Ratings
Financials
Revenue: $46,900,000
Budget: $15,000,000
Profit: + $31,900,000
Movie Details
Tag Line: Sometimes The Most Desirable Relationship Is The One You Can't Have
Status: Released
Average Rating: 6
Release Date: Apr 17, 1998
Rating: 1998-04-17
Run Time: 1h 51m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: 20th Century Fox
Genres
Keywords
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Synopsis
A pregnant New York social worker begins to develop romantic feelings for her gay best friend, and decides she'd rather raise her child with him, much to the dismay of her overbearing boyfriend.
Crew
Department | Role | Name |
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Editing | Editor |
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Tariq Anwar
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Negative Cutter |
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Noëlle Penraat
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Color Timer |
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Dave Pultz
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Sound | Original Music Composer |
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George Fenton
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Sound Effects Editor |
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Eugene Gearty
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Dialogue Editor |
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Dan Korintus
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Magdaline Volaitis
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Music Supervisor |
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Alex Steyermark
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Foley Editor |
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Kam Chan
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Frank Kern
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Foley Artist |
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Marko Costanzo
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Assistant Sound Editor |
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Chris Fielder
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ADR Editor |
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Marissa Littlefield
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Hal Levinsohn
|
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Supervising Dialogue Editor |
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Fred Rosenberg
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Orchestrator |
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Jeff Atmajian
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Simon Chamberlain
|
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Supervising Sound Editor |
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Philip Stockton
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Sound Re-Recording Mixer |
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Michael Barry
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Apprentice Sound Editor |
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Allan Zaleski
|
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Sound Mixer |
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Michael Barosky
|
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Boom Operator |
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Linda Murphy
|
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Art | Production Design |
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Jane Musky
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Set Decoration |
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Susan Bode Tyson
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Art Direction |
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Patricia Woodbridge
|
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Assistant Art Director |
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Loren Weeks
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Assistant Set Decoration |
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Ellen Christiansen
|
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Storyboard Artist |
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Brick Mason
|
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Leadman |
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Dave Weinman
|
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Property Master |
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Robert Griffon Jr.
|
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Set Dresser |
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Chris Vogt
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Daniel K. Grosso
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Eric Lewin
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Richard Nelson
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Dennis Freeborn
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Damian J. Costa
|
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Construction Coordinator |
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Fred Merusi
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Art Department Coordinator |
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Janice Irwin
|
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Head Carpenter |
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George Hugel
|
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Assistant Property Master |
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John McDonnell
|
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Camera | Camera Operator |
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Florian Ballhaus
|
Additional Photography |
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David M. Dunlap
|
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Director of Photography |
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Oliver Stapleton
|
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Steadicam Operator |
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Kyle Rudolph
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Jim McConkey
|
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Key Grip |
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Robert M. Andres
|
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Second Assistant Camera |
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Heather Norton
|
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Still Photographer |
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Barry Wetcher
|
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First Assistant Camera |
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Susan Starr
|
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Best Boy Grip |
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Chris Skutch
|
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Camera Trainee |
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Lee Kazista
|
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Dolly Grip |
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Richard C. Kerekes
|
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Production | Casting |
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Daniel Swee
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Co-Producer |
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Diana Pokorny
|
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Producer |
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Laurence Mark
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Casting Associate |
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Kathleen Chopin
|
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Production Coordinator |
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John DeSimone
|
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Location Manager |
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Michael Stricks
|
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Production Accountant |
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Andrea Isaacs
|
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Assistant Location Manager |
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Paul Kramer
|
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Associate Producer |
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Petra Alexandria
|
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Assistant Production Coordinator |
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Suzanne Landau
|
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Costume & Make-Up | Assistant Costume Designer |
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Laura Jean Shannon
|
Wardrobe Coordinator |
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Sharon Globerson
|
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Costume Design |
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John Dunn
|
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Key Hair Stylist |
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Angel De Angelis
|
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Makeup Designer |
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Naomi Donne
|
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Assistant Makeup Artist |
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Carla White
|
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Assistant Hairstylist |
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Milton Buras
|
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Key Costumer |
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Iris Horta Lemos
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Tim McKelvey
|
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Wardrobe Supervisor |
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Mark Burchard
|
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Directing | Script Supervisor |
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Sheila Paige
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First Assistant Director |
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Sam Hoffman
|
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Director |
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Nicholas Hytner
|
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Second Assistant Director |
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Julie A. Bloom
|
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Writing | Screenplay |
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Wendy Wasserstein
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Novel |
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Stephen McCauley
|
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Crew | Stunt Coordinator |
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G. A. Aguilar
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Choreographer |
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Jerry Mitchell
|
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Transportation Coordinator |
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Michael Hyde
|
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Cableman |
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Mark Goodermote
|
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Unit Publicist |
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Marsha Robertson
|
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Stunts |
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Bob Colletti
|
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Lighting | Best Boy Electric |
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John G. Velez
|
Gaffer |
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Andy Day
|
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Rigging Grip |
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Craig Vaccaro
|
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Department | Role | Name |
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