The Salton Sea
(2002) If you're looking for the truth, you've come to the wrong place. | Released
Ratings
41%
6.6
7.2
62%
Financials
Revenue: $676,698
Budget: $18,000,000
Profit: - $-17,323,302
Movie Details
Tag Line: If you're looking for the truth, you've come to the wrong place.
Status: Released
Average Rating: 7
Release Date: Feb 2, 2002
Rating: R
Run Time: 1h 43m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Humble Journey Films , Castle Rock Entertainment , Darkwoods Productions
Genres
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Synopsis
After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Thomas Newman
|
| Sound Effects Designer |
Mark A. Mangini
|
|
| Music Editor |
Bill Bernstein
|
|
| Sound Effects Editor |
George Simpson
|
|
| Dialogue Editor |
Mary Andrews
Petra Bach
|
|
| Supervising Sound Editor |
Howell Gibbens
|
|
| Foley Editor |
Thom Brennan
|
|
| Supervising ADR Editor |
Elizabeth Kenton
|
|
| Sound Recordist |
Eric Bretter
|
|
| Orchestrator |
Thomas Pasatieri
|
|
| Boom Operator |
Bill Shotland
|
|
| Production | Casting |
Deborah Aquila
|
| Producer |
Frank Darabont
Eriq La Salle
Butch Robinson
Ken Aguado
|
|
| Executive Producer |
Jim Behnke
|
|
| Production Manager |
Jim Behnke
|
|
| Location Manager |
Rob Gibson
Bob Berkus
|
|
| Production Supervisor |
Alison Harstedt
|
|
| Production Coordinator |
Shari LaFranchi Blakney
|
|
| Costume & Make-Up | Costume Design |
Karyn Wagner
|
| Makeup Department Head |
Bill Corso
|
|
| Tattoo Designer |
Ken Diaz
|
|
| Key Hair Stylist |
Patricia Miller
|
|
| Hairstylist |
Norma Lee
|
|
| Costume Supervisor |
Alison Gail Bixby
|
|
| Key Makeup Artist |
Ashlee Petersen
|
|
| Key Costumer |
Leslie Sungail
|
|
| Crew | Stunts |
Henry Kingi
Bob Brown
Tim Trella
Danny Wynands
|
| Studio Teachers |
Judith M. Brown
Jack Tice
Thomas John McGowan
Ruth Auerbach
|
|
| Special Effects Coordinator |
Darrell Pritchett
|
|
| Stunt Coordinator |
Manny Perry
|
|
| Armorer |
David Aaron
Roland Bleitz
|
|
| Propmaker |
David Fanderlik
|
|
| Post-Production Manager |
Christy Dimmig
|
|
| Directing | Director |
D. J. Caruso
|
| First Assistant Director |
Tony Adler
|
|
| Script Supervisor |
Susan Malerstein
|
|
| Editing | Editor |
Jim Page
|
| First Assistant Editor |
Tracey Wadmore-Smith
Vince Filippone
|
|
| Art | Production Design |
Tom Southwell
|
| Art Direction |
Douglas Cumming
|
|
| Construction Coordinator |
John R. Elliott
|
|
| Set Designer |
Eric Sundahl
|
|
| Set Decoration |
Amanda Moss Serino
|
|
| Sculptor |
Kenneth Garrett
|
|
| Greensman |
Steve Borgese
|
|
| Property Master |
Lynda Reiss
|
|
| Art Department Coordinator |
Kent Johnson
|
|
| Construction Foreman |
Larry Guy Clause
|
|
| Painter |
Tim Gomes
|
|
| Leadman |
Greg Wilkinson
|
|
| Writing | Screenplay |
Tony Gayton
|
| Camera | Director of Photography |
Amir Mokri
|
| Still Photographer |
Stephen Vaughan
|
|
| Camera Operator |
Philippe Carr-Forster
Daniel C. Gold
|
|
| Steadicam Operator |
Chris Haarhoff
|
|
| First Assistant Camera |
John Grillo
|
|
| Key Grip |
Richard Mall
|
|
| Dolly Grip |
David Pearlberg
|
|
| Lighting | Chief Lighting Technician |
Max Pomerleau
|
| Gaffer |
Joseph F. Warren
|
|
| Best Boy Electric |
Greg Cantrell
|
|
| Rigging Grip |
Kris Guthrie
|
|
| Rigging Gaffer |
George A. Hock
|
|
| Lighting Technician |
Morten Petersen
|
|
| Department | Role | Name |