Ratings
Financials
Revenue: $20,324,096
Budget: $0
Profit: + $20,324,096
Movie Details
Tag Line: He didn't want to share the murder investigation. There's no way he's going to share his daughter.
Status: Released
Average Rating: 6
Release Date: Jun 10, 1988
Rating: R
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount
Genres
Keywords
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Synopsis
Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell's daughter is not helping their relationship.
Crew
Department | Role | Name |
---|---|---|
Writing | Screenplay |
Larry Ferguson
|
Art | Production Design |
Albert Brenner
|
Set Decoration |
Marvin March
|
|
Property Master |
C.J. Maguire
|
|
Construction Coordinator |
Richard Dean Rankin
|
|
Set Designer |
Roland E. Hill Jr.
Harold Fuhrman
Bernard P. Cutler
|
|
Assistant Property Master |
Frank L. Brown
|
|
Art Direction |
Kandy Stern
|
|
Production | Casting |
Janet Hirshenson
Jane Jenkins
|
Unit Production Manager |
Fred C. Caruso
|
|
Co-Producer |
Fred C. Caruso
|
|
Location Manager |
Mario Iscovich
|
|
Producer |
D. Constantine Conte
|
|
Production Office Coordinator |
Yvonne Yaconelli
|
|
Executive Producer |
Jonathan A. Zimbert
|
|
Extras Casting |
Nancy Hayes
|
|
Crew | Stunts |
David R. Ellis
Buddy Joe Hooker
Jophery C. Brown
Dick Ziker
Ronnie Rondell Jr.
Tim A. Davison
Chuck Picerni Jr.
Kenny Endoso
Janet Brady
|
Stunt Coordinator |
Glenn R. Wilder
|
|
Special Effects Coordinator |
Phil Cory
|
|
Unit Publicist |
Anne Marie Stein
|
|
Special Effects |
Al Broussard
|
|
Transportation Coordinator |
Leroy Reed
|
|
Cableman |
Mark Jennings
|
|
Camera | Camera Operator |
Ralph Gerling
|
Director of Photography |
Peter Hyams
|
|
Still Photographer |
Ralph Nelson Jr.
|
|
Second Assistant Camera |
Michael P. May
|
|
First Assistant Camera |
Baird Steptoe
Steve Peterson
|
|
Dolly Grip |
John Hennessey
|
|
Costume & Make-Up | Makeup Artist |
Stephen Abrums
Brad Wilder
|
Hairstylist |
Sugar Blymyer
|
|
Wardrobe Supervisor |
Michael W. Hoffman
Aggie Lyon
|
|
Set Costumer |
Dallas D. Dornan
|
|
Sound | Sound Editor |
David B. Cohn
Beth Sterner
Hamilton Sterling
Asher Yates
|
Original Music Composer |
Bruce Broughton
|
|
Orchestrator |
Mark McKenzie
|
|
Music Editor |
Curt Sobel
|
|
Sound Re-Recording Mixer |
Carlos Delarios
Michael J. Kohut
Aaron Rochin
|
|
ADR Supervisor |
Thomas Whiting
|
|
Supervising Sound Editor |
Randle Akerson
Norval D. Crutcher III
|
|
Dolby Consultant |
David W. Gray
|
|
Foley Supervisor |
Mark Pappas
|
|
Boom Operator |
Steve Cantamessa
|
|
Scoring Mixer |
Armin Steiner
|
|
Production Sound Mixer |
Gene S. Cantamessa
|
|
Directing | Director |
Peter Hyams
|
First Assistant Director |
Alan B. Curtiss
|
|
Second Assistant Director |
Regina Gordon
|
|
Script Supervisor |
Julie Pitkanen
|
|
Second Second Assistant Director |
Brian Fong
|
|
Editing | Editor |
James Mitchell
Diane Adler
Beau Barthel
|
Assistant Editor |
Gillian L. Hutshing
Beverly Pinnas
|
|
Color Timer |
Bob Noland
|
|
Lighting | Chief Lighting Technician |
Tim Griffith
|
Assistant Chief Lighting Technician |
Walter Nichols
E. Christopher Reed
|
|
Department | Role | Name |