda Hodges
|
| Supervising Sound Editor |
Charles L. Campbell
Donald J. Malouf
Louis L. Edemann
|
|
| Sound Editor |
Chuck Neely
Paul Timothy Carden
Richard C. Franklin
Nils C. Jensen
Gary Mundheim
|
|
| ADR Mixer |
Jeff Courtie
Doc Kane
|
|
| ADR Editor |
Alan L. Nineberg
|
|
| Foley Mixer |
James Ashwill
|
|
| Supervising ADR Editor |
Larry Singer
|
|
| Music Editor |
Tom Villano
|
|
| Sound Re-Recording Mixer |
Shawn Murphy
Eric Gotthelf
|
|
| Boom Operator |
Todd Bassman
|
|
| Production Sound Mixer |
Tim Cooney
|
|
| Original Music Composer |
David Newman
|
|
| Editing | First Assistant Editor |
Vaune Kirby Frechette
|
| Color Timer |
Bob Kaiser
|
|
| Editor |
Michael R. Miller
Michael Jablow
Michael Tronick
|
|
| Art | Property Master |
Horst Grandt
|
| Assistant Art Director |
Bruce Crone
|
|
| Set Designer |
Dawn Snyder
Lauren E. Polizzi
|
|
| Assistant Property Master |
Larry Phillips
|
|
| Storyboard Artist |
David J. Negrón Jr.
Robert Branham
|
|
| Construction Coordinator |
Dennis DeWaay
|
|
| Set Decoration |
Jim Duffy
|
|
| Production Design |
William F. Matthews
|
|
| Art Direction |
Mark W. Mansbridge
|
|
| Crew | Unit Publicist |
David Linck
|
| Scenic Artist |
Sharleen Bright
|
|
| Special Effects Coordinator |
Roland Tantin
|
|
| Choreographer |
Jeffrey Hornaday
|
|
| Stunts |
Allan Graf
Paula Moody
Corey Michael Eubanks
|
|
| Camera | Still Photographer |
Ronald Batzdorff
|
| Key Grip |
Rick Borchardt
|
|
| Dolly Grip |
Clyde W. Smith
|
|
| Director of Photography |
Donald E. Thorin
|
|
| Production | Unit Production Manager |
Jerry Sobul
|
| Location Manager |
Charles Harrington
|
|
| Production Supervisor |
Richard Stenta
|
|
| Producer |
David Permut
|
|
| Associate Producer |
Donald Kreiss
|
|
| Casting |
Ronnie Yeskel
|
|
| Costume & Make-Up | Costume Supervisor |
Linda Matthews
|
| Makeup Artist |
Stephen Abrums
Lisa Pharren
Jim Kail
Jack Freeman
Monty Westmore
|
|
| Hairstylist |
Robert L. Stevenson
Judith A. Cory
Janice Alexander
Richard Sabre
|
|
| Key Hair Stylist |
Susan V. Kalinowski
|
|
| Key Makeup Artist |
Rick Sharp
|
|
| Costume Design |
Ruth Myers
|
|
| Writing | Writer |
Neil Simon
|
| Department | Role | Name |