Ratings
Financials
Revenue: $0
Budget: $21,000,000
Profit: - $-21,000,000
Movie Details
Tag Line: The experiment that should never have happened 41 years ago...is still going on.
Status: Released
Average Rating: 6
Release Date: Aug 3, 1984
Rating: PG
Run Time: 1h 42m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Pictures Group , New World Pictures , Cinema Group Ventures
Genres
Keywords
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Synopsis
Based on an "actual event" that took place in 1943. About a US Navy Destroyer Escort that disappeared from the Philadelphia Naval Shipyard, and sent two men 40 years into the future to 1984.
Crew
Department | Role | Name |
---|---|---|
Editing | Editor |
William Hoy
Neil Travis
|
Assistant Editor |
Terry Kelley
|
|
Color Timer |
Art Tostado
|
|
Production | Producer |
Joel B. Michaels
Douglas Curtis
|
Executive Producer |
John Carpenter
|
|
Casting |
Linda Francis
Cate Praggastis
|
|
Location Manager |
Joseph Raffill
Joseph A. Liuzzi
Steve Rhea
Reggie Jackson
|
|
Production Manager |
Billy Ray Smith
|
|
Casting Assistant |
Jeff Greenberg
|
|
Production Coordinator |
Coni Lancaster
|
|
Extras Casting Assistant |
Gary Towles
|
|
Production Assistant |
Jamie Arbuckle
Bob Blongiewicz
Brent Bowman
Eric Johnson
Phil Strauss
Randy Stricklin
Catherine Davis
Randall L. Crocker
Gerald North
|
|
Production Secretary |
Teresa Thomas
Susan Sinclair
Tonya Neff
|
|
Lighting | Electrician |
Michael LaViolette
Bobby Huber
Alan Brownstein
Paul Hauser
Michael Bolner
Garfield Burke
Vincent Contarino
Ron Sky
Nick Cline
Bryan Clifton
|
Gaffer |
Roger Olkowski
|
|
Best Boy Electric |
Ben Hausing
Wayne Stroud
Robert McClure
|
|
Genetator Operator |
Victor Kloster
|
|
Camera | Best Boy Grip |
Philip Sloan
Jeff 'Moose' Howery
|
Grip |
Edward 'Tantar' LeViseur
Michael Stocks
David Michels
Dylan Shephard
Scott Prescott
Norman Fightmaster
|
|
First Assistant Camera |
Paul Elliott
|
|
Director of Photography |
Dick Bush
|
|
Camera Operator |
Robert Hayes
|
|
Second Assistant Camera |
Steven Finestone
|
|
Still Photographer |
M.J. Elliott
Michael Paris
|
|
Key Grip |
Ron McCausland
|
|
Assistant Camera |
Gary Louzon
|
|
Directing | First Assistant Director |
Jeffrey Chernov
Pat Kehoe
|
Director |
Stewart Raffill
|
|
Second Assistant Director |
Gail Joyce Fortmuller
|
|
Writing | Story |
Don Jakoby
Wallace C. Bennett
|
Novel |
Charles Berlitz
William L. Moore
|
|
Screenplay |
William Gray
Michael Janover
|
|
Sound | Original Music Composer |
Kenneth Wannberg
|
Sound Mixer |
Robert Gravenor
|
|
Supervising Sound Editor |
John K. Adams
|
|
Sound Designer |
David Lewis Yewdall
|
|
Foley Artist |
John Post
Duane Hensel
|
|
ADR & Dubbing |
Devon Heffley Curry
Barbara J. Boguski
|
|
Dialogue Editor |
Steve Rice
|
|
Sound Effects |
Charles Ewing Smith
Dick Le Grand
|
|
Music Editor |
John R. Harris
|
|
Boom Operator |
James T. Burns
|
|
Crew | Stunt Double |
Jon H. Epstein
|
Stunts |
Monty Cox
Glory Fioramonti
Sherry Peterson
|
|
Unit Publicist |
Al Ebner
|
|
Special Effects Coordinator |
Lawrence J. Cavanaugh
|
|
Stunt Coordinator |
Fernando Celis
|
|
Pilot |
John D. Sarviss
Lawrence Doll
|
|
Carpenter |
Robert Marcus
|
|
Generator Operator |
Victor Kloster
|
|
Craft Service |
Rudy Daniels
|
|
Special Effects |
Max W. Anderson
|
|
Art | Construction Coordinator |
Bill Cornford
|
Art Direction |
Chris Campbell
|
|
Title Designer |
Douy Swofford
|
|
Set Decoration |
Diane Campbell
|
|
Lead Set Dresser |
Brit Babcock
Eric Handel
|
|
Property Master |
Lee Berglund
|
|
Costume & Make-Up | Makeup Artist |
Annie Maniscalco
|
Costume Design |
Joanna Palace
|
|
Hairstylist |
Joe Giannone
|
|
Wardrobe Assistant |
Steve Lepre
Marydith Chase
|
|
Department | Role | Name |
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