The Night We Called It a Day
(2003) This nobody is about to catch a big somebody. | Released
Ratings
5.8
6
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: This nobody is about to catch a big somebody.
Status: Released
Average Rating: 6
Release Date: Aug 14, 2003
Rating: R
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: Australia , United Kingdom
Production Companies: Australian Film Finance Corporation , Baker Street , Take Partnership , New South Wales Film & Television Office , Winchester Films , Ocean Pictures , Australian Film Commission
Genres
Keywords
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Synopsis
Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Music |
Rupert Gregson-Williams
|
| Other |
Guy Fletcher
|
|
| Sound Recordist |
Guntis Sics
|
|
| Music Editor |
Simon Leadley
Matthew Skelding
Tim Ryan
|
|
| Sound Re-Recording Mixer |
Howard Bargroff
David Turner
|
|
| Dialogue Editor |
Stewart Henderson
|
|
| Sound Effects Editor |
Terry Brown
|
|
| Writing | Writer |
Michael Thomas
Peter Clifton
|
| Script Editor |
Mark Lazarus
|
|
| Costume & Make-Up | Hairstylist |
Warren Hanneman
Jason Gardner
Adele Durno
|
| Costume Design |
Emily Seresin
|
|
| Hair Supervisor |
Wendy De Waal
|
|
| Costume Supervisor |
Cappi Ireland
Nina Edwards
|
|
| Makeup Supervisor |
Deborah Lanser
|
|
| Prosthetic Makeup Artist |
Wendy Sainsbury
|
|
| Makeup Artist |
Simone Wajon
|
|
| Production | Producer |
Nik Powell
Emile Sherman
Peter Clifton
|
| Casting |
Nikki Barrett
Anousha Zarkesh
|
|
| Executive Producer |
Jonathan Shteinman
Emma Hayter
Bill Allan
Gary Smith
|
|
| Line Producer |
Barbara Gibbs
|
|
| Production Coordinator |
Sally Clarke
|
|
| Unit Manager |
Brad Roberts
Simon Lucas
|
|
| Camera | Director of Photography |
Danny Ruhlmann
|
| Clapper Loader |
Damian Church
|
|
| Second Unit Director of Photography |
Leilani Hannah
|
|
| Underwater Camera |
Roger Buckingham
|
|
| "A" Camera Operator |
Darrin Keough
|
|
| Focus Puller |
Robert Foster
Derry Field
|
|
| "B" Camera Operator |
David Knight
|
|
| Assistant Grip |
David Griffiths
|
|
| Still Photographer |
Lisa Tomasetti
|
|
| Directing | First Assistant Director |
Phil Jones
|
| Director |
Paul Goldman
|
|
| Third Assistant Director |
Hamish Roxburgh
|
|
| Script Supervisor |
Kristin Voumard
|
|
| Second Unit Director |
David Richardson
|
|
| Second Second Assistant Director |
Scott Lovelock
|
|
| Second Assistant Director |
Clair Parker
|
|
| Assistant Director |
Eddie Thorne
|
|
| Crew | Stunt Coordinator |
Richard Boué
|
| Scenic Artist |
Martin Bruveris
|
|
| Editing | Editor |
Stephen Evans
|
| First Assistant Editor |
Sara-Jane van Gyen
|
|
| Visual Effects | Visual Effects Supervisor |
Paul Butterworth
|
| Visual Effects Producer |
Jason Bath
|
|
| Art | Production Design |
Michael Philips
|
| Art Department Coordinator |
Anthea Hodge
|
|
| Art Direction |
Michael Iacono
|
|
| Set Decoration |
Tracy Dunn
|
|
| Department | Role | Name |