The Secret of My Success
(1987) There's no such thing as an overnight success. Brantley Foster took two weeks. | Released
Ratings
36%
6.5
6.5
55%
Financials
Revenue: $110,996,879
Budget: $12,000,000
Profit: + $98,996,879
Movie Details
Tag Line: There's no such thing as an overnight success. Brantley Foster took two weeks.
Status: Released
Average Rating: 7
Release Date: Apr 10, 1987
Rating: PG-13
Run Time: 1h 51m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Rastar Productions
Genres
Keywords
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Synopsis
Brantley Foster, a well-educated kid from Kansas, has always dreamed of making it big in New York, but once in New York, he learns that jobs - and girls - are hard to get. When Brantley visits his uncle, Howard Prescott, who runs a multi-million-dollar company, he is given a job in the company's mail room.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Extras Casting |
Joy Todd
|
| Producer |
Herbert Ross
|
|
| Unit Production Manager |
Joseph M. Caracciolo
|
|
| Line Producer |
Joseph M. Caracciolo
|
|
| Executive Producer |
David Chasman
|
|
| Associate Producer |
Nora Kaye
|
|
| Directing | Director |
Herbert Ross
|
| Second Assistant Director |
Louis D'Esposito
|
|
| First Assistant Director |
Robert V. Girolami
|
|
| Script Supervisor |
B.J. Bjorkman
|
|
| Second Second Assistant Director |
Jane Paul
|
|
| Crew | Stunt Double |
Charles Croughwell
|
| Stunts |
Danny Aiello III
Tom Wright
Lance Guecia
Bill Anagnos
Gary Tacon
Michael Russo
Nicholas J. Giangiulio
Jery Hewitt
Edgard Mourino
Phil Neilson
Konrad Sheehan
|
|
| Stunt Coordinator |
Victor Magnotta
|
|
| Unit Publicist |
Lucius Barre
|
|
| Costume & Make-Up | Makeup Artist |
Fern Buchner
|
| Costume Design |
Joseph G. Aulisi
|
|
| Hairstylist |
Joseph Coscia
|
|
| Writing | Screenplay |
Jim Cash
Jack Epps Jr.
|
| Writer |
AJ Carothers
|
|
| Editing | Editor |
Paul Hirsch
|
| Assistant Editor |
Peck Prior
Adam Bernardi
John Murray
|
|
| Camera | Director of Photography |
Carlo Di Palma
|
| Camera Operator |
Michael Stone
|
|
| First Assistant Camera |
Michael Green
|
|
| Still Photographer |
Josh Weiner
|
|
| Key Grip |
Norman Buck
|
|
| Dolly Grip |
Tom Gilligan
|
|
| Second Assistant Camera |
Jay Levy
|
|
| Art | Production Design |
Peter S. Larkin
Edward Pisoni
|
| Set Decoration |
Susan Bode Tyson
|
|
| Property Master |
Walter Stocklin
|
|
| Sound | Supervising Sound Editor |
Lon Bender
Wylie Stateman
|
| Sound Mixer |
James Sabat
|
|
| Original Music Composer |
Boris Blank
David Foster
|
|
| Music Supervisor |
Jeb Brien
Tommy Mottola
|
|
| Sound Re-Recording Mixer |
Steve Maslow
Robert J. Litt
Elliot Tyson
|
|
| Sound Editor |
Hugo Weng
Marshall Winn
Randy Kelley
Larry Kemp
Anna Boorstin
|
|
| ADR Editor |
Joe Gilbert
|
|
| Sound Recordist |
Frank Graziadei
|
|
| Supervising ADR Editor |
Stan Gilbert
|
|
| Boom Operator |
Louis Sabat
|
|
| Music Editor |
Daniel Allan Carlin
|
|
| Lighting | Electrician |
Kevin Fitzpatrick
Jack Coffen
Francis J. McBride
|
| Gaffer |
William Ward
|
|
| Department | Role | Name |